In the wake of the Counter-Reformation, Cardinal Gabriele Paleotti, the archbishop of Bologna, wrote a remarkable treatise on art during a time when the Church feared rampant abuse in the arts. Paleotti's 'Discourse on Sacred and Profane Images' argues that art should address a broad audience and explains the painter's responsibility to his spectators.

One question in particular has been asked time and time again by fellow Christians: "Is it okay for me to be ambitious?" In other words, is it okay for a Christian to want to be financially successful, to be in the best possible physical shape, to crush lofty goals, or to exercise great influence in the world? In many cases, these are fellow Christians who want to be, say, a dominating head football coach, the top salesperson in their company, a Fortune 500 entrepreneur, or a worldwide social media influencer. Should they feel guilty about that? My answer to them-and to you? There is sinful ambition, and there is holy ambition. We can be driven to excellence and success by our selfish ego, simply wanting to make a name for ourselves and amass material possessions for their own sake. Or we can work to cultivate what I'd like to call sacred drive-a righteous motivation to pursue our God-given potential, not just for our gain, but for God's glory and the good of the world. This book is my humble attempt to help you do that. -from the introduction to Sacred Drive

We need companions on our spiritual journey. In this inviting guide, David G. Benner introduces readers to the riches of spiritual friendship and direction, explaining what they are and how they are practiced. Through prayerful, guided attunement to God's activity, sacred companions provide care for the soul, and Benner models the kind of traveling companion who can move us toward deeper intimacy with God.

Famed historian of religion Mircea Eliade observes that even moderns who proclaim themselves residents of a completely profane world are still unconsciously nourished by the memory of the sacred. Eliade traces manifestations of the sacred from primitive to modern times in terms of space, time, nature, and the cosmos. In doing so he shows how the total human experience of the religious man compares with that of the nonreligious. This book serves as an excellent introduction to the history of religion, but its perspective also emcompasses philosophical anthropology, phenomenology, and psychology. It will appeal to anyone seeking to discover the potential dimensions of human existence. -- P. [4] of cover.

Employs the sectarian battles which divided African Christians in late antiquity to explore the nature of violence in religious conflicts.

The thought of Paul Ricoeur continues its profound effect on theology, religious studies and biblical interpretation. The 28 papers contained in this volume constitute the most comprehensive overview of Ricoeur's writings in religion since 1970. Ricoeur's hermeneutical orientation and his sensitivity to the mystery of religious language offer fresh insight to the transformative potential of sacred literature, including the Bible.

"Sacred gaze" denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions.

Animals are worshipped in India in many ways: as deities—the elephant-god Ganesha and the monkey-god Hanuman; as avatars—like Vishnu’s fish, tortoise and boar forms; and as vahanas—the swan, bull, lion and tiger were all vehicles of major deities and are thus sacred by association. Some animals, like the snake, are worshipped out of fear. Birds such as the crow are associated with the abode of the dead, or the souls of ancestors, while the cow’s sanctity may derive from its economic value. There are also hero-animals, such as the vanaras, and animals which were totemic symbols of tribes that were assimilated into Vedic Hinduism. Sacred Animals of India draws on the ancient religious traditions of India—Hinduism, Buddhism and Jainism—to explore the customs and practices that engendered the veneration of animals in India. This book also examines the traditions that gave animals in India protection, and is a reminder of the role of animal species in the earth’s biodiversity.

"Kazuko Shiraishi's poems are outcries, meditations, exclamations of fierce energy and playfulness. It is a joy to hear from a Japanese sister of such breadth and bravery." --Anne Waldman