San Manuel Bueno, mártir, es una novela escrita por Miguel de Unamuno. Se publicó por primera vez en 1931, en el número 461 de la revista La novela de hoy correspondiente al 13 de marzo de dicho año. En 1933, la editorial Espasa Calpe publicó San Manuel Bueno, mártir, y tres historias más. En el prólogo de esta edición, Unamuno se preguntó cuál fue la razón de reunir San Manuel Bueno, mártir, con dos de las otras historias: ¿por qué he reunido en un volumen, haciéndoles correr la misma suerte, a tres novelas de tan distinta, al parecer, inspiración?. Tras aclarar que, desde luego, fueron concebidas, gestadas y paridas sucesivamente y sin apenas intervalos, casi en una ventregada, él mismo se contestó diciendo que a los protagonistas de estas novelas lo que les atosigaba era el pavoroso problema de la personalidad, si uno es lo que es y seguirá siendo lo que es.

In The Great Chiasmus, Paul R. Olson explores the use of the chiasmus in the work of Miguel de Unamuno. The chiasmus, a reversal in the order of words or parts of speech in parallel phrases, appears on a variety of levels, from brief microstructures (blanca como la nieve y como la nieve fria), to the narrative structures of entire novel. Olson even suggests the chiasmus encompasses the stages in Unamuno's novelistic work, forming a chiasmus that can be schematized as ABC: CBA. As a phenomenon of enclosure, the chiasmus is related to other enclosing phenomena such as the image of Chinese boxes and the mise en abyme. These structures, three-dimensional version of the chiasmus, are also frequent in Unamuno's texts. The chiasmus is also found on the conceptual level, in which Unamuno regards apparent contraries as freely reversible and thus identical. From early adulthood he was fascinated by the Hegelian idea of the identity of pure Being and pure Nothingness, and that concept provides the structure underlying a wide variety of his paradoxes and verbal conceits. In this connection, Unamuno explores concepts usually considered opposites, such as mind and body or spirit and matter. Olson's close readings of the texts in terms of this structure lead to observations on Spanish history, events in Unamuno's life, the psychological dimensions of his characters, and the authorial self that is found within his texts.

.

Miguel de Unamuno y Jugo was born in Bilbao on 29th September 1864. He wrote novels, essays, poems and plays, and in addition to these he played an important part in the political and intellectual life of Spain - an involvement that led to his exile to Fuerteventura in 1924.

Angela and Lazarus, siblings who lived in the small town Valverde of Lucerne return. Angela spent some years studying and came back for her mother. Lazarus made "the new world" and now is rich. Both found Don Manuel, the parish priest considered by locals as a "Saint" because of all of the good deeds he does. Don Manuel will influence on Lazarus and Angela's beliefs but they will discover amazing aspects of Don Manuel religious life.

Unwilling to be bound by the categories of religion, Unamuno rejected the laws that distinguish one literary genre from another. Thus, some of Unamuno's finest essays are short stories, and vice versa. Included in this volume are four stories: Tia Tula; The Novel of Don Sandalio, Chess Player; The Madness of Doctor Montarco; Saint Manuel Bueno, Martyr and the play The Other. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

These 13 short stories by 5 authors of the era include 4 tales by Miguel de Unamuno along with the works of Valle-Inclán, Blasco Ibánez, Baroja, and "Azorín" (José Martínez Ruiz).

A collection of short poems with titles such as "Screen Door," "Bike Rental," and "Photo Album."

Miguel de Unamuno was profoundly influenced by S ren Kierkegaard's pseudonymous works at a time when Kierkegaard was virtually unknown in Southern Europe. This book explores the scope and character of that influence, clarifies misconceptions in the relationship between the authors, and offers an original, Kierkegaardian reading of three of Unamuno's best known novels: Niebla, San Manuel Bueno, m rtir, and Abel S nchez. Both authors hold a "self as achievement" view in which the authentic self is seen as the result of the choices one makes over a lifetime. For Kierkegaard, the spheres of existence-the esthetic, the ethical, and the religious-are "stages on life's way" to becoming an authentic self before God. Unamuno, however, holds that the same spheres of existence offer equally valid modes of authentic existence as long as one chooses them freely and passionately. This book will be of great interest to scholars of existentialism, Unamuno, and Kierkegaard.