Said the Manic to the Muse, takes a deeper, more focused look at the erratic, whimsical, ominous, and sometimes perilous ways manic depression functions. These poems detail the story of one woman's struggle to maintain both strength and sanity in the face of abandonment and aging.

Jeanann Verlee's second book, Said the Manic to the Muse, takes a deeper, more focused look at the erratic, whimsical, ominous, and sometimes perilous ways manic depression functions. Introduced through the careful prophecy of three archetypes: Medea, Jezebel, and Kali–each a woman largely misrepresented and wholly misunderstood–these poems detail the story of one woman's struggle to maintain both strength and sanity in the face of abandonment and aging. From dangerous trysts and barroom brawls to "grief-induced psychosis," Said the Manic to the Muse recounts the year she lost everything, including her mind.

Racing Hummingbirds examines, critiques, and at times delights in one woman's navigation through the many worlds of manic depression and her struggle to maintain humanity in the process. Jeanann Verlee's award-winning debut collection is a series of narratives, prayers, and conjurings which address gender, sex, race, poverty, heartbreak, and survival with such stark intimacy, you will find yourself living inside. These poems cannot possibly be about you, yet they are. They cross boundaries and reclaim hope. They are as the opening poem suggests, nothing short of communion. Fierce and formidable, Jeanann Verlee is poised to make an indelible mark – much like a razor slashing silk – on what's become a comfortably placid poetic landscape. Her unflinching and uncompromising stanzas will change the way you move through the world. -Patricia Smith, “Blood Dazzler” Any storyteller can recount powerful experience [she] makes you feel something powerful is happening in the telling. It is when safety dissolves that we discover possibility...It’s a special person that will make you wish they were your villain. -Brian S. Ellis, “Uncontrolled Experiments in Freedom" ...a roller coaster of imagistic magic. Form, language, allusion, and voice interact, collide, shape-shift, and duel...throughout an utterly arresting mosaic. -Danse Macabre Magazine

PULITZER PRIZE FINALIST • In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind, Kay Redfield Jamison, brings an entirely fresh understanding to the work and life of Robert Lowell (1917-1977), whose intense, complex, and personal verse left a lasting mark on the English language and changed the public discourse about private matters. In his poetry, Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, and in the process created a new and arresting language for madness. Here Dr. Kay Redfield Jamison brings her expertise in mood disorders to bear on Lowell’s story, illuminating not only the relationships between mania, depression, and creativity but also how Lowell’s illness and treatment influenced his work (and often became its subject). A bold, sympathetic account of a poet who was—both despite and because of mental illness—a passionate, original observer of the human condition.

In her third book, PREY, Jeanann Verlee examines predatory relationships from childhood onward. Drawing parallels between human and non-human predators, the poems collected here strive to illuminate the trauma of physical, psychological, and sexual abuse-exploring what it is to become prey.

The New York Times bestseller “A glistening psychological history, faceted largely by the biographies of eight famous leaders . . .” —The Boston Globe “A provocative thesis . . . Ghaemi’s book deserves high marks for original thinking.” —The Washington Post “Provocative, fascinating.” —Salon.com Historians have long puzzled over the apparent mental instability of great and terrible leaders alike: Napoleon, Lincoln, Churchill, Hitler, and others. In A First-Rate Madness, Nassir Ghaemi, director of the Mood Disorders Program at Tufts Medical Center, offers a myth-shattering exploration of the powerful connections between mental illness and leadership and sets forth a controversial, compelling thesis: The very qualities that mark those with mood disorders also make for the best leaders in times of crisis. From the importance of Lincoln's "depressive realism" to the lackluster leadership of exceedingly sane men as Neville Chamberlain, A First-Rate Madness overturns many of our most cherished perceptions about greatness and the mind.

A young man describes his torment as he struggles to reconcile the diverse influences of Western culture and the traditions of his own Japanese heritage.

Beautiful, intelligent and wealthy, Ivana Lowell seemed to have it all. Part of the Guinness dynasty, her family were glamorous and well-connected. Her charismatic but spoilt grandmother Maureen had made an excellent marriage with the Lord of Dufferin and Avon and was a leader of the fashionable set in her youth. Her mother, the writer Caroline Blackwood, socialised with the most glitteringly bohemian and high-profile figures of New York and London. Caroline had intense love affairs and was married to the painter Lucian Freud and the talented composer Israel Citkowitz before finally settling down with the poet Robert Lowell.However, being born into the Guinness inheritance was not the blessing that it appeared to be. Ivana's life of glamour and high-living has been marked by tragedy and loss. Like her brilliant but troubled mother, she has been plagued by an addiction to alcohol which took root when she was still a self-conscious schoolgirl. Having survived a childhood accident which left her physically scarred and the instability of a frenetic home life, she is also faced with the discovery of a secret which threatens to undermine her entire past.This frank and witty memoir is both vibrant and sad. It is laced with anecdotes and familiar names from the 1940s to the present, but it is ultimately an account of the relationship between mother and daughter, the story of two women whose deep affection for each other withstands everything that life has to throw at them.

An unflinching memoir by the woman who has helped thousands of people uncover their creative inspiration. In Floor Sample, the author of the international bestseller The Artist's Way weaves an honest and moving portrayal of her life. From her early career as a writer for Rolling Stone magazine and her marriage to Martin Scorsese, to her tortured experiences with alcohol and Hollywood, Julia Cameron reflects in this engaging memoir on the experiences in her life that have fueled her own art as well as her ability to help others realize their creative dreams. She also describes the fascinating circumstances that led her to emerge as a central figure in the creative recovery movement-a movement that she inaugurated and defined with the publication of her seminal work, The Artist's Way. Julia Cameron is a passionate and wry observer of the world, and her account of her life as a self-described "floor sample" for all she teaches in her brilliant books on creativity will surprise, entertain, and inspire all her many fans as well as anyone interested in an absorbing literary memoir.

Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. "Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty.... Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led."--Library Journal