Provides step-by-step instructions and examples for using various techniques for creating unusual effects with inks, watercolors, oil paints, and other materials

Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

Paint 16 scenes that conjure the romance of the sea Seagulls cawing, the meeting of sky and sea, the hypnotic ebb and flow of waves breaking on the shore—it's no wonder artists are drawn to the magic of the sea. Jacqueline Penney has lived near the water and been inspired by its many moods for over 30 years. In this book, she shares her favorite techniques and expert tricks for capturing the atmosphere and romance of the ocean in acrylics. • 16 gorgeous painting projects—from beautiful sunrises and a romantic walk along the beach, to scenes featuring lobster boats and lighthouses • Step-by-step instruction for painting a wide range of seascape elements including waves, skies, sand dunes, reflections, driftwood, grasses, rocks, sailboats, fishing shacks and more • Techniques for painting pebbly beaches, ocean spray, weather-worn rocks and other realistic textures • Creative variations to explore, including two-piece artworks, painting with a palette knife and moonlit scenes Complete with a gallery of finished paintings that deliver waves of inspiration to water-loving artists of every skill level.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER III. THE MINOS?ENGLISH AND FRENCH APPETITES LEGHORN ? TOWTING JEWS?CIVITA VECCHIA?NAPLES?FORMALITIES OF LANDING?MALTA ?MR. POBTBNIER?THE LYCURGE 8YRA. I Quitted Marseilles in the Minos steamer on the evening of June 21st, in company with some twenty fellow- passengers, bound to various parts of the Mediterranean. Amongst them was the venerable Bishop of Antioch, with a numerous suite of attendant priests, and a sprinkling of my own countrypeople; but I soon discovered that I was the only passenger going to the far East. The Minos is one of a fine class of armed French steamers, which serve the Mediterranean, running from Marseilles to Malta, Syra and Alexandria, calling at most of the larger ports on the southern coast of Italy. The accommodation on board these vessels is perfect, and the discipline of the first order, and they are withal so strongly built, that they defy the ugliest weather, and are very rarely overdue. I found myself in possession of a snug berth in the second cabin, and LEGHORN. 17 at dinner-time made the acquaintance of my fellow-travellers, the ship's doctor taking the head of the table. Two meals, the one a dejeuner a la fourchette at ten, the other, a plentiful dinner at five o'clock, were the only ones I ever got a sight of, such being included in the cabin fare; and as I was invariably ready for breakfast long before ten, and always hungry again after dinner, I became a pretty good customer of the cook on deck, who by the time I had finished my voyage, had a considerable score against me for sundry stray cutlets and cornichons, devoured at the door of the caboose, to the great surprise of the captain and his officers, who made no allowance for the appetizing effect of the sea-breeze and bracing air of the Mediterran...

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A celebration of the life and work of the pop-culture icon who gently encouraged millions to explore their creativity. Known for incorporating “happy little” clouds, mountains, and trees in paintings he would create in just twenty-six television minutes, Bob Ross had an encouraging and soothing demeanor that made his instructional television shows the most recognized and watched in television history. Ross created nearly 30,000 paintings in his lifetime, most using the wet-on-wet method employed by Caravaggio, Cézanne, and Monet. This fully authorized collection of more than 300 pieces of his art features his most famous quotes about painting and life, including “And success with painting leads to success with many things. It carries over into every part of your life” as well as techniques that will inspire readers to create their own art. Originally airing in 1982 on PBS in the United States and various outlets throughout Canada, Latin America, and Europe, the more than 400 episodes of Bob Ross’s two series, The Joy of Painting and Beauty Is Everywhere are now available on YouTube and Netflix. He is a figure beloved by multiple generations and is seen as an icon rivaling, if not surpassing, any other modern-day painter in terms of the scope of his work, societal influence, and popularity.

Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.

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