Spring is a season of rebirth and delight, but not for Kubikiri Asa, the Shogun's executioner. And for those condemned to lose their heads to Asa's sword, this spring will be their final season. Samurai Executioner, the Edo-era samurai crime drama by Lone Wolf and Cub creators Kazuo Koike and Goseki Kojima, continues down its path of heinous crime and diligent, bloody justice.

Collects materal previously published in the Dark Horse graphic novels Samurai Executioner. Volume 3: The hell stick; Samurai Executioner. Volume 4: Portrait of death; Samurai Executioner. Volume 5: Ten fingers, one life.

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This book reads from right to left in the traditional Japanese manga format.

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"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

From the creators of Lone Wolf and Cub comes Samurai Executioner. It's true! Before Koike and Kojima created Itto Ogami, they created Kubikiri Asa, better known to Lone Wolf readers as Decapitator Asaemon. He was the equal to Itto, bearer of the sword Onibocho, the man charged with the duty of testing the swords for the shogun. Samurai Executioner is based on the decapitator himself, in life before his fatal duel with Lone Wolf. Expect the same legendary drama, frantic action, and stoic samurai stature, combined with the exemplary art and storytelling that made Lone Wolf and Cub one of the most popular and influential comic books in the world! • Never before published in America, Samurai Executioner was the precursor to one of the most seminal works of manga, Lone Wolf and Cub! • Since the inception of its Lone Wolf and Cub publishing program in 2000, Dark Horse has sold over 800,000 copies! And the series continues to sell thousands per month! • FOR MATURE READERS.

Striking similarities between Lone Wolf and Cub and Kazuo Koike and Goseki Kojima's sidebar story line, Samurai Executioner (known as Kubikiri Asa in Japan), are evident in the cool attitude, rebellious honor, and unflappable bushido of the lead characters of both series, but readers will delight in the whole new crime-fiction genre of Edo-era samurai spirit in Samurai Executioner. Here, we enter a world of harsh and violent crime and the forces that stand against it. In this volume, after initial stories of criminals' lives leading to their executions, we meet two Edo-era police officers and explore their specialized methods of capturing crafty criminals. Then, in Koike's signature fashion, the volume ends with a psycho killer's grueling and violent end. It's a history lesson, an art education, and a pulp sensation, all wrapped up in one fantastic series. • FOR MATURE READERS

The Shogun's executioner has received many strange last requests from those about to lose their head, some stranger than others. A woman condemned for murder wants her locks severed by the killing blade to be given to a lost love. An old man asks that his own decapitation follow that of his prized chrysanthemum, and that his executioner grow another from its cuttings. And elsewhere, the woman who once stole the weapons of samurai policemen is asked to serve as a cop herself to use her own unique skills to help solve a puzzling murder.

After being separated from her companion and held captive, Rin finally broke the enchantment and was able to reunite with Aghyr. Now their only chance at getting answers about the sacred sword lies with the very same wind oracle who trapped Rin—Buren! Can they trust Buren when he says he's seen Rin's missing sister, Lys? Not only that, but Buren claims Hitaken actually has a sister sword! Everything that's happened so far seems to be connected in ways Rin doesn't yet understand, but Aghyr might have a vital clue he's been hiding from Rin all this time...