"San Francisco has no single landmark by which the world may identify it," according to San Francisco in the 1930s, originally published in 1940. This would surely come as a surprise to the millions who know and love the Golden Gate Bridge or recognize the Transamerica Building’s pyramid. This invaluable Depression-era guide to San Francisco relates the city’s history from the vantage point of the 1930s, describing its culture and highlighting the important tourist attractions of the time. David Kipen’s lively introduction revisits the city’s literary heritage—from Bret Harte to Kenneth Rexroth, Jade Snow Wong, and Allen Ginsberg—as well as its most famous landmarks and historic buildings. This rich and evocative volume, resonant with portraits of neighborhoods and districts, allows us a unique opportunity to travel back in time and savor the City by the Bay as it used to be.

The story of beer in San Francisco is as old as the city itself. San Francisco had its first commercial brewery by 1847, two years before the gold rush, and went on to reign as the major brewing center in the American West through the nineteenth century. From the 1930s to the early 1950s, iconic San Francisco-based breweries Lucky and Acme owned the statewide California market. In the 1960s, Fritz Maytag transformed San Francisco's tiny and primitive Anchor Brewing into America's first craft brewery. Now, well into its fourth generation of craft breweries, San Francisco has seen more new breweries open in the second decade of the twenty-first century than were opened in the entire previous century, proving that tech is not San Francisco's only booming industry. Join local author and beer enthusiast Bill Yenne as he explores San Francisco's rich tapestry of beers and breweries that have made it a brewing capital in the West.

San Diego in the 1930s offers a lively account of the city’s culture, roadside attractions, and history—from the days of the Spanish missions to the pre-Second World War boom. The guide is revealing both in the opinions it embodies and in the juicy details it records—tidbits such as the bloodiest and most incompetently fought battle of the Mexican-American War, Emma Goldman’s abruptly terminated speech to local Wobblies in 1912, and even a delightfully anachronistic way to beat a San Diego speeding ticket. Brimming with tours that can prove challenging to retrace, this book reminds us of the changes wrought by seven decades of intervening war, peace, and biotechnology. Unlatching a remarkable trapdoor into the past, this compact and charming document of the Depression era invites repeated browsing and is generously illustrated with striking black-and-white photographs that bring the period to life.

In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.

Kevin Starr's portrait of California during the Great Depression is both detailed and panoramic. The study offers a vivid look at the personalities and events that shaped a decade of explosive tension.

Previously published: New York: Hastings House, 1941, under the title Los Angeles: a guide to the city and its environs, as part of the American guide series.

Traces the history of gay men and lesbians in San Francisco, from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball energized the gay community. Includes excerpts from oral histories of lesbians and gay men who have lived in San Francisco since the 1930s.

San Francisco, a city founded in part by criminals, was once one of the most dangerous cities in America. Its Barbary coast was called "a unique criminal district that was the scene of more viciousness and depravity, but it possessed more glamour, than any other area on the American continent." "San Francisco Notorious" brings back the glamorous depravity and noir atmosphere that made it the premier location for murder thrillers like "The Maltese Falcon," "Vertigo," and "Zodiac." This book contains more than 20 compelling tales of serial killers, deadly women, con-men, masters of escape, and unsolved mysteries. San Franciscan criminals were as colorful as the city they inhabited. Take William Thoreson, a murderous millionaire who hid the nation's largest private armory in his Pacific Heights mansion. Then there's Isabella Martin, the murderous "Queen of Grudges" who tried to poison an entire town, or Ethan McNabb and Lloyd Sampsell, the "Yacht Bandits," who used a luxurious sloop as a getaway vehicle for their dozens of bank robberies. Most of these unusual cases are largely unknown and have never appeared in book form. Included are cases that are still mysteries today, including the mysterious tale of the Zodiac Killer, complete with a new analysis and a startling new theory on the murder.