Reprint of the original, first published in 1877.

Best known for her masterpiece, The Country of the Pointed Firs, Sarah Orne Jewett (1849-1909) is a writer with enormous resonance for our time. Our fascination with place, with traditional values, and our yearning for a rural utopia all find fulfillment in Jewett's portrayal of the "grand and simple lives" of coastal Maine. In this delicious portrait, Paula Blanchard (biographer of Margaret Fuller and Emily Carr) plunges us into New England literary life in turn-of-the-century Boston, into the circles of Henry James, Lowell, Howell, Whittier, and Oliver Wendell Holmes. She delves into Jewett's close friendships with women, from the young Willa Cather and the flamboyant "Mrs. Jack" Gardner, and especially to Annie Fields, her partner in a sustaining "Boston marriage." Her enthralling and insightful glimpses into Jewett's fiction will send readers racing back to a writer of whose work Kipling said "it is the very life."

A brilliant and ambitious woman is eager to establish her career as a doctor but is forced to choose between her occupation and married life. This timely tale presents an internal conflict facing women in the nineteenth century and beyond. Nan is a bright young woman who grows up under the tutelage of the widowed physician, Dr. Leslie. She became interested in medicine at an early age and decides to pursue it as an adult. Unfortunately, her desire to start a career goes against the social conventions of the day. Women are expected to prioritize marriage and children over any profession. Yet, Nan struggles to desert her goals to appease others. It’s a trying dilemma that pits her against her family, friends and local residents. A Country Doctor is a semiautobiographical story influenced by the author’s personal path to independence. The novel explores the many limitations women encounter when attempting to establish a career. It’s a forward-thinking tale and source of encouragement for those seeking professional growth. With an eye-catching new cover, and professionally typeset manuscript, this edition of A Country Doctor is both modern and readable.

This beloved short story - a classic coming-of-age tale by the author of The Country of the Pointed Firs is gloriously illustrated with pencil drawings by Maine artist Douglas Alvord. Sylvia, a city girl more at home with animals than with people, has come to the Maine Woods to live with her grandmother. One summer afternoon in the late 1800s, her life is changed forever when she meets an attractive young ornithologist searching for birds to snare, stuff, preserve, and display.

A collection of eight short stories about Irish immigrants in America by a New England writer. An introduction discusses Jewett's understanding of the Irish psyche compared to the disdain for the Irish found in the work of her contemporaries, and looks at her work in the context of contemporary multicultural concerns. No index. Annotation copyright by Book News, Inc., Portland, OR

Toward the end of her life, Sarah Orne Jewett (1849-1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her "best story" to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett's range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel's themes of queer kinship and same-sex domesticity, as enjoyed by the flamboyant protagonist Dick Dale. Written a few years into Jewett's decades-long companionship with Annie Fields, A Marsh Island echoes Jewett's determination to split time between her family home in Maine and Fields's place on Charles Street in Boston. The novel follows the adventures of Dale, a Manhattanite landscape painter in the Great Marsh of northeastern Massachusetts and envisions the latter region's saltmarsh as a figure for dynamic selfhood: the ever-shifting boundaries between land and sea a model for valuing both individuality and a porous openness to the gifts of others. Jewett's works played a major role in popularizing the genre of American regionalism and has garnered praise, both in her time and ours, for her skill in rendering the local landscapes and fishing villages along or near the coasts of New England. Just as Jewett brought attention to the unique beauty and value of the Great marsh region, editor Don James McLaughlin reveals a convergence of regionalism and sexuality in Jewett's work in his introduction. A Marsh Island reminds us that queer kinship has a long tradition of being extended to incorporate queer ecological belonging, and that the meaning of "companionship" itself is enriched when we acknowledge its indebtedness to environment.