Known for making up his own rules of right and wrong, Texas Ranger Sam "Wildcard" MacGregor takes what he wants when he wants it, especially when it comes to women. But seduction is the last thing on his mind when he stumbles across a beauty crouching in fear beside a burned-out wagon. Isabella may look feminine and unassuming, but she's hell in a bodice with gunslinging skills to match any man's. The woman the townsfolk call "cursed" is hiding secrets too dangerous to face alone. Luckily, she sees in Sam what he can barely glimpse in himself—a virtuous man in a hard country bent on breaking him. A man who, under it all, craves a passionate woman willing to risk everything….

Texas Territory, 1858 Following the law as they see it, the men of Hell's Eight earned their reputation for ruthlessness. Outlaws dread having the Eight on their trail, mothers hide their daughters when the Eight come to town. They fear with good reason: Hell's Eight are wild, untamed, alluring. And they're all about to meet their matches. Caine Allen is definitely not the marrying kind. But when he rescues a kidnapped woman and returns her to town, his honor and his desire for Desi won't allow him to let her go, despite her vow to let no man control her again. Known for making up his own rules of right and wrong, Sam "Wildcard" MacGregor takes what he wants when he wants it, but fiery Isabella and the secret she carries may be more than he bargained for. Tucker McCade's learned the hard way that you have to fight to survive, but in order to win the woman he craves, he considers hanging up his guns for good... until his violent past catches up with him. The stakes have never been higher; the passion has never burned hotter! Collected here for the first time are the first three novels in Sarah McCarty's New York Times bestselling series, Hell's Eight. CAINE'S RECKONING – SAM'S CREED – TUCKER'S CLAIM

365 essays, each about 365 words, on Uncle Sam's Birth Right and Genealogy, the U.S. Constitution's philosophical and historical presuppositions and implications, or Philosophy for Dummies.

Before his trade became his name, "Tracker" Ochoa was a scrawny mestizo runaway. Now as fearsome as he once was frightened, he's joined the notorious Hell's Eight…and they have a job for him. He must rescue kidnapped heiress Ari Blake and deliver her safely to the Hell's Eight compound—by any means necessary. Turns out that includes marrying her, if he means to escort her and her infant daughter across the Texas territory. Tracker hadn't bargained on a wife—especially such a fair, blue-eyed beauty. But the pleasures of the marriage bed more than make up for the surprise. Tracker's well-muscled body and dark, dangerous eyes are far more exciting than any of Ari's former debutante dreams. In the light of day, though, his deep scars and brooding intensity terrify her. But with the frontier against them and mercenary bandits at their heels, her fearsome husband may be the only protection she's got.

An irreverent and charming collection of deeply personal essays about the joys of low pop culture and bad taste, exploring coming of age in the 2000s in the age of Hot Topic, Creed, and frosted lip gloss—from the James Beard Award-nominated writer of the Catapult column "Store-Bought Is Fine” Tacky is about the power of pop culture—like any art—to imprint itself on our lives and shape our experiences, no matter one's commitment to "good" taste. These fourteen essays are a nostalgia-soaked antidote to the millennial generation's obsession with irony, putting the aesthetics we hate to love—snakeskin pants, Sex and the City, Cheesecake Factory's gargantuan menu—into kinder and sharper perspective. Each essay revolves around a different maligned (and yet, Rax would argue, vital) cultural artifact, providing thoughtful, even romantic meditations on desire, love, and the power of nostalgia. An essay about the gym-tan-laundry exuberance of Jersey Shore morphs into an excavation of grief over the death of her father; in "You Wanna Be On Top," Rax writes about friendship and early aughts girlhood; in another, Guy Fieri helps her heal from an abusive relationship. The result is a collection that captures the personal and generational experience of finding joy in caring just a little too much with clarity, heartfelt honesty, and Rax King's trademark humor. A VINTAGE ORIGINAL

Sinner’s Creed is the uncensored memoir of Scott Stapp, Grammy Award–winning leader of the multiplatinum rock band CREED. During CREED’s decade of dominance and in the years following the band’s breakup, Scott struggled with drugs and alcohol, which led not only to a divorce, but also to a much-publicized suicide attempt in 2006. Now clean, sober, and in the midst of a highly successful solo career, Scott has finally come full circle—a turnaround he credits to his renewed faith in God. In Sinner's Creed, Scott shares his story for the first time—from his fundamentalist upbringing, the rise and fall of CREED, and his ongoing battle with addiction, the rediscovery of his faith, and the launch of his solo career. The result is a gripping memoir that is proof positive that God is always present in our lives, despite the colossal mess we sometimes make of them.

365 essays, each about 365 words, on Uncle Sam's Birth Right and Genealogy, the U.S. Constitution's philosophical and historical presuppositions and implications, or Philosophy for Dummies.

The Fiction of America juxtaposes classic literature of the American Renaissance with twentieth-century popular culture--pairing, for instance, Ralph Waldo Emerson with Finding Nemo, Walt Whitman with Spiderman, and Hester Prynne with Madonna--to investigate how the "Americanness" of American culture constitutes itself in the interplay of the cultural imaginary and performance. Conceptualizing "America" as a transhistorical practice, Susanne Hamscha reveals disruptive, spectral moments in the narrative of "America," which confront American culture with its inherent inconsistencies.