Sako Ma is an explorative look at the monkey as a sacred animal totem, ancestor, cult figure and religious icon in indigenous cultures in the East and West. Never before has a document looked at simian folklore and mythology cross-culturally.

Suspect Others explores how ideas of self-knowledge and identity arise from a unique set of rituals in Suriname, a postcolonial Caribbean nation rife with racial and religious suspicion. Amid competition for belonging, political power, and control over natural resources, Surinamese Ndyuka Maroons and Hindus look to spirit mediums to understand the causes of their successes and sufferings and to know the hidden minds of relatives and rivals alike. But although mediumship promises knowledge of others, interactions between mediums and their devotees also fundamentally challenge what devotees know about themselves, thereby turning interpersonal suspicion into doubts about the self. Through a rich ethnographic comparison of the different ways in which Ndyuka and Hindu spirit mediums and their devotees navigate suspicion, Suspect Others shows how present-day Caribbean peoples come to experience selves that defy concepts of personhood inflicted by the colonial past. Stuart Earle Strange investigates key questions about the nature of self-knowledge, religious revelation, and racial discourse in a hyper-diverse society. At a moment when exclusionary suspicions dominate global politics, Suspect Others elucidates self-identity as a social process that emerges from the paradoxical ways in which people must look to others to know themselves.

On the occasion of the 60 anniversary of the Universal Declaration of Human Rights, this special issue of the OECD Journal on Development focuses on robust methods and tools for assessing human rights, democracy and governance.

Traumatized by the fiery death of a driver at Silverstone, Gunma begins to fear getting into the cockpit again. Pushed to race by Oldman, Gunma finds himself being tested by Hans, the owner of the Hans Racing team. Despite doubting himself, it seems the element of "fear" has served to strengthen Gunma’s driving skills. Will Hans accept Gunma onto his team and finally present him with the opportunity to race in Europe?

The Somono are an ethnic group specialized in fishing on the river Niger. Somono Bala is an epic story. This is the first ever translation of this narritive from the Maninka language into English.

First published in 2005. This concise and comprehensive guide to the reading and interpretation of Japanese proper names, dates and other formal expressions was first published in 1923. Intended for the use of art collectors and students who wish to find the identity of signatures in Japanese ideographs, the book offers instructions on counting the strokes of a character, analysing sounds, predicting consonantal and vowel changes, reading dates, and analysing signatures. Also included are listings of Emperors, personages, and provinces, an index of names, and a dictionary of characters used in names.

In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian Deng (1999) responded to competition from American imports such as The Lion King (1994), retaining Chinese iconography while at the same time adopting Hollywood aesthetics and techniques. Addressing the series Boonie Bears/Xiong Chumo (2014-5), Chen focuses on the films' adaptation from the original TV series, and how the films were promoted across generations and by means of both online and offline channels. Discussing the series Kuiba/Kui Ba (2011, 2013, 2014), Chen examines Vasoon Animation Studio's ambitious attempt to create the first Chinese-style high fantasy fictional universe, and considers why the first film was a critical success but a failure at the box-office. He also explores the relationship between Japanese anime and new generation Chinese animation. Finally, Chen considers how word-of-mouth social media engagement lay behind the success of Monkey King: Hero is Back (2015).