Explores the strange and intricate mechanics of human systems-of the body, of thought, of language itself. These are the engines, like poetry, that propel both our comprehension and misunderstanding. "If you're lucky, " Harvey writes, "after a number of / revolutions, you'll / feel something catch."

Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or an entire life.

The verse and prose poems of this third collection by Harvey shows her signature wit (the factory puffs its own set of clouds), darkened by an ominous sense of fearfulness in a post-9/11 world, which the poems' seeming levity tries to combat. The backbone of the collection is a pair of sequences titled The Future of Terror and Terror of the Future, that explore those two increasingly loaded words using a clever alphabetical system with haunting results: We were just a gumdrop on the grid. Prose poems bookending the sequences present a fable about a lonely robot (When Robo-Boy feels babyish, he has the option of really reverting); a study of appetite (Ma gave Dinna' Pig his name so that no-one would forget where that pig was headed); an explanation of how the impossibility of mind-reading led to love (Even when they press their ears or mouths or noses together, the skull wall is still in the way); and an unlikely dinner ritual (rip the silhouette from the sky and drag it inside). A few short, lineated poems punctuate the blocks of prose: World, I'm no one/ to complain about you.

In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that." Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she finds herself adopted by a small, affectionate glacier. How Cecil, as the ice pet is named, proves himself to Ruby—risking his own meltdown—is a story sure to thrill and delight young readers.

A brilliant combination of poetry and visual artwork by Matthea Harvey, whose vision is "nothing short of blazingly original" (Time Out New York) She didn't even know she had a name until one day she heard the human explaining to another one, "Oh that's just the backyard mermaid." "Backyard Mermaid," she murmured, as if in prayer. On days when there's no sprinkler to comb through her curls, no rain pouring in glorious torrents from the gutters, no dew in the grass for her to nuzzle with her nose, not even a mud puddle in the kiddie pool, she wonders how much longer she can bear this life. The front yard thud of the newspaper every morning. Singing songs to the unresponsive push mower in the garage. Wriggling under fence after fence to reach the house four down which has an aquarium in the back window. She wants to get lost in that sad glowing square of blue. Don't you? —from "The Backyard Mermaid" Prose poems introduce deeply untraditional mermaids alongside mer-tool silhouettes. A text by Ray Bradbury is erased into a melancholy meeting with a Martian. The Michelin Man is possessed by William Shakespeare. Antonio Meucci's invention of the telephone is chronicled next to embroidered images of his real and imagined patents. If the Tabloids Are True What Are You? combines Matthea Harvey's award-winning poetry with her fascinating visual artwork into a true hybrid book, an amazing and beautiful work by one of our most ingenious creative artists.

An Hons. thesis in creative writing(poetry). It got a First. Go Figure.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

In this compelling tale for children and adults alike, the poet Matthea Harvey collaborates with artist Elizabeth Zechel to create a powerful, resonant allegory for these times of violent military solutions to global problems. In this compelling tale, there is a little general who heads an army called the Realists. Every day he and his troops practice battle formations while the Dreamers, the opposing army, play strange, peaceful games. The little general's soldiers include Sergeant Samantha, who is very tall and wishes the general would pay more attention to her, and Lieutenant Lyle, an imaginative fellow who always seems to get into trouble. One day the little general sees a giant snowflake hovering in his garden and realizes he is suffering from a disease of the imagination. He is ashamed and pretends not to see it, but eventually he discovers that everyone in his army has a similar problem. What magical message is the snowflake trying to bring to the general, and to the world? In a time of violent military solutions to global problems, this illustrated allegory by a leading poet has a particular, powerful resonance.

What should happen when doctors and parents disagree about what would be best for a child? When should courts become involved? Should life support be stopped against parents' wishes? The case of Charlie Gard, reached global attention in 2017. It led to widespread debate about the ethics of disagreements between doctors and parents, about the place of the law in such disputes, and about the variation in approach between different parts of the world. In this book, medical ethicists Dominic Wilkinson and Julian Savulescu critically examine the ethical questions at the heart of disputes about medical treatment for children. They use the Gard case as a springboard to a wider discussion about the rights of parents, the harms of treatment, and the vital issue of limited resources. They discuss other prominent UK and international cases of disagreement and conflict. From opposite sides of the debate Wilkinson and Savulescu provocatively outline the strongest arguments in favour of and against treatment. They analyse some of the distinctive and challenging features of treatment disputes in the 21st century and argue that disagreement about controversial ethical questions is both inevitable and desirable. They outline a series of lessons from the Gard case and propose a radical new 'dissensus' framework for future cases of disagreement. - This new book critically examines the core ethical questions at the heart of disputes about medical treatment for children. - The contents review prominent cases of disagreement from the UK and internationally and analyse some of the distinctive and challenging features around treatment disputes in the 21st century. - The book proposes a radical new framework for future cases of disagreement around the care of gravely ill people.

One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.