Saint Woody is a Bill Bryson–style look at Ohio State football and the spiritual fanaticism that surrounds it.

Although Joe Klein's Woody Guthrie and Ed Cray's Ramblin' Man capture Woody Guthrie's freewheeling personality and his empathy for the poor and downtrodden, Kaufman is the first to portray in detail Guthrie's commitment to political radicalism, especially communism. Drawing on previously unseen letters, song lyrics, essays, and interviews with family and friends, Kaufman traces Guthrie's involvement in the workers' movement and his development of protest songs. He portrays Guthrie as a committed and flawed human immersed in political complexity and harrowing personal struggle. Since most of the stories in Kaufman's appreciative portrait will be familiar to readers interested in Guthrie, it is best for those who know little about the singer to read first his autobiography, Bound for Glory, or as a next read after American Radical.

List of members in each volume, except v. 5.

Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.

Thorough, detailed dendrological coverage of North American trees, shrubs, and vines This comprehensive field guide/procedural handbook provides extraordinarily detailed descriptions of trees, shrubs, and vines of North American forests. Written at a more detailed level than most field guides, it introduces basic taxonomic concepts and methods and explains the rationale behind taxonomic classification systems. Entries include Latin and common names for each species as well as physical descriptions at various levels of maturity and for different seasons. Also noted are regional and state distributions, soil conditions, cover types, shade tolerances, and common diseases and pests. This remarkably thorough and reliable reference includes: * Detailed descriptions of more than 800 species * Hundreds of additional varieties and cultivars * 550 exquisitely detailed line drawings of leaves, bark, fruit, and seeds * Broad coverage of commercial and noncommercial species * An emphasis on the silvical features of each species * A unique section on forest community ecology and cover types * The new North American Classification System Well-organized and practical, this authoritative guide is an immensely useful resource for foresters, wildlife and field biologists, naturalists, environmental scientists, and land managers.

To enjoy using this book, learn its limitations, for to ignore them will lead to frustration. With perhaps a thousand kinds of flowering plants in the San Francisco Bay Region, there are here included as spring wildflowers only about 300 kinds. Obviously many limitations had to be set and, nature lacking sharp boundaries, choices often had to be arbitrary.