A cult novelist named Rudy Rucker investigates an alien abduction...and is drawn into freaky, transreal scenes. Futurism, autobiographical novel, a tour of Californai freakdom, and richly funny. With many, many line-drawing illos. "Rucker’s sensibility is a combination of gonzo humor, fictionalized autobiography in the Kerouacian mode (what Rucker calls “transrealism”), and the sheer, bugs-in-your-teeth thrill of scientific extrapolation taken to blitz-punk extremes." — Salon.com.

The honest and intellectually fierce autobiography of one of the most acclaimed voices in science fiction

In the year 3003, nothing in the world is the same, except maybe that adolescents are still embarrassed by their parents. Society and the biosphere alike have been transformed by biotechnology, and the natural world is almost gone. Frek Huggins is a boy from a broken family, a misfit because he's a natural child, conceived without technological help or genetic modifications. His dad, Carb, is a malcontent who left behind Frek's mom and the Earth itself several years ago. Everything changes when Frek finds the Anvil, a small flying saucer, under his bed, and it tells him he is destined to save the world. The repressive forces of Gov, the mysterious absolute ruler of Earth, descend on Frek, take away the Anvil, and interrogate him forcefully enough to damage his memory. Frek flees with Wow, his talking dog, to seek out Carb and some answers. But the untrustworthy alien in the saucer has other plans, including claiming exclusive rights to market humanity to the galaxy at large, and making Frek a hero. Frek and the Elixir is a profound, playful SF epic by the wild and ambitious Rudy Rucker. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Ride the wave with Rudy Rucker---author, programmer, mathematician, professor, cyberpunk, hipster, transrealist, and family man. A writer’s journey. Rucker composed "Journals: 1990-2014" over twenty-five years. A long-running adventure. Entries include: Introspection and philosophizing, sketches of daily life, descriptions of Rucker's travels, and notes on writing.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

The essays and memoirs collected in Seek! trace Rudy Rucker's trajectory through the final decade of the second millennium. His topics include artificial life, chaos, the big bang, Pieter Brueghel, the church of the subgenius, live sex, mathematics, science fiction, and TV evangelism. A computer scientist and programmer, Rucker is an articulate, engaging guide to the world on either side of the computer screen.

In her first novel, Liz Siva takes the reader on an engaging, sometimes exciting, sometimes sentimental journey from despair to hope to ultimate success through her central character, Benjamin Jones, a struggling African-American child in Harlem.

Novelist and scholar Damien Broderick offers an exhilarating report on the state of science fiction at the start of the millennium. In the 21st century, we see a new wave rising in SF: it's complex, transreal, slipstreamy, post-postmodern. It unleashes the strange!

Book Description: Follow for Now: Interviews with Friends and Heroes is an anthology of forty-three interviews with minds of all kinds. Spanning over seven years, Follow for Now includes interviews with such luminaries as Bruce Sterling, Douglas Rushkoff, DJ Spooky, Philip K. Dick, Aesop Rock, Erik Davis, Howard Bloom, David X. Cohen, Richard Saul Wurman, N. Katherine Hayles, Manuel De Landa, Rudy Rucker, Milemarker, Steve Aylett, Doug Stanhope, Paul Roberts, Shepard Fairey, Tod Swank, dalek, Eric Zimmerman, Steven Johnson, Mark Dery, Geert Lovink, Brenda Laurel, and many, many more. Follow for Now is an eclectic, independently-minded snapshot of the intellectual landscape at the beginning of the twenty-first century. It also includes an extensive bibliography, a full index, and weighs in at nearly 400 pages.

Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded sense argued in this book, it also intensifies imaginative fiction by writing the fantastic from the standpoint of richly personalized experience. Transrealism is also related to slipstream writing, another category introduced into studies of speculative fiction to account for texts that seem to follow trajectories mapped by the huge body of science fiction accumulated in the last century, while retaining a central interest in traditional literary strategies. This book examines a variety of work from the transrealist perspective, something that has not been done previously. It emphasizes the texts of Philip K. Dick and Rucker himself, while it additionally engages the texts of such slipstream writers as Kurt Vonnegut, J.G. Ballard, and John Barth. It places its argument against the antihumanist trend in science fiction and builds comparisons with more traditional varieties of science fiction works.