Reading both philosophical and theological texts, this book presents an argument against nostalgia: against the myth of a Golden Age, against the posture that sees "modernity" as a problem to be solved.

The extra Calvinisticum, the doctrine that the eternal Son maintains his existence beyond the flesh both during his earthly ministry and perpetually, divided the Lutheran and Reformed traditions during the Reformation. This book explores the emergence and development of the extra Calvinisticum in the Reformed tradition by tracing its first exposition from Ulrich Zwingli to early Reformed orthodoxy. Rather than being an ancillary issue, the questions surrounding the extra Calvinisticum were a determinative factor in the differentiation of Magisterial Protestantism into rival confessions. Reformed theologians maintained this doctrine in order to preserve the integrity of both Christ's divine and human natures as the mediator between God and humanity. This rationale remained consistent across this period with increasing elaboration and sophistication to meet the challenges leveled against the doctrine in Lutheran polemics. The study begins with Zwingli's early use of the extra Calvinisticum in the Eucharistic controversy with Martin Luther and especially as the alternative to Luther's doctrine of the ubiquity of Christ's human body. Over time, Reformed theologians, such as Peter Martyr Vermigli and Antione de Chandieu, articulated the extra Calvinisticum with increasing rigor by incorporating conciliar christology, the church fathers, and scholastic methodology to address the polemical needs of engagement with Lutheranism. The Flesh of the Word illustrates the development of christological doctrine by Reformed theologians offering a coherent historical narrative of Reformed christology from its emergence into the period of confessionalization. The extra Calvinisticum was interconnected to broader concerns affecting concepts of the union of Christ's natures, the communication of attributes, and the understanding of heaven.

Drawing on a comprehensive range of early modern British, German and other European images and texts, this study offers the first interdisciplinary gendered assessment of early modern performing itinerant quacks. The contribution of women is taken as the focus for an investigation of the nature of the links between the theatrical and the medical, in the activities of quack troupes as they went about curing, selling and, above all, performing.

Images of ancient Sparta have had a major impact on Western thought. From the Renaissance to the French Revolution she was invoked by radical thinkers as a model for the creation of a republican political and social order. Since the 19th century she has typically been viewed as the opposite of advanced liberal and industrial democracies: a forerunner of 20th-century totalitarian and militaristic regimes such as the Third Reich and the Soviet Union. Yet positive images of Sparta remain embedded in contemporary popular media and culture. This is the first book in over 40 years to examine this important subject. Eleven ancient historians and experts in the history of ideas discuss Sparta's changing role in Western thought from medieval Europe to the 21st century, with a special focus on Enlightenment France, Nazi Germany and the USA. Images of ancient Sparta have had a major impact on Western thought. From the Renaissance to the French Revolution she was invoked by radical thinkers as a model for the creation of a republican political and social order. Since the 19th century she has typically been viewed as the opposite of advanced liberal and industrial democracies: a forerunner of 20th-century totalitarian and militaristic regimes such as the Third Reich and the Soviet Union. Yet positive images of Sparta remain embedded in contemporary popular media and culture. This is the first book in over 40 years to examine this important subject. Eleven ancient historians and experts in the history of ideas discuss Sparta's changing role in Western thought from medieval Europe to the 21st century, with a special focus on Enlightenment France, Nazi Germany and the USA.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Early Romantics met resistance from artists and academics alike in part because they defied the conventional wisdom that philosophy and the arts must be kept separate. Indeed, as the literary component of Romanticism has been studied and celebrated in recent years, its philosophical aspect has receded from view. This book, by one of the most respected scholars of the Romantic era, offers an explanation of Romanticism that not only restores but enhances understanding of the movement's origins, development, aims, and accomplishments--and of its continuing relevance. Poetry is in fact the general ideal of the Romantics, Frederick Beiser tells us, but only if poetry is understood not just narrowly as poems but more broadly as things made by humans. Seen in this way, poetry becomes a revolutionary ideal that demanded--and still demands--that we transform not only literature and criticism but all the arts and sciences, that we break down the barriers between art and life, so that the world itself becomes "romanticized." Romanticism, in the view Beiser opens to us, does not conform to the contemporary division of labor in our universities and colleges; it requires a multifaceted approach of just the sort outlined in this book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

Leading scholars consider Hegel's philosophy of art and its contemporary significance.