"A sheer delight and will have readers laughing out loud by the second page." —Daytona Beach News-Journal Southern manners, mint julips, cold-blooded larceny, and sweet revenge collide in this rollicking tale from the delightfully charming New York Times bestselling author of Hissy Fit and Savannah Blues The Breeze Inn is a place where very classy Southern belle Bebe Loudermilk normally wouldn’t be caught dead. But a brief, disastrous relationship with gorgeous “investment counselor” con man Reddy has cost her nearly all her worldly possessions. All that’s left is the ramshackle 1950s motel on Tybee Island, a “drinking village with a fishing problem.” Moving into the manager’s unit, BeBe vows to make magic out of mud, and with the help of the inn’s cantankerous caretaker, Harry, and her junking friend, Weezie, she soon has the motel spiffed up and attracting paying guests. But all it takes is one Reddy sighting in Fort Lauderdale for BeBe to drop everything and haul her hastily assembled posse south to participate in a somewhat outside-the-law sting. With a little luck, BeBe might get her fortune back, Harry (who’s looking hunkier every day) might get his boat back, and Reddy might get the prison stripes he so richly deserves.

"Antiques dealer Weezie Foley and her best friend BeBe Loudermilk are feeling a little overwhelmed as the December holidays approach in Savannah. Weezie is trying to prepare for her Christmas wedding to Daniel Stipanek while he's off in New York City working as a guest chef for the beautiful Carlotta Carlucci. The very pregnant BeBe is set to deliver at any minute, although she refuses to marry the baby's father, even though she's in love with him."--Library Journal.

Can this wedding be saved? Up-and-coming floral designer Cara Kryzik is about to score the wedding of a lifetime—one that will solidify her career as the go-to-girl for Savannah society nuptials. The only problem is, life seems to be conspiring against her. Cara's implacable father, "The Colonel", doesn't believe in Cara's business savvy and is about to call in his twenty-thousand-dollar loan. Then, on the morning that someone steals her dog, Cara's refrigerator goes on the blink, turning twelve thousand dollars' worth of gorgeous blooms into road kill. And if that's not enough, the dog-napper, Jack Finnerty, turns up at her latest wedding and then mysteriously leaves her stranded on the dance floor. All this turmoil will be solved if Cara can pull off the lavish Trappnell-Strayhorn wedding. The payday will solve all her problems—even the looming problem of a celebrated florist named Cullen Keane who is moving into her turf from Charleston. But the wedding is in six weeks, the bride is acting strangely (even for a bride) and the stepmother of the bride is becoming Cara's biggest headache. What Cara needs is to focus, but that's not easy when Jack is turning up at every wedding in Savannah (the man seems to know everybody), with Cara in his sights and seduction on his mind. When Brooke Trappnell spirals into a shocking crisis and the wedding is in jeopardy, Cara must come to the rescue and figure out what she really believes in. Is it love? Is it her own strength? In the end, for everyone, "Save the Date" has more meanings than one. Told with Mary Kay Andrews's trademark wit and keen eye for detail, Save the Date is the New York Times bestselling novel you won't want to miss.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

It's the week before Christmas, and antiques dealer Weezie Foley is in a frenzy to garnish her shop for the Savannah historical district decorating contest, which she intends to win. Weezie is ready to shoot herself with her glue gun by the time she's done, but the results are stunning. She's certainly one-upped the owners of the trendy boutique around the corner, but suddenly things start to go missing from her display, and there seems to be a mysterious midnight visitor to her shop. Still, Weezie has high hopes for the holiday—maybe in the form of an engagement ring from her chef boyfriend. But Daniel, always moody at the holidays, seems more distant than usual. Throw in Weezie's decidedly odd family, a 1950s Christmas tree pin, and even a little help from the King himself (Elvis, that is), and maybe there will be a pocketful of miracles for Weezie this Christmas Eve. Back by popular demand, this new edition of the holiday classic includes an essay by the author, tips for "keeping the happy in holidays," additional recipes, and more.

Scars is a novel about whiteness, racism, and breaking past the normative boundaries of heterosexuality, as experienced through eighteen year old Savannah Penelope Sales. Savannah is a Black girl, born and raised in a white, working class, and rural New England town. She is in denial of her lesbian sexuality, harbors internalized racism about her body, and is ashamed of being poor. She lives with her ailing mother whose Emphysema is a symptom of a mysterious past of suffering and sacrifice that Savannah is not privy to. When Savannah takes her first trip to a major metropolitan city for two days, she never imagines how it will affect her return back home to her mother ... or her capacity to not only love herself, but also those who she thought were her enemies. Scars is about the journey of friends and family who love Savannah and try to help her heal, all while they too battle their own wounds and scars of being part of multiple systems of oppression and power. Ultimately, Scars makes visible the psychological trauma and scarring that legacies of colonialism have caused to both the descendants of the colonized and the colonizer ... and the potential for healing and reconciliation for everyone willing to embark on the journey. As a work of social fiction born out of years of critical race, Black feminist, and critical whiteness studies scholarship, Scars engages the reader to think about USA culture through the lenses of race, whiteness, working-class sensibilities, sexual orientation, and how rural geography influences identity. Scars can be used as a springboard for discussion, self-reflection and social reflection for students enrolled in American Studies, Sociology, Women's Studies, Sexuality Studies, African American Studies, human geography, LGBTQ studies and critical whiteness studies courses, or it can be read entirely for pleasure. Social Fictions Series Editorial Advisory Board: Carl Bagley, University of Durham, UK Anna Banks, University of Idaho, USA Carolyn Ellis, University of South Florida, USA Rita Irwin, University of British Columbia, Canada J. Gary Knowles, University of Toronto, Canada Laurel Richardson, The Ohio State University (Emeritus), USA A. Breeze Harper has a BA in feminist geography, from Dartmouth College, a MA in Educational Technologies from Harvard University, and a PhD from the University of California, Davis, where she studied applications of critical race feminism, critical whiteness studies, and critical food studies within cultural geography. Harper is also the author of the book, Sistah Vegan: Black Female Vegans Speak on Food, Identity, Health, and Society (Lantern Books 2010). www.abreezeharper.com

Pull up a lounge chair and have a cocktail at Sunset Beach – it comes with a twist. Drue Campbell’s life is adrift. Out of a job and down on her luck, life doesn’t seem to be getting any better when her estranged father, Brice Campbell, a flamboyant personal injury attorney, shows up at her mother’s funeral after a twenty-year absence. Worse, he’s remarried – to Drue’s eighth grade frenemy, Wendy, now his office manager. And they’re offering her a job. It seems like the job from hell, but the offer is sweetened by the news of her inheritance – her grandparents’ beach bungalow in the sleepy town of Sunset Beach, a charming but storm-damaged eyesore now surrounded by waterfront McMansions. With no other prospects, Drue begrudgingly joins the firm, spending her days screening out the grifters whose phone calls flood the law office. Working with Wendy is no picnic either. But when a suspicious death at an exclusive beach resort nearby exposes possible corruption at her father’s firm, she goes from unwilling cubicle rat to unwitting investigator, and is drawn into a case that may – or may not – involve her father. With an office romance building, a decades-old missing persons case re-opened, and a cottage in rehab, one thing is for sure at Sunset Beach: there’s a storm on the horizon. Sunset Beach is a compelling ride, full of Mary Kay Andrews' signature wit, heart, and charm.

With its lush gardens, stately town houses, and sprawling plantations, Savannah is the epitome of old Southern style, and who better to give you the grand tour than Paula Deen, the city’s most famous resident and anointed Queen of Southern Cuisine? In this gorgeous, richly illustrated book, Paula Deen shares a full year of Southern living. Whether it’s time to put out your best china and make a real fuss, or you’re just gathering for some sweet tea on the porch at dusk, Savannah style is about making folks feel welcome in your home. With the help of decorator and stylist Brandon Branch, you’ll learn how to bring a bit of Southern charm into homes from Minnesota to Mississippi. For each season, there are tips on decorating and entertaining. In the spring, you’ll learn how to make the most of your outdoor spaces, spruce up your porch, and make your garden inviting. In the summer, things get more casual with a dock party. Sleeping spaces, including, of course, the sleeping porch, are the focal point of this chapter. In the fall, cooler weather brings a return to more formal entertaining in the dining room, and in the winter, attention returns to the hearth, as Paula and her neighbors put out their best silver and show you how they celebrate the holidays. Paula loves getting a peek at her neighbors’ parlors, so she’s included photographs of some of Savannah’s grandest homes. From the vast grounds of Lebanon Plantation to the whimsically restored cottages on Tybee Island, you’ll see the unique blend of old-world elegance and laid-back hospitality that charmed Paula the moment she arrived from Albany, Georgia, with nothing but two hundred dollars and a pair of mouths to feed. And she isn’t shy about giving you a window into her own world, either. From her farmhouse kitchen to her luxurious powder room, you’ll see how Paula lives when she’s not in front of the camera. Packed with advice and nostalgia, Paula Deen’s Savannah Style makes it easy to bring gracious Southern living to homes north and south of the Mason-Dixon Line.

Sometimes, when you need a change in your life, the tide just happens to pull you in the right direction... Ellis, Julia, and Dorie. Best friends since Catholic grade school, they now find themselves, in their mid-thirties, at the crossroads of life and love. Ellis, recently fired from a job she gave everything to, is rudderless and now beginning to question the choices she's made over the past decade of her life. Julia--whose caustic wit covers up her wounds--has a man who loves her and is offering her the world, but she can't hide from how deeply insecure she feels about her looks, her brains, her life. And Dorie has just been shockingly betrayed by the man she loved and trusted the most in the world...though this is just the tip of the iceberg of her problems and secrets. A month in North Carolina's Outer Banks is just what they each of them needs. Ty Bazemore is their landlord, though he's hanging on to the rambling old beach house by a thin thread. After an inauspicious first meeting with Ellis, the two find themselves disturbingly attracted to one another, even as Ty is about to lose everything he's ever cared about. Maryn Shackleford is a stranger, and a woman on the run. Maryn needs just a few things in life: no questions, a good hiding place, and a new identity. Ellis, Julia, and Dorie can provide what Maryn wants; can they also provide what she needs? Mary Kay Andrews' novel is the story of five people questioning everything they ever thought they knew about life. Five people on a journey that will uncover their secrets and point them on the path to forgiveness. Five people who each need a sea change, and one month in a summer rental that might just give it to them. Summer Rental is one of Library Journal's Best Women's Fiction Books of 2011

"Andrews is at her best in this thoroughly satisfying story with the right blend of mystery, romance, and sharply funny writing." — Orlando Sentinel A delicious tale of revenge and renovation from New York Times bestselling author Mary Kay Andrews The night before her wedding, in the middle of an oh-so-smart rehearsal dinner, interior decorator Keeley Murdock chances upon her fiancé and maid of honor in flaming flagrante delicto. Keeley throws the hissy fit to end all hissy fits, storms out and earns herself instant notoriety in her tiny hometown of Madison, GA. The next day, though, she has to deal not only with a broken engagement but also with her business being shut out by folks in a town financially obligated to her ex. Rescue comes in the form of the new owner of the local bra plant. A hunk of a guy, Keeley can’t decide if he’s a hopeless romantic or hopelessly weird. Either way, he’s hired her to redo the broken-down antebellum mansion he’s bought for the woman of his dreams. The woman—now here’s the weird part—that he’s never met. Or maybe he just has.