SAPPHO: FOR THE STUDENT, is two books in one: Part I is the poems, and fragments of poems by Sappho, with 68 poems by American Poet Laureate, Jean Elizabeth Ward, either paying an homage to Sappho with a Kimo Poem, or a poem inspired by Sappho. Part II is the 1907 book of 100 poems by Bliss Carman. The book ends with a compilation of references for the student in locating reference material and books for the serious student of Sappho. A few illustrations are within.

Robson tackles controversial legal questions, including the treatment of lesbian criminal defendants; lesbianism and violence; the courts' tendency to resort to stereotypes, such as "the good lesbian" and "the bad lesbian"; the numerous debates enveloping same-sex marriage; and the outcome of child custody cases involving lesbians. She also repudiates the recent habit of legal theorists to address lesbians as "alternative family."

An abandoned town named for the classical lesbian leads to questions about history and settlement. Driving along the Pacific Coast Highway, you come to a road sign: Entering Sappho. Nothing remains of the town, just trash at the side of the highway and thick, wet bush. Can Sappho’s breathless eroticism tell us anything about settlement—about why we’re here in front of this sign? Mixing historical documents, oral histories, and experimental translations of the original lesbian poet’s works, this book combines documentary and speculation, surveying a century in reverse. This town is one of many with a classical name. Take it as a symbol: perhaps in a place that no longer exists, another kind of future might be possible.

Willis Barnstone has augmented his widely used anthology of the Greek lyric poets with eleven newly attributed Sappho poems, making this the most complete offering of Sappho in English. Two new sections -- "Sources and Notes" and "Sappho: Her Life and Poems" -- provide the student with the classical sources and an appraisal of this greatest of Western women poets. Barnstone's lucid, elegant translations include a representative sampling of all the significant Greek lyric poets, from Archilochus, in the seventh century B.C., through Pindar ("prince of choral poets") and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William McCulloh's introduction illuminates the forms and development of the Greek lyric. Barnstone introduces each poet with a brief biographical and literary sketch. The critical apparatus includes a glossary, index, bibliography, and concordance. Willis Barnstone is professor of Spanish and comparative literature at Indiana University. He is co-editor of A Book of Women Poets from Antiquity to Now, and has translated poetry of Mao Zedong, Antonio Machado, and St. John of the Cross.

Olga Broumas and T Begley include new collaborations in this reprint of a long out-of-print erotic and phosphorescent collaborative work

Now available in English for the first time, Franco Ferraris important Sapphos Gift: The Poet and Her Community offers extraordinary new insight into the life and works of Sappho, one of the ancient worlds most brilliant poets.

Poems in original languages with English translations.

Presents a Sappho by a poet and translator that treats the fragments as aesthetic wholes, complete in their fragmentariness, and which is also, as the translator puts it: 'ever mindful of performative qualities, quality of voice, changes of voice...'

"The Tenth Muse" sings to both sexes of desire, rapture, and sorrow. This concise collection of the ancient Greek poet's surviving works was assembled and translated by a distinguished classicist.

In this translation of the Greek poetess's work, Barnstone remains faithful to the words of the fragments, only very judiciously filling in a word or phrase in cases where the meaning is obvious.