Sarajevo Under Siege offers a richly detailed account of the lived experiences of ordinary people in this multicultural city between 1992 and 1996, during the war in the former Yugoslavia. Moving beyond the shelling, snipers, and shortages, it documents the coping strategies people adopted and the creativity with which they responded to desperate circumstances. Ivana Maček, an anthropologist who grew up in the former Yugoslavia, argues that the division of Bosnians into antagonistic ethnonational groups was the result rather than the cause of the war, a view that was not only generally assumed by Americans and Western Europeans but also deliberately promoted by Serb, Croat, and Muslim nationalist politicians. Nationalist political leaders appealed to ethnoreligious loyalties and sowed mistrust between people who had previously coexisted peacefully in Sarajevo. Normality dissolved and relationships were reconstructed as individuals tried to ascertain who could be trusted. Over time, this ethnography shows, Sarajevans shifted from the shock they felt as civilians in a city under siege into a "soldier" way of thinking, siding with one group and blaming others for the war. Eventually, they became disillusioned with these simple rationales for suffering and adopted a "deserter" stance, trying to take moral responsibility for their own choices in spite of their powerless position. The coexistence of these contradictory views reflects the confusion Sarajevans felt in the midst of a chaotic war. Maček respects the subjectivity of her informants and gives Sarajevans' own words a dignity that is not always accorded the viewpoints of ordinary citizens. Combining scholarship on political violence with firsthand observation and telling insights, this book is of vital importance to people who seek to understand the dynamics of armed conflict along ethnonational lines both within and beyond Europe.

The heroic role of the city's multiethnic daily newspaper during the siege of Sarajevo.

The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe. Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe's recent history.

Sanja Kulenovic and her new husband were celebrating their honeymoon in Pasadena, California, in 1992 when they turned on CNN to discover their hometown, Sarajevo, being devastated by bombing. As the nation of Yugoslavia collapsed, Sanja and her husband became people without a country, but their primary concern was their family and loved ones back home. How were they doing? What was happening to them as the city was sieged? Would they survive? Sanja recounts her and her husband's efforts to build a new life as refugees in Southern California, finding joy in securing a pizza-delivery job and receiving letters or brief phone calls from Sarajevo. Those letters--often written in darkness as bombs fell and gunfire rang out--vividly capture the suffering Sanja's family and other Sarajevans endured through almost four years of daily bombardments, the perpetual threat of sniper fire, and three frozen, foodless winters. The Siege of Sarajevo illustrates the human toll of war and the highly personal consequences of what often seem like faraway conflicts. The book is also a tribute to the resilience of the human spirit, reminding readers that they--like Sanja and her family--are stronger than they ever imagined.

When Canadian soldier Fred Doucette went to Bosnia-Herzegovina as a peacekeeper in 1995, he had a premonition that this tour of duty would be different from anything he had previously experienced. And it was. Doucette's tour quickly became an impossible task that took a huge toll on both the residents and his fellow peacekeepers. Trapped in thier beloved city, thousands of Sarajevans, perished, and yet, Doucette found a home in the midst of this hell. Billeted with a Bosnian family, he was offered a window into a Sarajevo that few outsiders saw. When the war ended, Doucette returned to Canada to face another battle, this one characterized by nightmares and brutal flashbacks. Traumatized, he had to face himself, his family, and his army once again, but now there was no turning away, no diversion in another foreign posting. Empty Casing is the riveting story of the making and unmaking of a soldier, and the growth of a man.

Originally written as columns for a Croatian newspaper, Sarajevo vividly describes a life in which unspeakable horrors are daily occurrences. While witnessing the gradual destruction of his city, Dizdarevic emphasizes the heroism of Sarajevo's citizens as they try to survive. Recipient of the International Prize from Reporters Without Borders.

The 1992–1995 battle for Sarajevo was the longest siege in modern history. It was also the most internationalized, attracting a vast contingent of aid workers, UN soldiers, journalists, smugglers, and embargo-busters. The city took center stage under an intense global media spotlight, becoming the most visible face of post-Cold War conflict and humanitarian intervention. However, some critical activities took place backstage, away from the cameras, including extensive clandestine trading across the siege lines, theft and diversion of aid, and complicity in the black market by peacekeeping forces. In Blue Helmets and Black Markets, Peter Andreas traces the interaction between these formal front-stage and informal backstage activities, arguing that this created and sustained a criminalized war economy and prolonged the conflict in a manner that served various interests on all sides. Although the vast majority of Sarajevans struggled for daily survival and lived in a state of terror, the siege was highly rewarding for some key local and international players. This situation also left a powerful legacy for postwar reconstruction: new elites emerged via war profiteering and an illicit economy flourished partly based on the smuggling networks built up during wartime. Andreas shows how and why the internationalization of the siege changed the repertoires of siege-craft and siege defenses and altered the strategic calculations of both the besiegers and the besieged. The Sarajevo experience dramatically illustrates that just as changes in weapons technologies transformed siege warfare through the ages, so too has the arrival of CNN, NGOs, satellite phones, UN peacekeepers, and aid convoys. Drawing on interviews, reportage, diaries, memoirs, and other sources, Andreas documents the business of survival in wartime Sarajevo and the limits, contradictions, and unintended consequences of international intervention. Concluding with a comparison of the battle for Sarajevo with the sieges of Leningrad, Grozny, and Srebrenica, and, more recently, Falluja, Blue Helmets and Black Markets is a major contribution to our understanding of contemporary urban warfare, war economies, and the political repercussions of humanitarian action.

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.