After ten years living abroad, Tarquin Hall wanted to return to his native London. Lured by his nostalgia for a leafy suburban childhood spent in south-west London, he returned with his Indian-born, American fiance in tow. But, priced out of the housing market, they found themselves living not in a townhouse, oozing Victorian charm, but in a squalid attic above a Bangladeshi sweatshop on London's Brick Lane. A grimy skylight provided the only window on their new world: a filthy, noisy street where drug dealers and prostitutes peddled their wares and tramps urinated on the pavements. At night, traffic lights lit up the ceiling and police sirens wailed into the early hours. Yet, as Hall got to know Brick Lane, he discovered beneath its unlovely surface an inner world where immigrants and asylum seekers struggle to better themselves and dream of escape. Salaam Brick Lane is a journey of discovery by an outsider in his own native city. It offers an explicit glimpse of the underbelly of London's most infamous quarter, the real-life world of Monica Ali's bestselling novel.

The first in a detective series that “immediately joins the No. 1 Ladies’ Detective Agency as representing the best in international cozies” (Booklist, starred review). Meet Vish Puri, India’s most private investigator. Portly, persistent, and unmistakably Punjabi, he cuts a determined swath through modern India’s swindlers, cheats, and murderers. In hot and dusty Delhi, where call centers and malls are changing the ancient fabric of Indian life, Puri’s main work comes from screening prospective marriage partners, a job once the preserve of aunties and family priests. But when an honest public litigator is accused of murdering his maidservant, it takes all of Puri’s resources to investigate. With his team of undercover operatives—Tubelight, Flush, and Facecream—Puri combines modern techniques with principles of detection established in India more than two thousand years ago, and reveals modern India in all its seething complexity.

Nazneen finds herself married off to a man twice her age and moved to London, where she meets a younger man involved in radical politics and begins to wonder if she has a say in her own destiny.

This book offers a variety of approaches to the topic of London in English literature from the Middle Ages to the present.

Richard Tames describes how London has been chronicled, described, celebrated, named, and mapped over the twenty centuries of its existence to become a city treasured even by those who have never set foot in it as a byword for innovation and diversity. This book has been written for those who, knowing London, know that it is too vast, too complex, too elusive ever to be fully known but yet would like to know it better still.

London has become the focus of a ferocious imaginative energy since the rise of Thatcher. The Making of London analyses the body of work by writers who have committed their writing to the many lives of a city undergoing complex transformations, tracing a major shift in the representation of the capital city.

Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour.The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.

Mustachioed sleuth Vish Puri tackles his greatest fears in a case involving the poisoning death of the elderly father of a leading Pakistani cricketer, whose demise is linked to the Indian and Pakistani mafias and the violent 1947 partition of India.

Part of the Blackwell Manifestos series, The State of the Novel offers a lively, yet rigorous investigation into the state and future of the contemporary British novel written by an expert in the field. Evaluates the state of the ‘serious literary’ novel and novel criticism Prominent treatment is paid to the ‘internationalization’ of the novel in English Offers a manifesto on contemporary fiction from an expert in this field; Dominic Head is best known for his Cambridge Introduction to Modern British Fiction 1950-2000 Establishes the shared interests of contemporary theorists of the novel, cultural commentators, and novel consumers An ideal supplementary text for students and faculty interested in the novel and contemporary fiction

The delightful, amusing, and deeply mysterious second novel to feature Vish Puri, a man after Hercule Poirot's heart, in a series that has already won diehard fans on three continents. The bizarre murder of an Indian scientist in public by the goddess Kali is no laughing matter. Yet Dr. Suresh Jha, best known for unmasking fraudulent swamis and godmen, dies in a fit of giggles at his morning yoga class when the hideous deity appears from the mist and plunges a sword into his chest. The case is a first in the "annals of crime" according to Vish Puri, head of Delhi's Most Private Investigators. To get at the truth, Puri and his team of unstoppable undercover operatives must travel from Delhi's Shadipur slum, home of India's ancestral magicians, to the holy city of Haridwar on the Ganges — entering a world in which illusion and the supernatural are virtually indistinguishable.