A Vietnam War Novel focusing on I Corps and the Marines who fought there.

Drawn by troubling dreams of a handsome Indian Warrior, Colleen Merrill had come westward with her brutal husband to homestead in the Montana wilderness--only to fall in love with Lieutenant Matthew Douglas, a dashing U.S. Cavalry officer. Wounded Bear, a young Cheyenne warrior and medicine man, had been told in a vision by the great spirit--wolf that a golden-haired woman held the power to save his people from invasion. As the drums of war beat every louder, Wounded Bear knew he must find this woman, or the Cheyenne would be scattered--like grains of sand in the wind. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Mechanics plays a fundamental role in aeolian processes and other environmental studies. This proposed book systematically presents the new progress in the research of aeolian processes, especially in the research on mechanism, theoretical modelling and computational simulation of aeolian processes from the viewpoint of mechanics. Nowadays, environmental and aeolian process related problems are attracting more and more attention. We hope this proposed book will provide scientists and graduate students in aeolian research and other environmental research some mechanical methods and principles and introduce aeolian related problems of environment to mathematical and mechanical scientists.

From individual grains to desert dunes, from the bottom of the sea to the landscapes of Mars, and from billions of years in the past to the future, this is the extraordinary story of one of nature's humblest, most powerful, and most ubiquitous materials. Told by a geologist with a novelist's sense of language and narrative, Sand examines the science—sand forensics, the physics of granular materials, sedimentology, paleontology and archaeology, planetary exploration—and at the same time explores the rich human context of sand. Interwoven with tales of artists, mathematicians, explorers, and even a vampire, the story of sand is an epic of environmental construction and destruction, an adventure in staggering scales of time and distance, yet a tale that encompasses the ordinary and everyday. Sand, in fact, is all around us—it has made possible our computers, buildings and windows, toothpaste, cosmetics, and paper, and it has played dramatic roles in human history, commerce, and imagination. In this luminous, kinetic, revelatory account, we do indeed find the world in a grain of sand.

Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.

The Oprah Book Club selection for November 2000.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next. Welcome to the world of Sand, a novel by New York Times best-selling author Hugh Howey. Sand is an exploration of lawlessness, the tale of a land ignored. Here is a people left to fend for themselves. Adjust your ker and take a last, deep breath before you enter.

This book describes how sand dunes work, why they are the way they are in different settings, and how they are being studied. Particular attention is paid to their formation and appearance elsewhere in the solar system. New developments in knowledge about dunes make for an interesting story – like the dunes themselves, dune science is dynamic – and the visual appeal of Aeolian geomorphology ensures that this is an attractive volume. The book is divided into 4 parts, the first of which introduces dunes as a planetary phenomenon, showing a landscape reflecting the balance of geological processes – volcanism, impact, tectonics, erosion, deposition of sediments. Dunes are then considered as emergent dynamical systems: the interaction of sand and wind conspires to generate very characteristic and reproducible shapes. Analogies are given with other emergent structures such as patterned ground before the influence of dunes on desert peoples and infrastructure is studied, together with their use as forensic climatological indicators. Dune Physics is looked at with regard to the mechanics of sand, the physics of wind, saltation – interaction of sand and air – dunes versus ripples and transverse Aeolian ridges, the classification of dune morphology and the sources and sinks of sand. Dune Trafficability considers soil mechanics, effects on mobility on Earth, Mars and elsewhere. In the second part, Earth, Mars, Titan and other moons and planets are examined, beginning with a survey of the major deserts and dunefields on Earth. The authors then turn to Mars and its environment, sediment type, dune stratigraphy, sediment source and sinks and the association of dunes with topographic features. Titan follows - its thick, cold atmosphere, methane dampness, low gravity, morphology – interaction with topography and the implications of dunes for climate and winds. Dunes elsewhere conclude this part. There are few dunefields on Venus, but there is a .possibility of Aeolian transport on Triton and volcanic-related windstreaks on Io.

The massacre of Cheyenne and Arapaho women and children by U.S. soldiers at Sand Creek in 1864 was a shameful episode in American history, and its battlefield was proposed as a National Historic Site in 1998 to pay homage to those innocent victims. Poet Simon Ortiz had honored those people seventeen years earlier in his own way. That book, from Sand Creek, is now back in print. Originally published in a small-press edition, from Sand Creek makes a large statement about injustices done to Native peoples in the name of Manifest Destiny. It also makes poignant reference to the spread of that ambition in other parts of the world--notably in Vietnam--as Ortiz asks himself what it is to be an American, a U.S. citizen, and an Indian. Indian people have often felt they have had no part in history, Ortiz observes, and through his work he shows how they can come to terms with this feeling. He invites Indian people to examine the process they have experienced as victims, subjects, and expendable resources--and asks people of European heritage to consider the motives that drive their own history and create their own form of victimization. Through the pages of this sobering work, Ortiz offers a new perspective on history and on America. Perhaps more important, he offers a breath of hope that our peoples might learn from each other: This America has been a burden of steel and mad death, but, look now, there are flowers and new grass and a spring wind rising from Sand Creek.