'Sacred Mysteries' opens by reflecting on the continual process of reform in the church and on the foundational principles for all liturgical action. It then moves to a discussion of each of the sacraments, with particular reference to the way they are ritualized in the assembly. A final chapter addresses practices that can cloud the experience of mystery during liturgical celebrations and thus inhibit rather than enhance the power of the rite.

The Western Mysteries (previously published as The Key of It All, Book II: The Western Mysteries), by David Allen Hulse, is perhaps the most comprehensive, in-depth description of various aspects of the Western magickal tradition ever published. The uniting factor of this book is language. It begins with a discussion of the mysteries of the Greek alphabet, followed by the different forms of the Runes, and goes on to describe the mystical secrets of Latin. It also explores Enochian, where you will discover, for the first time ever, the correctly constructed Watchtower system. The book also includes the mysteries of the Tarot, a pictorial language, and it describes the development of the esoteric Tarot, how to do readings, and the significance of the symbolism on the Tarot cards. It concludes with the English language and its relationship to the Tarot, Enochian, and more. The introduction to The Western Mysteries serves as a complete introduction to the magickal tradition of the West. You will learn about the evolution of thought concerning the Elements, astrology, magick squares, geomancy, words of power, and more. You will find that each section of this book is a key that unlocks the meaning behind another of the magickal languages that you can relate to your own spiritual system. It is ideal for a beginning student to explore the mysteries of Western magick. It is a necessary tool for more advanced students, as it has collected hundreds of charts and lists which clarify and identify the similarities and differences between various systems. This is a reference book you will study over and over. The volume of information revealed makes The Western Mysteries an instant classic and a necessity for any spiritual practitioner.

It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.

‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise.

Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance to the local gods, the mysteries emphasized an inwardness and privacy of worship within a closed band of initiates. In this book, Marvin W. Meyer explores the sacrifices and prayers, the public celebrations and secret ceremonies, the theatrical performances and literary works, the gods and goddesses that were a part of the mystery religions of Greece in the seventh century B.C. to the Judaism and Christianity of the Roman world of the seventh century A.D.

From the flat earth to the sun's chariot - traditional spiritual texts seem wedded to outmoded cosmologies that show, at best, the scientific limitations of their authors. The Bhagavata Purana, one of the classical scriptures of Hinduism, seems, at first glance, to be no exception. However, a closer examination of this text reveals unexpected depths of knowledge in ancient cosmology. Mysteries of the Sacred Universe shows that the cosmology of the Bhagavata Purana is a sophisticated system, with multiple levels of meaning that encode at least four different astronomical, geographical, and spiritual world models. By viewing the text in the light of modern astronomy, Richard Thompson shows how ancient scientists expressed exact knowledge in apparently mythological terms. Comparison with the ancient traditions of Egypt and the Near East shows early cultural connections between India and these regions - including a surprisingly advanced science. However, quantitative science is only part of the picture. Mysteries of the Sacred Universe also offers a clear understanding of how the spiritual dimension was integrated into ancient Indian cosmology.

We Evangelicals struggle with mysteries. Answers are sought, meanings defined, and theology put in nice, neat boxes for clarification, or simply to justify our denominational notions. As Augustine notes, we are talking about God, after all. Why is it surprising that we do not understand? If we did understand, then it would not be God. Mysteries remind us that God is bigger than our preconceived ideas about his involvement with those created in his image. Divine Mysteries: Concise and Thoughtful Ancient Biblical Wisdom addresses some of these mysteries in a provocative and succinct manner.

Fr Lawrence Lew's stunning photographs of sacred art inspire his contemplations of each Mystery of the Rosary. Both the words and the images make the Mysteries we contemplate in this great prayer vivid and real, helping all of us - those who pray the Rosary faithfully and those who struggle with the devotion - to pray more deeply and with greater understanding.

Visionary singer Susan Hale believes that early peoples deliberately built their structures to enhance natural vibrations. She takes us around the globe-from Stonehenge and New Grange to Gothic cathedrals and Tibetan stupas in New Mexico-to explore the acoustics of sacred places. But, she says, you don't have to go to the Taj Mahal: The sacred is all around us, and we are all sound chambers resonating with the One Song.