Uses the 52 cards in a playing card deck along with the individual's birthdate to reveal an amazing connection and insightful information. Individual interpretations for each birth date.

Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs • Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings • Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science. Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.

I wish particularly to point out in the present volume that I am not giving the meanings of symbols in the vestments in which they are now garbed. I am giving their origin and original meanings. Up to the time of Mu's submersion all symbols retained their original meanings. From the time of Mu's destruction I must pass over about 5,000 or 6,000 years. Those were years when seemingly no history was written except a few scraps in India and Egypt. During this time mankind apparently was reviving and repeopling the earth, after its almost total destruction by the submersion of Mu and other lands and the subsequent formation of gas belts and mountains. On entering Egypt 6,000 years ago we find that many of the original symbols had survived but were very much Egyptianized, especially in pattern or design, with an incomprehensible theology attached to them. A multitude of new ones had besides been added, most of them having esoteric or hidden meanings. This confusion increased when Upper and Lower Egypt merged into one kingdom. The two peoples not only commingled personally, but also their two sets of symbols. Thus two sets were made into one without any being discarded. It meant at least two symbols for every conception. So great was the confusion of symbols in Egypt, 4,000 to 5,000 years ago, that hardly one-half of the priesthood understood those used in the temples of other cities, although they might be but a few miles away.

Occultist James Churchward was obsessed with the lost continent of Mu, home to the original human civilization, after learning of this mysterious and forgotten paradise from an Indian priest, who shared several ancient tablets written by the Naacals, the inhabitants of Mu. Or so Churchward claimed.Here, in this work first published in 1933, Churchward discusses his contention that all religions from across Earth share a common origin in Mu. In particular, he explores how symbols of Mu-gleaned, supposedly, from the ancient tablets-bear startling resemblances to everything from the Egyptian ankh and Chinese pictograms to Native American calendar glyphs.The reality of Mu aside, students of comparative mythology and fans of esoterica will find this a fascinating book.British inventor, engineer, and author COLONEL JAMES CHURCHWARD (1851-1936), the elder brother of mystic author Albert Churchward, also wrote The Lost Continent of Mu Motherland of Man (1926), The Children of Mu (1931), The Lost Continent of Mu (1931), Cosmic Forces of Mu (1934), and Second Book of Cosmic Forces of Mu (1935).

Throughout history, symbols have formed and shaped our mental and emotional states, and influenced our behavior. Robert Adkinson's compendium of religious, philosophical, and cultural emblems from a variety of contexts reveals the universal power of these elemental images, bridging the gap between languages and civilizations all over the world. With illuminating commentary, Adkinson positions each image within its cultural context, from the early societies of the Egyptians, the Celts and the Maya, who used visual metaphors to explain natural phenomena and illustrate concepts of good and evil, to the iconography of Buddhism, Taoism, and Christianity as found in art and architecture, concluding with the complex spiritual puzzles of the mandala, sacred sex, and the Tarot.

Nearly all of us have studied poetry and been taught to look for the symbolic as well as literal meaning of the text. Is this the way the ancients saw poetry? In Birth of the Symbol, Peter Struck explores the ancient Greek literary critics and theorists who invented the idea of the poetic "symbol." The book notes that Aristotle and his followers did not discuss the use of poetic symbolism. Rather, a different group of Greek thinkers--the allegorists--were the first to develop the notion. Struck extensively revisits the work of the great allegorists, which has been underappreciated. He links their interest in symbolism to the importance of divination and magic in ancient times, and he demonstrates how important symbolism became when they thought about religion and philosophy. "They see the whole of great poetic language as deeply figurative," he writes, "with the potential always, even in the most mundane details, to be freighted with hidden messages." Birth of the Symbol offers a new understanding of the role of poetry in the life of ideas in ancient Greece. Moreover, it demonstrates a connection between the way we understand poetry and the way it was understood by important thinkers in ancient times.

1893 Giving the mystic meaning of these wonderful and ancient emblems in their relationship to the heavenly bodies, under all conditions with rules and processes for reading or delineating the emblems. Illustrated.

The gift of life's eternal wisdom! The cross and loop or circle symbol known as the Ankh has come to be one of the most widely recognized symbols in the world--honored and/or used in rituals by many religions in many cultures around the globe and through time. It gained huge popularity in the 60s when it became an anti-establishment, anti-war symbol, as Lon Milo Duquette points out in his introduction. The Ankh: Key of Life includes a silver-colored Ankh on a black silken cord and an informative illustrated book about the Ankh's history and meaning plus a plethora of ideas for wearing and using your Ankh in a meaningful way. If any symbol on earth could hold such power it is certainly the Ankh. It is the consensus among many modern esotericists that the Ankh was designed to be recognized by the ancient eye as a simple sandal strap. This is my favorite theory for it suggests to me the secret that life is a journey each of us must make one step at a time. It's simply a matter of going--a process of voluntary movement--a willed commitment to move on, move up, and become something greater than we now are. *Features a silver-colored Ankh pendant on a silken cord