Orphan Danielle Hanson is heading west along the Oregon Trail to a life with a fiance she doesn't love, when she is captured by a Sioux raiding party. She is taken before their chief, Wind Dancer, who believes he has seen her in a vision. Danielle falls deeply in love with Wind Dancer, but fate threatens to tear them apart.

A brilliant Jamaican-American writer takes on the themes of colonialism, race, myth, and political awakening. Originally published in 1987, this critically acclaimed novel is the continuation of the story that began in Abeng following Clare Savage, a mixed-race woman who returns to her Jamaican homeland after years away. In this deeply poetic novel, Clare must make sense of her middle-class childhood memories in contrast with another side of Jamaica which she is only now beginning to see: one of extreme poverty. And Jamaica—almost a character in the book—comes to life with its extraordinary beauty, coexisting with deep human tragedy. Through the course of the book, Clare sees the violence that rises out of extreme oppression, the split loyalties of a colonized person, and what it means to be neither white nor Black in that environment. The result is a deeply moving, canonical work.

COULD SHE COPE WITH THE SAVAGE FAMILY? Louisa didn’t want to marry the boring Frank, and she definitely didn’t want to live with her stepmother. Luckily, after completing her training, Louisa found what sounded like a pleasant and challenging nursing job—in Norway! She was delighted. She enjoyed her job, even though her patient, Claudia Savage, did cause some problems. Of course, the situation wasn’t helped by the cold, uncooperative attitude of Claudia’s brother Simon. She couldn’t understand why he was so disagreeable….

'You're very weak! ' Ever since Li Qingniu could remember, the Grandma Long had always told him this. Regarding this, Li Qingniu had always deeply understood it as well. Because he was not as fast as the Grandpa Quezi, not even as far as the Blind Crutch. Not as good as the Medicinal Residue, not even as far as the Great Black Cow at the entrance of the village, until one day, Li Qingniu walked out of the village ...

Offers a fresh appraisal of the ascent of Christ to the third heaven in 2 Corinthians 12, proposing that it records a failed, not a successful, ascent into heaven.

Spirit Origin, Spirit Master, Spirit Master, Great Master, Spirit King, Spirit Master, Spirit Tyrant, Spirit Sovereign, Spirit Emperor, SemiGod, True God. On the continent, winds were blowing and clouds were surging. A resolute youth was moving between the magical beasts, the barbarians, the humans, the powerful beastmen, and the elves. What I want to describe for you is the growth of a teenager. No matter how far away one's life was, like a white cloud and a blue dog, no matter how strong a human was, they would never be able to surpass the blue sea ... 

His father was killed, his family was annihilated, endless humiliation struck his soul, heaven and earth were unable to accept this hatred. The iron-blooded youth went against the will of the heavens, his status was poor, and he descended to the underworld, where he roamed the world of the undead, where he turned into the god of slaughter and massacred the heavens.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Trances, Dances and Vociferations provides a compelling feminist analysis of gender politics in the works of four major Africana women writers: Toni Morrison, Michelle Cliff, Assia Djebar, and Paule Marshall. Nada Elia explores the way in which black women characters use conjuring, double entendre, and song to empower, liberate and determine their own female insurgency. She also explains how African and Afrodiasporic women have been forced to rewrite history and substitute a communal and individual wholeness for alienation and separation in many different settings, from Algeria to Oklahoma. Ranging over works including Marshall's Praisesong for the Widow, Djebar's A Sister to Scheherazade, Cliff's No Telephone to Heaven and Morrison's Jazz and Beloved, Elia offers essential and provocative insights into the works of some of our most influential Africana women authors today.