From renowned hunting writer Peter Hathaway Capstick comes the most lavishly illustrated, historically important safari ever captured in print. Capstick journeyed on safari through Namibia in the African spring of 1989. This was a nation on the eve on independence, a land scorched by sun, by years of bitter war. In these perilous circumstances, he commences what is surely the most thrilling safari of his storied career. He takes the reader to the stark landscape that makes up the Bushmen’s tribal territories. There, facing all kinds of risks, members of the chase pursue their quarry in a land of legend and myth. In this first person adventure, Capstick spins riveting tales from his travels and reports on the Bushmen’s culture, their political persecution, and the Stone Age life of Africa’s original hunter-gatherers. In addition, the author explains the economic benefits of the sportsman’s presence, and how ethical hunting is a tool for game protection and management on the continent. Featuring one hundred striking color images from leading African wildlife photographer Dr. M. Philip Kahl, Sands of Silence: On Safari in Namibia superbly illustrates Capstick’s return to the veld and perfectly captures life and death in the “land of thirst.”

Only Peter Capstick, the perennial leader in the field of African adventure, could create this lavishly illustrated, historically important volume. He spins riveting tales from his travels and reports upon the Bushmen's culture, their political persecution, and the Stone Age life of Africa's original hunter-gatherers. Full color.

"Inspirational" - The Daily Mail "Sarah Sands has written about stillness with an eloquence that fizzes with vitality and wit. This wonderful book charts a journey to some of the most beautiful and tranquil places on earth, and introduces us to people whose inner peace is a balm for our troubled times. I loved every page of it." - Nicholas Hytner Suffering from information overload, unable to sleep, Sarah Sands, former editor of the BBC's Today programme, has tried many different strategies to de-stress... only to reject them because, as she says, all too often they threaten to become an exercise in self-absorption. Inspired by the ruins of an ancient Cistercian abbey at the bottom of her Norfolk garden, she begins to research the lives of the monks who once resided there, and realises how much we may have to learn from monasticism. Renouncing the world, monks and nuns have acquired a hidden knowledge of how to live: they labour, they learn and they acquire 'the interior silence'. This book is a quest for that hidden knowledge - a pilgrimage to ten monasteries round the world. From a Coptic desert community in Egypt to a retreat in the Japanese mountains, we follow Sands as she identifies the common characteristics of monastic life and the wisdoms to be learned from them; and as she discovers, behind the cloistered walls, a clarity of mind and an unexpected capacity for solitude which enable her, after years of insomnia, to experience that elusive, dreamless sleep.

Thirteen new stories by the celebrated writer, including two which he considers his greatest achievements to date, artfully blend elements from many literary geares.

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

"A comprehensive and entertaining historical and botanical review, providing an enjoyable and cognitive read.”—Nature The foods we eat have a deep and often surprising past. From almonds and apples to tea and rice, many foods that we consume today have histories that can be traced out of prehistoric Central Asia along the tracks of the Silk Road to kitchens in Europe, America, China, and elsewhere in East Asia. The exchange of goods, ideas, cultural practices, and genes along these ancient routes extends back five thousand years, and organized trade along the Silk Road dates to at least Han Dynasty China in the second century BC. Balancing a broad array of archaeological, botanical, and historical evidence, Fruit from the Sands presents the fascinating story of the origins and spread of agriculture across Inner Asia and into Europe and East Asia. Through the preserved remains of plants found in archaeological sites, Robert N. Spengler III identifies the regions where our most familiar crops were domesticated and follows their routes as people carried them around the world. With vivid examples, Fruit from the Sands explores how the foods we eat have shaped the course of human history and transformed cuisines all over the globe.

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.

Based on a true, still-unfolding story, Silence of the Chagos is a powerful exploration of cultural identity, the concept of home, and above all the neverending desire for justice. Shenaz Patel draws on the lives of exiled Chagossians in this tragic example of 20th century political oppression. Every afternoon a woman in a red headscarf walks to the end of the quay and looks out over the water, fixing her gaze “back there”: to Diego Garcia, one of the small islands forming the Chagos archipelago in the Indian Ocean. With no explanation, no forewarning, and only an hour to pack their belongings, the Chagossians are deported to Mauritius. Officials tell her that the island is “closed”— there is no going back for any of them. Charlesia longs for life on Diego Garcia, where the days were spent working on a coconut plantation; the nights dancing to sega music. As she struggles to come to terms with her new reality, Charlesia crosses paths with Désiré, a young man born on the one-way journey to Mauritius. Désiré has never set foot on Diego Garcia, but as Charlesia unfolds the dramatic story of his people, he learns of the home he never knew and the disrupted future of his people. With the sovereignty of Chagos currently being debated on an international judiciary level, Silence of the Chagos is an important and timely examination of the rights of individuals in the face of governmental corruption. Praise for Silence of the Chagos: “Some twenty years ago, I was struck by a photo showing barefoot women on the road facing the armed police. They were Chagossian women protesting in Mauritius with astonishing determination.” This photo, which she's never forgotten, is the inspiration for the Mauritian novelist and journalist Shenaz Patel's third book. Mingling various voice, Patel describes, in a bitter, clear-cut style, the tragedy of the inhabitants of the Chagos, those coral islands of the Indian Ocean that were turned into an American military base and whose inhabitants had been banished to Mauritius between 1967 and 1972. With a prose that seeps and stings, and a sharp sensibility, Shenaz Patel breathes life into the painful nostalgia, the lingering memories, and the eternal incomprehension of these expelled from a string of lost islands.” —Le Monde “This novel has two voices, those of Charlesia and Désiré, both of whom are foreigners, natives of the Chagos archipelago, living in exile in Mauritius, an island that is a paradise for some but a hell for them. The Chagos are an archipelago that would have been hidden in the depths of the Indian Ocean, had Americans not built a military base to bombard other countries. Charlesia and Désiré live and breathe; the Mauritian writer Shenaz Patel introduces us to them and gives them voice again.” —Libération “From scenes of daily life to the horrors of forced exile, through the grief of deculturation and the experience of an impossible identity, Patel interrogates the relationship between political expediency and its all-too-human consequences, between the abstract needs of international security and the concrete needs of the individual, and above all between the rich and the poor.” —L'Express

A collection of 39 pieces that takes the reader snailing in Lake Tanganyika, camel trekking with Tauregs across the Sahara, tenrec hunting in Madagascar, into Ugandan jungles on the trail of mountain gorillas, and on other journeys through the wild and weird places of science, nature and adventure.

A profound, important book, a moving personal detective story and an uncovering of secret pasts, set in Europe’s center, the city of bright colors—Lviv, Ukraine, dividing east from west, north from south, in what had been the Austro-Hungarian Empire. A book that explores the development of the world-changing legal concepts of “genocide” and “crimes against humanity” that came about as a result of the unprecedented atrocities of Hitler’s Third Reich. It is also a spellbinding family memoir, as the author traces the mysterious story of his grandfather as he maneuvered through Europe in the face of Nazi atrocities. This is “a monumental achievement ... told with love, anger and precision” (John le Carré, acclaimed internationally bestselling author). East West Street looks at the personal and intellectual evolution of the two men who simultaneously originated the ideas of “genocide” and “crimes against humanity,” both of whom, not knowing the other, studied at the same university with the same professors, in “the Paris of Ukraine,” a major cultural center of Europe, a city variously called Lemberg, Lwów, Lvov, or Lviv. Phillipe Sands changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder