Samuel Prout was one of the first artists to specialize in continental views. In the early 1820s he popularized the scenery of the grand tour- Normandy, the Rhine, the Low Countries, Switzerland and Italy, particularly Venice- with a wider public, through the print trade and his books of engravings and lithographs. George IV appointed him 'Painter in Water-Colours in Ordinary' in 1829, and Prout continued to enjoy royal patronage. His especial skill in depicting architectural subjects won him the admiration of Ruskin, who was to become a personal friend. Yet since the end of the nineteenth century Prout's work has received relatively little attention from art historians."--Publisher description.

Reprint of the original, first published in 1882.

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.