Hailed as the first great Soviet writer, Isaac Babel was at once a product and a victim of violent revolution. In tales of Cossack marauders and flashy Odessa gangsters, he perfectly captured the raw, edgy mood of the first years of the Russian Revolution. Masked, reckless, impassioned, charismatic, Babel himself was as fascinating as the characters he created. At last, in renowned author Jerome Charyn, Babel has a portraitist worthy of his quicksilver genius. Though it traces the arc of Babel’s charmed life and mysterious death, Savage Shorthand bursts the confines of straight biography to become a meditation on the pleasures, torments, and meanings of Babel’s art. Even in childhood, Babel seemed destined to leave a mark. But it was only when his mentor, Maxim Gorky, ordered him to go out into the world of revolutionary Russia that Babel found his true voice and subject. His tales of the bandit king Benya Krik and the brutal raids of the Red Cavalry electrified Moscow. Overnight, Babel was a celebrity, with throngs of admirers and a train of lovers. But with the rise of Stalin, Babel became a living ghost. Charyn brilliantly evokes the paranoid shadowland of the first wave of Stalin’s terror, when agents of the Cheka snuffed out artists like candle flames. Charyn’s chilling account of the circumstances of Babel’s death–hidden and lied about for decades by Stalin’s agents–finally sets the record straight. For Jerome Charyn, Babel is the writer who epitomizes the vibrancy, violence, and tragedy of literature in the twentieth century. In Savage Shorthand, Charyn has turned his own lifelong obsession with Babel into a dazzling and original literary work.

Pourquoi penser le biographique? N'est-il pas épuisé? Le siècle passé semble l'avoir vidé de son contenu et de sa substance et l'a réduit à un état d'affaiblissement presque complet dans le domaine des sciences sociales comme dans celui de la critique littéraire. L'enjeu de cet ouvrage est d'affirmer que le biographique déborde la biographie et de considérer le biographique comme une condition du retour de la biographie au moyen de son dépassement. Cet ouvrage rassemble des travaux abordant ...

"In this study, the myth of the Noble Savage is a different myth from the one defended or debunked by others over the years. That the concept of the Noble Savage was first invented by Rousseau in the mid-eighteenth century in order to glorify the "natural" life is easily refuted ..."

England, 1870: His health failing, his most important work all but done, Charles Dickens is readying himself for the final bed. But there is still one more story that he must tell. As a young journalist just getting his start, Dickens encountered a story that would affect him for the rest of his life. As his "Sketches by Boz" column is just beginning to find acclaim, young Dickens encounters the wealthy and powerful Charles Wingate. While researching the mysterious businessman, Dickens uncovers a horrific story of corruption and violence, centered on a mutilated prostitute and the murder of her lover. Dickens's investigation could wreak havoc on Wingate and, more importantly, his beautiful wife Amanda. Dickens, already betrothed to his publisher's daughter, realizes just how loveless his future marriage will be as he falls in love with Amanda – even as his story threatens to ruin the Wingates. The Final Recollections of Charles Dickensblends a historically–accurate telling of Dickens's life with a gripping portrait of betrayal, murder, obsession, and love. It's the story of Dickens's deflowering and coming of age, caught between the worlds of England's ruling elite and the seamy underside of London society. In this experience we witness the seeds being sown for what will become Dickens's most popular and revered novels, and the social philosophies —rich versus poor —behind them. Meticulously researched and masterfully told, The Final Recollections of Charles Dickens captures the voice of the beloved author, the divided city of London, and the uncertain tenor of the times.