As a boy, Israel Baline had to work after school to help his poor immigrant family. He sold newspapers on street corners to help his family survive. He loved to sing to pass the time, and sometimes listeners tossed an extra penny or two at his feet. No one who heard him could have guessed that he would someday become known as Irving Berlin, the best-loved songwriter in the land. The composer of "God Bless America," "White Christmas," and many other well-known tunes began his musical career on the streets and in the seedy cafes of New York City's Lower East Side. Author Tom Streissguth tells Berlin's remarkable story in lively prose that captures the spirit of the long-gone days of ragtime, vaudeville, and Broadway glory.

Full-Length Musical | Say It With Music tells the story of Irving Berlin, a Russian immigrant with no formal education, and his pursuit of the American dream as he becomes the most successful songwriter in the world. Using dozens of popular hits from Berlin's voluminous songbook, this show about the master songwriter and the country that shaped him is as American as apple pie! (2M, 1F, Flexible)

A Japanese American farmer recounts her agricultural successes and setbacks and her enduring love of dance. Based on the true life story of Alice Sumida, who with her husband Mark, established the largest gladiola bulb farm in the country during the lasthalf of the twentieth century.

"An illumination for music lovers and an inspiration to songwriters." - Booklist Working within the limits of a popular song, the songwriters of the Great American Songbook wrote with a combination of familiarity and freshness—sentiment and wit. The songwriters were masters of craft who created a distinctively American popular music that still resonates strongly today. This book looks at the Great American Songbook’s craft and its mastery. Michael Lasser and Harmon Greenblatt uncover the essential elements of these beloved songs and investigate the qualities that make the songbook a unique staple of American culture. Filled with interesting anecdotes, each chapter looks at a variety of songs thematically and dives into the lives of songwriters. Ultimately, Lasser and Greenblatt reveal the genius behind this body of music and show us why the Great American Songbook has stood the test of time.

America's Songs tells the stories behind the most beloved popular songs of the last century. We all have songs that have a special meaning in our lives; hearing them evokes a special time or place. Little wonder that these special songs have become enduring classics. Nothing brings the roarin '20s to life like Tea for Two or I'm just Wild About Harry; the Great Depression is evoked in all of its pain and misery in songs like Brother Can You Spare a Dime?; God Bless America revives the powerful hope that American democracy promised to the world during the dark days of World War II; Young at Heart evokes the postwar optimism of the '50s. And then there are the countless songs of love, new romance, and heartbreak: As Time Goes By, Always, Am I Blue...the list is endless. Along with telling the stories behind these songs, America's Songs suggests, simply and succinctly, what makes a song great. The book illuminates the way each great song melds words and music - sentiment and melody - into a seamless whole. America's Songs also traces the fascinating but mysterious process of collaboration, the give-and-take between two craftsmen, a composer and a lyricist, as they combined their talents to create a song. For anyone interested in the history of the songs that America loves, America's Songs will make for fascinating reading.

(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.

Without any formal training in music composition, Irving Berlin took a knack for music and turned it into the most successful songwriting career in American history. Berlin was the first Tin Pan Alley songwriter to go uptown to Broadway with a complete musical score (Watch Your Step in 1914); he is the only songwriter to build a theater exclusively for his own work (The Music Box); and his name appears above the title of his Broadway shows and Hollywood films (Irving Berlin's Holiday Inn), still a rare honor for songwriters. Berlin is also notable due the length of his career in American Song; he sold his first song at the age of 18 and passed away at the age of 101 having outlived several of his own copyrights. Throughout his career, Berlin showed that a popular song need not be of a lesser quality than songs informed by the principles of "classical" music composition. Forty years after his last published song many of his songs remain popular and several have even entered folk song status, something no other 20th-century American songwriter can claim. As one of the most seminal figures of twentieth century, both in the world of music and in American culture more generally, and as one of the rare songwriters equally successful with popular songs, Broadway shows, and Hollywood scores, Irving Berlin is the subject of an enormous corpus of writing, scattered throughout countless publications and archives. A noted performer and interpreter of Berlin's works, Benjamin Sears has unprecedented familiarity with these sources and brings together in this Reader a broad range of the most insightful primary and secondary materials. Grouped together according to the chronology of Berlin's life and work, each section and article features a critical introduction to orient the reader and contextualize the materials within the framework of American musical history. Taken as a whole, the writings - many by Berlin himself -- provide a new perspective on Berlin that highlights his musical genius in the context of his artistic development.