In this book, Boston University Professor of Astronomy Michael Mendillo takes readers deep into the annals of history, showing how visual depictions of the heavens evolved in tandem with science and religion throughout much of Western culture. With unprecedented scope and scale, Professor Mendillo explores how cave art, illuminated manuscripts, sculptures, paintings and architecture reflected some of the great religious and secular battles taking place over the course of centuries. Enter a world of biblical proportions, where constellations of ancient heroes and pagans were thoroughly recast as Christian saints and the Twelve Apostles. This nontechnical narrative brings vitality and accessibility to some of the most enduring subjects in human history, offering a lively new exploration of the visual connections between celestial phenomena and artistic expression. “Ever wonder how religion and art became forces of imagination on our night skies? Or how the night skies became forces of imagination on our religion and art? In this brilliant study of constellations and culture, Michael Mendillo, professor of astronomy at Boston University, reveals that the canopy of stars has been an ideologically contested space from the beginning, ensuring that the next time you look up, the sky will look completely different to you.”- Neil deGrasse Tyson, Director, Hayden Planetarium, American Museum of Natural History "Saints and Sinners impressionistically reveals the connections of art, astronomy, and religion in Western culture to illuminate the age-old quest for celestial-terrestrial connections.” - Roberta J.M. Olson, author of Giotto’s Portrait of Halley’s Comet and Cosmos: The Art and Science of the Universe “Professor Mendillo’s book does a priceless service, opening the doors of our minds to images that will stir us, because the heavens are part of us, and we all long to know how and why.” - Rev. David R. Thom, MIT Chaplain and Convener of the Cambridge Faculty Roundtable on Science, Art & Religion "Over a lifetime devoted to astronomical research and teaching, Michael Mendillo has indulged a parallel passion for artistic representations of the heavenly bodies. In this sumptuous volume, he explores the projection of our changing belief systems onto the constant stars.” - Dava Sobel, author of Longitude, Galileo’s Daughter and The Glass Universe

This reissue of a classic work of H. Richard Niebuhr, one of the most influential and creative theological ethicists of the twentieth century, highlights his mature thinking. By using path-breaking interpretations of faith as a basic dimension of human life and culture as an arena of faith in conflict, Niebuhr encourages further thought. This volume should be required reading for anyone interested in recent perspectives on theology and ethics. The Library of Theological Ethics series focuses on what it means to think theologically and ethically. It presents a selection of important and otherwise unavailable texts in easily accessible form. Volumes in this series will enable sustained dialogue with predecessors though reflection on classic works in the field.

Christopher Walter's study of the cult and iconography of Byzantine warrior saints - George, Demetrius, the two Theodores, and dozens more - is at once encyclopaedic and interpretative, and the first comprehensive study of the subject. The author delineates their origins and development as a distinctive category of saint, showing that in its definitive form this coincides with the apogee of the Byzantine empire in the 10th-11th centuries. He establishes a repertory, particularly of their commemorations in synaxaries and their representations in art, and describes their iconographical types and the functions ascribed to them once enrolled in the celestial army: support for the terrestrial army in its offensive campaigns, and a new protective role when the Byzantine Empire passed to the defensive. The survey highlights the lack of historicity among the Byzantines in their approach to the lives of these saints and their terrestrial careers. An epilogue briefly treats the analogous traditions in the cultures of neighbouring peoples. Walter draws attention to the development of an echelon of military saints, notably in church decoration, which provides the surest basis for defining their specificity; also to the way in which they were depicted, generally young, handsome and robust, and frequently 'twinned' in pairs, so calling attention to the importance of camaraderie among soldiers. At the same time, this work opens a new perspective on the military history of the Byzantine Empire. Its ideology of war consistently followed that of the Israelites; protected and favoured by divine intervention, there was no occasion to discuss the morality of a 'just war'. Consequently, when considering Byzantine methods of warfare, due attention should be given to the important role which they attributed to celestial help in their military campaigns.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

A Short History of Nearly Everything meets Astrophysics for People in a Hurry in this humorous, accessible exploration of how meteorites have helped not only build our planet but steered the evolution of life and human culture. The Solar System. Dinosaurs. Donkey Kong. What is the missing link? Surprisingly enough, it's meteorites. They explain our past, constructed our present, and could define our future. Impact argues that Earth would be a lifeless, inhospitable piece of rock without being fortuitously assaulted with meteorites throughout the history of the planet. These bombardments transformed Earth’s early atmosphere and delivered the complex organic molecules that allowed life to develop on our planet. While meteorites have provided the raw materials for life to thrive, they have radically devastated life as well, most famously killing off the dinosaurs and paving the way for humans to evolve to where we are today. As noted meteoriticist Greg Brennecka explains, meteorites did not just set us on the path to becoming human, they helped direct the development of human culture. Meteorites have influenced humanity since the start of civilization. Over the centuries, meteorite falls and other cosmic cinema have started (and stopped) wars, terrified millions, and inspired religions throughout the world. With humor and an infectious enthusiasm, Brennecka reveals previously untold but important stories sure to delight and inform readers about the most important rocks on Earth.

Andrew F. Nagy Originally published in the journal Space Science Reviews, Volume 139, Nos 1–4. DOI: 10. 1007/s11214-008-9353-0 © Springer Science+Business Media B. V. 2008 Keywords Aeronomy The term “aeronomy” has been used widely for many decades, but its origin has mostly been lost over the years. It was introduced by Sydney Chapman in a Letter to the Editor, entitled “Some Thoughts on Nomenclature”, in Nature in 1946 (Chapman 1946). In that letter he suggested that aeronomy should replace meteorology, writing that the word “meteor is now irrelevant and misleading”. This proposal was apparently not received with much support so in a short note in Weather in 1953 Chapman (1953)wrote: “If, despite its obvious convenience of brevity in itself and its derivatives, it does not commend itself to aeronomers, I think there is a case for modifying my proposal so that instead of the word being used to signify the study of the atmosphere in general, it should be adopted with the restricted sense of the science of the upper atmosphere, for which there is no convenient short word. ” In a chapter, he wrote in a 1960 book (Chapman 1960), he give his nal and de nitive de nition, by stating that “Aeronomy is the science of the upper region of the atmosphere, where dissociation and ionization are important”. The Workshop on “Comparative Aeronomy” was held at ISSI during the week of June 25–29, 2007.

A sequel to The Death of Christian Culture, this spiritual treatise covers social, cultural, and political topics. It explores the importance of religious knowledge and faith to the health of a culture, provides a historical sketch of the change in cultural and educational standards over the last two centuries, and illustrates how literary and other visual arts either contribute to a culture or conspire to tear it down. Compared to a series of sermons, this analysis explains that there is a continuing extinction of the cultural patrimony of ancient Greece, Rome, medieval Europe, and the early modern period of Western civilization, owing to the pervasive bureaucratization, mechanization, and standardization of increasing materialism.

Traces the decline of Christianity in America since the 1950s, posing controversial arguments about the role of heresy in the nation's downfall while calling for a revival of traditional Christian practices.

Originally published: New Rochelle, N.Y.: Arlington House, 1978.

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.