"THE WAR FOR PHANG," Part Five. Alana and Marko get their war on.

The ruling family scatters, reverting to their old ways. Dragging close associates with them, they drain the resources of the realm in search of personal objectives. Exploring distant lands they stumble upon a coastal kingdom and run headlong into formidable obstacles. The only road home passes through a desperate foreign war and the malignant devices of its perpetrators.

THE ULTIMATE BINGE-READ! Collecting the first nine volumes of the critically acclaimed, New York Times bestselling series into one massive paperback, this compendium tells the entire story (so far!) of a girl named Hazel and her star-crossed parents. Features 1,400 pages of gorgeously graphic full-color artwork, including a new cover from Eisner Award-winning SAGA co-creator FIONA STAPLES. Collects SAGA #1-54

Watermill, Pilski and the Shloss, are replicas of real places in Poland, during the occupation of Nazi Germany from 1939 on. All the history is true, the characters are combinations of heroines, heroes, villains whose story must be told before the witness/survivors all disappear The history, mystery and intrigue of the Shloss, based on a report by my father, who as a child, participated in the Lag B'Omer ritual of the opening story . My parents came to America pre-WWI. The World War II massacre of my grandfather and family, attested to by survivors of the Holocaust tragedy. This trilogy is the Slomovitch's story.

Drama and adventure absorbingly intertwine as author Walter Efe Tete stirs the publishing world with his literary prowess. In his newly released novel, The Capstone Saga, he immerses readers into the life of one man who battles to stay strong amid adversities, relying solely on the power of hope, determination, and compassion for others. Being the son of a powerful chief of an entire community, Scotty Stone was born and introduced to a polygamous family in Africa. Chief Eyikemi had seven wives at a time, one of whom was Scottys mom, Victoria, who died early in life. Now alone with his siblings, Scotty and his siblings are, by default, taken in by their stepmothers. In the villa, he is confronted with a life of misery. His only option is to survive everything that is thrown at him. This leads him to have a tougher personality and a more principled life, making him a strong force to reckon with in society, both at home and abroad. With the hope of making it big, Scotty migrates to the United States of America. Not long after, he sees himself living his dream, with no knowledge that it wouldnt last long. How far will this young man go to truly find himself? Readers will unravel as Scottys powerful survival skills come face-to-face with dreadful challenges in the engrossing pages of The Capstone Saga. (Note: This novel is a work of fiction).

Verse quotation is intrinsic to the literary style of the medieval Icelandic corpus of Íslendingasögur (sagas of Icelanders), one of the most important vernacular literary genres of the European Middle Ages. The essays collected in this volume demonstrate that the combination of prose and verse constitutes a distinctive literary aesthetic, and that in the medieval Icelandic literary tradition, it was not a question of choosing between prose and verse as the vehicle for stories about the foundational generations of settlers on the island, but of combining both modes to forge the unique literary form of the saga. Verse quotation has always been recognised as an important aspect of the Íslendingasögur, but to date, the significance of verse to the aesthetic of the narrative has mainly been explored with reference to the sub-genre of the skáldasögur (sagas of poets), in which the proportion of verse to prose is at its highest. The contributions to the volume analyse the Íslendingasögur as prosimetrum - that is, they treat the combination of verse and prose as a salient generic and aesthetic feature of this body of sagas. The contributors are leading scholars in the field of Old Norse studies, and their work represents current research trends in the UK, USA, Iceland, Denmark, and Germany. Their innovative approaches will enable a better understanding on the literary mode of the corpus as a whole, as well as producing fresh insights into the compositional habits of the (anonymous) authors of individual sagas.

Njáls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga’s composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission; the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njáls saga manuscripts. Many of the authors took part in the international research project "The Variance of Njáls saga" which was funded by the Icelandic Research Council from 2011-2013.

They streamed out from the tree line in a veritable blitzkrieg, the guns of the tanks rotating and firing, the foot soldiers alternately taking cover behind vehicles and squeezing off bursts, the raptors and triceratops and stegosaurs charging—as Red and Charlotte and Roger and Savanna continued shooting and the children ran ammo and Bella lit the gasoline trenches, as Gojira and the clerk prepared shoulder-mounted rocket launchers. As hundreds of others joined the battle belatedly and began to kill and to be killed. And then they were there; they were at the gates, and the triceratops and stegosaurs had waded into the burning trenches and begun serving as bridges—sacrificing themselves so that the raptors and the foot soldiers could cross—even as a column of bulldozers fanned out along the perimeter and prepared to break the lines for good: dropping their blades—which rattled and clinked against the hail of gunfire—revving their engines, spewing black smoke. “Bayonets!” cried Red as the raptors fell upon them, thrusting his own so that it skewered one of the dinosaurs like a shish kabob even before he used its own weight and momentum to swing it over and behind himself.

An Iron Horse Saga is not a traditonal romantic novel with a sultry love triangle but rather a true story of an adventurous cross country motorcycle ride by a deeply in love husband and wife. A deep bond developed between the Rider and Iron Horse during the ride's impossible conditions. Normally a 5,200 mile Coast to Coast ride should be a simple test of Rider endurance. This ride was anything but normal! A transplanted skier from Upstate New York, the author moved to Florida to take advantage of the warmer climate and pursue his 2nd passion of motorycle riding. The author's motorcycle riding experience spans 50 years and over 500,000 miles. A cross country motorcycle ride between the Atlantic Ocean and Pacific Ocean was an idea borne by the author to combine his passion for motorcycle riding with an opportunity to raise money to benefit children in the community. The Kiwanis Club of Southeast Volusia County sponsored the Coast to Coast Benefit Ride for Children.

Two brothers . . . Two different sides of the law . . . One hustle. Derek Fuller and Scar Johnson were separated as young boys in the Baltimore foster care system. When they finally reunited, it didn't matter to them that they were operating on different sides of the law. Derek was a cop, and Scar a notorious drug dealer, but family came first, and these two formed a partnership that was bound to make both of them very rich men—until Scar realized he couldn't keep his hands off Derek's wife. Tiphani Fuller may have been unsatisfied by her husband, but she never expected to fall for her brother-in-law. Now she's in over her head, doing things that make her no better than the criminals she sees in her courtroom. She's using her new position as a circuit court judge to feed information to Scar and his Dirty Money Crew so they can go on a crime spree with no fear of prosecution. Throw in a cast of characters including an ex-convict who'll do anything for love, a detective who's hell-bent on revenge, and a mayor who breaks more laws than the criminals on the streets, and you have a story that could only come from the mind of Treasure Hernandez. In The Baltimore Chronicles Saga, there is no difference between the bad guys and the good guys. Everyone has an agenda, and every page is full of lust, lies, revenge, and murder.