I spent ten years forgetting Wilder Flint, and it took every minute. I should have known better than to fall for his shallow charms and deep blue eyes, but I was good at calculus and bad at understanding people. He shredded my heart to pieces, but I moved away, grew up, and got over him. At least, I thought I did. Of course he shows up again in my new life. He’s got the same eyes, the same cocky grin, and a brand-new swagger that makes me weak in the knees. I’ve got a summer research project in the Arctic and three canceled flights. Wilder’s got a plane. But when we crash deep in the middle of nowhere, all we’ve got is each other. I've spent ten years hating Wilder for what he did to me back then. I don't know if I can forgive him. I don't know how to forgive him. But that doesn’t mean I can resist him. After all, love and hate aren’t so different. The Savage Wild is a high-heat standalone romance. It's for fans of survival romance, enemies who become lovers, heroes who grovel, and anyone who likes a little pining. The hero is a rugged, outdoorsy bush pilot who's former military, and the heroine is the dorky scientist who has no choice but to trust him even though he broke her heart. It's a steamy, sweet story, and of course there's an HEA! This standalone is for fans of Sara Ney, Ava Harrison, and Rina Kent.

The transformation of man to beast is a central aspect of traditional pagan rituals that are centuries old and which celebrate the seasonal cycle, fertility, life and death.

The “reigning romance queens” (PopSugar) and New York Times bestselling authors of The Soulmate Equation and The Unhoneymooners present a charming and laugh-out-loud funny novel filled with adventure, treasure, and, of course, love. Growing up the daughter of notorious treasure hunter and absentee father Duke Wilder left Lily without much patience for the profession…or much money in the bank. But Lily is resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of buying back the beloved ranch her father sold years ago, and definitely not enough to deal with the sight of the man she once loved walking back into her life with a motley crew of friends ready to hit the trails. Frankly, Lily would like to take him out into the wilderness and leave him there. Leo Grady knew mirages were a thing in the desert, but they’d barely left civilization when the silhouette of his greatest regret comes into focus in the flickering light of the campfire. Ready to leave the past behind him, Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily Wilder is all business, drawing a clear line in the sand: it’s never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn’t a gimmick after all. There’s a chance to right the wrongs—of Duke’s past and their own—but only if Leo and Lily can confront their history and work together. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they’ll risk their lives and hearts on the treasure hunt of a lifetime. This page-turning adventure full of second chances, complicated relationships, and the breathtaking beauty of the American Southwest will take you on one wild ride.

"A slightly different version of this work was originally published in 2015 in Great Britain by Bloomsbury Publishing Plc."

Fate may have given us a second chance together. But I don't think I can ever forgive him for breaking my heart. Rex Harper had been my saving grace once upon a time, when I was very much just an innocent, naive girl who needed a savior. Now, he is my number one enemy. In our time apart, I made a name for myself, built my own club, and earned the right to be called Madame President. Yet in my moments of weakness, I allowed myself to miss him. His touch. His smell. The way he made me feel. The way he chased away my demons. I never thought we'd ever get a second chance. Until fate hurled us towards each other again at the worst possible time. I can't let my guard down now. Not when he's standing in my way. Not when everything I worked for is on the line. But I can't stop my heart from fluttering each time I hear his voice. I can't stop imagining his strong hands on my body. The closer I get to him, the more irresistible he becomes. The more I'll have to remind myself: I may be tempted to give him my body. But there's no way in hell I can trust him ever again with my heart. Savage Angel is a standalone enemies to lovers motorcycle club romance between a strong alpha hero and the strong sassy woman he thought he lost years ago. Features second chance at love, suspense, action, adventure, romance, and strong language. Contains situations that some readers may find triggering. You have been warned. Book 1 of the Rough Jesters MC series.

I'll kidnap her before she says I do.ADRIANShe's sweet, innocent, beautiful, and she's going to be mine no matter what.Mafia princess Marzia De Luca made me a promise when we were children.She broke that promise. Now it's time to teach her a lesson.Marzia thinks she's going to celebrate her arranged marriage at a masked ball.But this party is the perfect opportunity for me to kidnap her.It's time for me to show her that my love... means pain.MARZIASince I was a little girl, I've been in love with him - dark, twisted, menacingly handsome Adrian Bernardi.But my father, the mafia don, decided I'd marry someone else.Except I don't want to marry the other man. I only want Adrian.I pray for help, asking Adrian to save me.But saving me means taking everything from me.Adrian's Vengeance is the first book of the Mafia Heirs series. Adrian and Marzia's story begins in Broken Promises. This is a dark mafia romance.

Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.

Even a life on the untamed plains of Africa can’t prepare Wilhelmina for the wilds of an English boarding school in this “gripping, magical, and heartwarming tale of resilience, friendship, and hope” (Publishers Weekly, starred review). Wilhelmina Silver’s world is golden. Living half-wild on an African farm with her horse, her monkey, and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult. Lions and hyenas are nothing compared to packs of vicious schoolgirls. Where can a girl run to in London? And will she have the courage to survive? From the author of Rooftoppers, which Booklist called “a glorious adventure,” comes an utterly beautiful story that’s “a treasure of a book” (VOYA).

How do we perceive evil? How do we represent evil? In Transgression and the Aesthetics of Evil, Taran Kang examines the entanglements of aesthetics and morality. Investigating conceptions and images of evil, Kang identifies a fateful moment of transformation in the eighteenth century that continues to reverberate to the present day. Transgression, once allocated the central place in the constitution of evil, undergoes a startling revaluation in the Enlightenment and its aftermath, one that needs to be understood in relation to emergent ideas in the arts. Taran Kang engages with the writings of Edmund Burke, the Marquis de Sade, Friedrich Nietzsche, and Hannah Arendt, among others, as he questions recent calls to "de-aestheticize" evil and insists on a historically informed appreciation of evil’s aesthetic dimensions. Chapters consider the figure of the "evil genius," the paradoxical appeal of the grotesque and the disgusting, and the moral status of spectators who behold scenes of suffering and acts of transgression. In grappling with these issues, Transgression and the Aesthetics of Evil questions the feasibility and desirability of insulating the moral from the aesthetic.