Each month for a full year, the holiday parties and theme nights at Sappho's Bar & Grill spin lonely Hannah Stern into the past when she least expects it. Through her sexy encounters with foremothers ranging from Lilith to Sappho, through Radclyffe Hall to the All American Girls Baseball League, Hannah learns much about herself and women’s survival across time.

Feminist scholar Hannah Stern finds herself working at the Library of Congress, assigned to catalogue a donation of rare lesbian books. But it’s more than a one-year job in Washington: it’s a mission handed to her by a powerful and mysterious goddess, The Overhead Herself. When a series of desperate, haunted phone calls from the ghosts of lesbian writers directs her to rescue even more at-risk books, Hannah begins a journey into the love affair between banned writers and newly-out readers. Will hearing others’ fond memories of lesbian books from the 1920s and 1970s help Hannah save their legacy for future generations? Or will Isabel, Hannah’s partner and the mystical proprietor of Sappho’s Bar and Grill, have to summon her magic to save the entire bar membership?

Novel Approaches to Lesbian History tells a tale about history and community in our allegedly post-identity era, examining contemporary novels that depict lesbian characters in recognizable historical situations. These imaginative stories provide a politically vital, speculative past in the face of a sketchy, problematic archive. Among the memorable characters in some 200 novels are pirates, cowgirls, and famous artists, ghosts and time travellers, immigrants and lovers. The best lesbian historical novels are conscientious and buoyant as they engage critical historiographical questions, but Novel Approaches also discusses the class and race biases that weigh on the genre. Some lesbian historical novels are based on archival evidence, others on conjecture or fantasy, but all convey the true fact that identity is elusive without a past, without which its future is nearly impossible.

WINNER of a silver Foreword INDIES Book of the Year award Are there moments in your life when your femaleness is a source of power or hardship? When does your voice ring its clearest? When have you been silenced? Feminine Rising: Voices of Power and Invisibility brings together international poets and essayists, both award-winning and emergent, to answer these questions with raw, honest meditations that speak to women of all races, nationalities, and sexual orientations. It is an anthology of unforgettable stories both humorous and frightening, inspirational and sensual, employing traditional poetry and prose alongside exciting experimental forms. Feminine Rising celebrates women’s differences, while embracing the source of their sameness—the unique experience of womanhood.

Seattle printing collective owner Pam Nilsen is on the case when a member of the group turns up dead before a controversial merger Pam Nilsen and her twin sister, Penny, inherited Best Printing four years ago when their parents died in a car crash. Unwilling to sell their family legacy, the sisters turned it into a collective run by a cadre of activists whose arguments over the business can be just as impassioned as their support for progressive causes. But internal divisions at the collective pale in comparison to those between Seattle typesetters B. Violet and Moby Dick—once a single company that has since broken apart into an all-female (and lesbian-run) company, and an all-male (and quickly bankrupt) operation. Shortly after Best Printing and B. Violet begin discussing a merger, the offices of the typesetter are ransacked, one of their members nowhere to be found. Then an employee of Best Printing is found murdered. It appears as if someone will stop at nothing—not even murder—to prevent the merger. And it’s up to Pam to get to the bottom of this deadly turn of events before the killer strikes again. Murder in the Collective is the first book in the Pam Nilsen Mystery trilogy, which continues with Sisters of the Road and The Dog Collar Murders.

Winner of the 2023 Gourmand Cookbook Award for Greece in the Women Category Imaginatively interweaving literatures across a variety of subjects, Sappho's Legacy identifies the crucial role that islands and Greek economic culture play in teaching about capitalism's failures and alternatives. Marina Karides delivers a historical and ethnographic account of food cooperatives and microenterprises on the Greek island of Lesvos following the 2008 financial crisis to reveal the success stories of grassroots, traditional, and community-centered economics organized by people marginalized on the basis of gender, sexuality, and ethnicity. Karides offers hope to others who are working against the tide of neoliberalism and heteropatriarchy to develop alternative or convivial economic practices that serve communities by providing a trail of rhythms from ancient times to the present that showcase Greece's historical resistance.

When Lise Weil came out in 1976, she came out into a land that was all on fire. Lesbian desire was the pulsing center of an entire way of life, a culture, a movement. The air throbbed with possibility. At the center of In Search of Pure Lust is Weil’s immersion in this culture, this movement: the grand experiment of lesbian feminism of the ’70s and ’80s. She and the women around her lived in a state of heightened erotic intensity that was, she believed, the source of their most vital knowledge. Desire was their guiding light. But after fifteen years of torrid but ultimately failed relationships that tended to mirror the tumultuous political currents swirling around her, she had to admit that desire was also a conduit for childhood wounds. It reared its head when she was feeling wary, estranged— abused, even. It flagged when she was fondest and most trusting. And it tended to trump love, over and over again. In the mid-’80s, when a friend asked Weil to accompany her on a Zen retreat, she was desperate enough to say yes. Her first day of sitting zazen was mostly hell—but smitten with the (female) roshi, she stuck with it, later returning for sesshin after sesshin. A period of difficult self-examination ensued and, over a period of years, she began to learn an altogether different approach to desire. Ultimately, what her search for pure lust uncovered is something that looks a lot like love.

Lets Go seamlessly guides you from the depths of history in Athens to the aquamarine shallows in the Dodecanese, without breaking the bank.

Mulberry Street Follies is about a postgraduate student who takes a part-time job in a restaurant on Mulberry Street that is operated as a front for the New York Mafia. He stumbles across a cache of illegal drugs owned by Big Al Brasso, the head of a mob family, and makes a small fortune dealing on the street before being discovered. It is a literary comedy tilled with a range of colorful, streetwise New York characters that include all sorts of ethnic groups, artists, actors, and petty mobsters.

In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar. Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference." With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.