SAVE ME A PLACE AT FOREST LAWN is a small but perceptive slice of the lives of two old women, Clara and Gertrude, as they lunch at a cafeteria and face the uncertain interval of life still remaining. Tired, lonely, and weary of it all, they meet daily to discuss their grandchildren, to recall their early life, and to contemplate death, which lurks outside the cafeteria. Yet theirs is a resignation touched with wisdom and humor. When one of the ladies reveals that she had an affair with the other's husband many years before, her friend concedes very casually that she had known about it all along. At the time she had concluded that no great harm would come of it and, besides, it seemed better to protect the friendship which might, in later years, relieve their final, mutual loneliness. -- Dramatists Play Service.

THE STORY: Friendship is the tie that binds in this bittersweet and candid look at remembered love, forgotten promises, living with choices and dying with dignity. A PLACE AT FOREST LAWN follows the journey of discovery, peace and ultimate reconcil

This unique auto-ethnographic study of life at the Coffee House Positano—a Bohemian coffee house in Malibu, California—during the late 1950s and early 1960s is a combination of historical reconstruction and personal memoir. An ebook consisting of a collection of memories expressed through multiple formats—text, image, audio, and video—it describes in illuminating detail the great range of people who frequented Positano and the activities that took place there over its short but influential existence. As an ethnographer analyzing his own culture, author Jay Ruby uses a unique ethnographic method known as “studying sideways.” He combines the exploration of self and others with the theoretical framework of anthropology to provide deep insight into the counterculture of late 1950s and early 1960s America. He shares his connection to Positano, where he lived and worked from 1957 to 1959 and again in 1963, and reflects on Positano in the context of US counterculture and the greater role of countercultures in society. This intimate and significant work will be of interest to anthropologists as well as scholars and the general reader interested in California history, Beat culture, and countercultural movements.

Renowned, award-winning actress Heckart knew everybody in Hollywood - and her son spills the stories she could never tell.

For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars – Chaplin, Pickford, Fairbanks – to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions – good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1 000 photos!

Beyond the Earthly Flowers: A Collection of Poetry By: Frank Nizzare Beyond the Earthly Flowers contains powerful poetry with emotion, spirituality, ideals, love, fantasy, and philosophy. Poet Frank Nizzare uses his own life experiences to express a wide array of experiences through insightful and meaningful poetry through dreamlike stanzas that will leave readers captivated.

The Blackfriars Theatre, founded in 1940, was one of New York's first Off-Broadway playhouses. It was unique in another way: it was the only professional level theatre in the United States under Roman Catholic auspices. This book examines the efforts of the Blackfriars staff to meld theatre and religion between 1940 and 1972.