Julie Reece Deaver's classic novel of loss and gradual acceptance has touched the hearts of ordinary readers for more than twenty years. Morgan and Jimmy have been best friends forever, and know each other inside out. They do everything together—they even argue well. But after a terrible accident, Morgan suddenly has to face life alone. Without Jimmy around, though, it’s like the best part of her has died. How could he do this to her? This moving novel has been used in grief counseling teen in counseling centers around the country, and it remains as fresh and poignant as when it was first published.

THE STORY: The place is a shabby apartment in New York's East Village, which Jerry an aspiring young actor, shares with Ginny, a secretary. They are joined by Jerry's high-school friends: Steve, a prankish would-be poet and television writer; and B

In 1880s Colorado, clumsy Grace Sullivan tumbles right on top of brawny gold miner Jon Erickson, breaking his leg and stealing his heart. Original.

Parents get their dinosaurs to bed.

Something scary is happening to seventeen-year-old Jamie Tessman. Ever since she and her mother arrived in Chicago, she’s been plagued by freaky mind-slips and vivid daydreams about her sort-of boyfriend, Webb. When Jamie’s inner world starts taking her hostage and keeping her imprisoned for longer periods of time, she becomes terrified that she is slowly losing her mind. Jamie’s mom doesn’t seem to notice anything is wrong. No one does—until Jamie meets Morgan, a new friend who’s had her own “brush with nuttiness.” When Jamie disappears into her inner world one night and can’t find her way out, Morgan sees to it that Jamie finally gets help. Morgan’s aunt, a psychiatrist, breaks through Jamie’s paralyzing fear and helps her unravel a tangle of long-forgotten, horrifying secrets in her past...

A collection of poems by American poet Lloyd Schwartz which reflects themes of "time and mortality."

"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling of both performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--

Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! "Junior high will be a blast," promises Andrea Manetti's best friend. But while exciting things are happening at school—new friends, boys, and a chance to star in the musical—Andrea's home life is falling apart. Her parents are always fighting; her mom's new job means Andrea has to help more with the family. And then there's Andrea's brother. Can Andrea keep her family together—and keep their secrets from getting out? And why does the boy at school who hates her seem to be the only one who understands her?

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.