When this second volume of The Life of Saul Bellow opens, Bellow, at forty-nine, is at the pinnacle of American letters - rich, famous, critically acclaimed. The expected trajectory is one of decline: volume 1, rise; volume 2, fall. Bellow never fell, producing some of his greatest fiction (Mr Sammler's Planet, Humboldt's Gift, all his best stories), winning two more National Book Awards, a Pulitzer Prize, and the Nobel Prize. At eighty, he wrote his last story; at eighty-five, he wrote Ravelstein. In this volume, his life away from the desk, including his love life, is if anything more dramatic than in volume 1. In the public sphere, he is embroiled in controversy over foreign affairs, race, religion, education, social policy, the state of culture, the fate of the novel. Bellow's relations with women were often fraught. In the 1960s he was compulsively promiscuous (even as he inveighed against sexual liberation). The women he pursued, the ones he married and those with whom he had affairs, were intelligent, attractive and strong-willed. At eighty-five he fathered his fourth child, a daughter, with his fifth wife. His three sons, whom he loved, could be as volatile as he was, and their relations with their father were often troubled. Although an early and engaged supporter of civil rights, in the second half of his life Bellow was angered by the excesses of Black Power. An opponent of cultural relativism, he exercised great influence in literary and intellectual circles, advising a host of institutes and foundations, helping those he approved of, hindering those of whom he disapproved. In making his case, he could be cutting and rude; he could also be charming, loyal, and funny. Bellow's heroic energy and will are clear to the very end of his life. His immense achievement and its cost, to himself and others, are also clear.

For much of his adult life, Saul Bellow was the most acclaimed novelist in America, the winner of, among other awards, the Nobel Prize in Literature, three National Book Awards, and the Pulitzer Prize. The Life of Saul Bellow, by the literary scholar and biographer Zachary Leader, marks the centenary of Bellow’s birth as well as the tenth anniversary of his death. It draws on unprecedented access to Bellow’s papers, including much previously restricted material, as well as interviews with more than 150 of the novelist’s relatives, close friends, colleagues, and lovers, a number of whom have never spoken to researchers before. Through detailed exploration of Bellow’s writings, and the private history that informed them, Leader chronicles a singular life in letters, offering original and nuanced accounts not only of the novelist’s development and rise to eminence, but of his many identities—as writer, polemicist, husband, father, Chicagoan, Jew, American. The biography will be published in two volumes. The first volume, To Fame and Fortune: 1915–1964, traces Bellow’s Russian roots; his birth and early childhood in Quebec; his years in Chicago; his travels in Mexico, Europe, and Israel; the first three of his five marriages; and the novels from Dangling Man and The Adventures of Augie March to the best-selling Herzog. New light is shed on Bellow’s fellow writers, including Ralph Ellison, John Berryman, Lionel Trilling, and Philip Roth, and on his turbulent and influential life away from the desk, which was as full of incident as his fiction. Bellow emerges as a compelling character, and Leader’s powerful accounts of his writings, published and unpublished, forward the case for his being, as the critic James Wood puts it, “the greatest of American prose stylists in the twentieth century.”

Saul Bellow is one of the twentieth century's most influential, respected, and honored writers. His novels The Adventures of Augie March, Herzog, and Mr. Sammler's Planet won the National Book Award, and Humboldt's Gift was awarded the 1976 Pulitzer Prize for fiction. In addition, his plays garnered popular and critical acclaim, and some were produced on Broadway. Known for his insights into life in a post-Holocaust world, Bellow's explorations of modernity, Jewish identity, and the relationship between art and society have resonated with his readers, but because his writing is not overtly political, his politics have largely been ignored. A Political Companion to Saul Bellow examines the author's novels, essays, short stories, and letters in order to illuminate his evolution from liberal to neoconservative. It investigates Bellow's exploration of the United States as a democratic system, the religious and ideological influences on his work, and his views on race relations, religious identity, and multiculturalism in the academy. Featuring a fascinating conclusion that draws from interviews with Bellow's sons, this accessible companion is an excellent resource for understanding the political thought of one of America's most acclaimed writers.

Saul Bellow was easily angered, prone to argument, and palpably vulnerable to criticism, but according to his son, his young father was also emotionally accessible, often soft, and possessed of the ability to laugh at the world's folly and at himself. Part of Greg Bellow's bond with his father was grounded in that softness, in humor, and in the set of egalitarian social values he followed. Saul Bellow's accessibility and lightheartedness waned as he aged, and his social views hardened, although he was, fundamentally, no less vulnerable. His earlier tolerance for opposing viewpoints all but disappeared, and his ability to laugh at himself faded. These changes eroded much of the common ground between Bellow and his son and taxed their relationship so sorely that Greg often worried whether it would survive. But theirs were differences of mind, not of heart. This memoir gives equal weight to the young Saul Bellow--the rebellious, irreverent, and ambitious young writer--who raised Greg, and the older Saul Bellow, famous and fiercely private. It paints a very human portrait of a man who hid behind parabolic stories, jokes, metaphors, and partial truths, never letting the public see his true self.

A never-before-published collection of letters - an intimate self-portrait as well as the portrait of a century. Saul Bellow was a dedicated correspondent until a couple of years before his death, and his letters, spanning eight decades, show us a twentieth-century life in all its richness and complexity. Friends, lovers, wives, colleagues, and fans all cross these pages. Some of the finest letters are to Bellow's fellow writers-William Faulkner, John Cheever, Philip Roth, Martin Amis, Ralph Ellison, Cynthia Ozick, and Wright Morris. Intimate, ironical, richly observant, and funny, these letters reveal the influcences at work in the man, and illuminate his enduring legacy-the novels that earned him a Nobel Prize and the admiration of the world over. Saul Bellow: Letters is a major literary event and an important edition to Bellow's incomparable body of work.

With this masterly and original work, Bellow: A Biography, National Book Award nominee James Atlas gives the first definitive account of the Nobel Prize–winning author’s turbulent personal and professional life, as it unfolded against the background of twentieth-century events—the Depression, World War II, the upheavals of the sixties—and amid all the complexities of the Jewish-immigrant experience in America, which generated a vibrant new literature. Drawing upon a vast body of original research, including Bellow’s extensive correspondence with Ralph Ellison, Delmore Schwartz, John Berryman, Robert Penn Warren, John Cheever, and many other luminaries of the twentieth-century literary community, Atlas weaves a rich and revealing portrait of one of the most talented and enigmatic figures in American intellectual history. Detailing Bellow’s volatile marriages and numerous tempestuous relation-ships with women, publishers, and friends, Bellow: A Biography is a magnificent chronicle of one of the premier writers in the English language, whose prize-winning works include Herzog, The Adventures of Augie March, and, most recently, Ravelstein.

Surveys the current state of Jewish American and Holocaust literatures as well as approaches to teaching them. What does it mean to read, and to teach, Jewish American and Holocaust literatures in the early decades of the twenty-first century? New directions and new forms of expression have emerged, both in the invention of narratives and in the methodologies and discursive approaches taken toward these texts. The premise of this book is that despite moving farther away in time, the Holocaust continues to shape and inform contemporary Jewish American writing. Divided into analytical and pedagogical sections, the chapters present a range of possibilities for thinking about these literatures. Contributors address such genres as biography, the graphic novel, alternate history, midrash, poetry, and third-generation and hidden-child Holocaust narratives. Both canonical and contemporary authors are covered, including Michael Chabon, Nathan Englander, Anne Frank, Dara Horn, Joe Kupert, Philip Roth, and William Styron. “The range of critical approaches and authors examined makes this a valuable resource for scholars and teachers. Particularly in this troubling political moment, meditations on the new and continued relevance of Jewish American and Holocaust literatures for scholars, students, and the American public in general are invaluable.” — Sharon B. Oster, author of No Place in Time: The Hebraic Myth in Late Nineteenth-Century American Literature

The second volume in the life of literary giant Saul Bellow, vividly capturing a personal life that was always tumultuous and career that never ceased being triumphant. Bellow, at forty-nine, is at the pinnacle of American letters--rich, famous, critically acclaimed. The expected trajectory is one of decline: volume 1, rise; volume 2, fall. Bellow never fell, producing in the latter half of his life some of his greatest fiction (Mr. Sammler's Planet, Humboldt's Gift), winning two more National Book Awards, a Pulitzer Prize, and the Nobel Prize. At eighty, he wrote his last story; at eighty-five, he wrote Ravelstein. In this volume, his life away from the desk, including his love life, is if anything more dramatic than in the first. In the public sphere, he is embroiled in controversy over foreign affairs, race, religion, education, social policy, the state of culture, the fate of the novel. In this stunning second volume, Zachary Leader shows that Bellow's heroic energy and will were present to the very end of his life. His immense achievement and its cost, to himself and others, continue to be worth the examination of this vivid work of literary scholarship.

Saul Bellow: "I Was a Jew and an American and a Writer" offers a fresh and original perspective on the life and works of Saul Bellow, the Nobel Prize winner in Literature in 1976. Author Gerald Sorin emphasizes Bellow's Jewish identity as fundamental to his being and the content and meaning of his fiction. Bellow's work from the 1940s to 2000, when he wrote his last novel at the age of 84, centers on the command in Deuteronomy to "Choose life" as distinct from nihilistic withdrawal and the defense of meaninglessness. Although Bellow disdained the label of "American Jewish Writer," Sorin conjectures that he was an outstanding representative of the classification. Bellow and the characters in his fiction not only choose life but also explore what it means to live a good life, however difficult that may be to define, and regardless of how much harder it is to achieve. For Sorin, Bellow realized that at least two obstacles stood in the way: the imperfection of the world and the frailty of the human pursuer. Saul Bellow: "I Was a Jew and an American and a Writer" provides a new and insightful narrative of the life and works of Saul Bellow. By using Bellow's deeply internalized Jewishness and his remarkable imagination and creativity as a lens, Sorin examines how he captured the shifting atmosphere of postwar American culture.