Jan van Ruusbroec (1293-1381), a Flemish mystical theologian, was one of the most original Trinitarian thinkers in the medieval West. Yet, his works--written in Middle-Dutch--have remained relatively unknown. In this book, Rik Van Nieuwenhove presents the first major study in English of Ruusbroec's thought. Van Nieuwenhove explores in detail Ruusbroec's theology of the Trinity, his anthropology, Christology, and his understanding of union with God. Van Nieuwenhove's study reveals that Ruusbroec, while incorporating aspects of the rich theological and spiritual tradition that preceded him, wrote at the beginning of a modern age in which mystical theology changed radically in nature. Ruusbroec claimed that the divine Persons are subject to an eternal dynamic of procession or out-going from the Father, on the one hand, and returning to the shared divine essence, on the other. The human person is called to participate in this continuous ebbing and flowing by leading a life that combines contemplation and charitable activity. Ruusbroec argued that mysticism should be interpreted in terms of a transformation of the human person rather than in terms of an immediate experience of God. Jan van Ruusbroec, Mystical Theologian of the Trinity is an innovative, original study of one of late medieval theology's undiscovered treasures. Written in clear, accessible language, this new interpretation of Ruusbroec's theology will appeal to all those interested in mysticism, medieval theology, and the doctrine of the Trinity.

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"A Michael Glazier book." Includes bibliographical references (p. 164-165).

This volume represents the first book-length treatment in English of one of the greatest mystical writers in Christian history, Jan van Ruusbroec (1293-1381). A careful reading of the texts by the Flemish historian Paul Mommaers focuses on two delicate relationships: that between mysticism and religiosity and that between a mysticism of union in love and the more metaphysical mysticism of unity. Winding in and out of this presentation is a commentary by theologian of religions Jan Van Bragt, which attempts to place the problematic in a wider, interreligious context by contrasting the spiritual path of Buddhism with that of the Christian mystical way. The combined result is not only an original reading of the great Flemish love-mystic, but a groundbreaking attempt to view religious history through the dual lenses of one's own faith and that of the faith of others. Ruusbroec's approach is seen to challenge traditional ideas about differences between the Buddhist and Christian ways and to open new possibilities for further encounters at the level of mystical thought and practice.

John of Ruusbroec (1293-1381) is one of the most important mystical authors in the Christian tradition. This Companion provides a comprehensive overview of Ruusbroec studies, including a survey of the mystical tradition in the Low Countries before Ruusbroec, a discussion of his life and works, the manuscript tradition, the most significant mystical-theological and literary themes, Latin translations of his work, and the widespread resonance of his thought across Europe until 1800. Finally, it offers a summary of secondary research since the nineteenth century. To complement the range of scholarly articles, this Companion also includes the first English translation of a series of Middle Dutch texts that offer deeper insight into Ruusbroec, his thought, and his mystical and literary context. Contributors include: Jos Andriessen, John Arblaster, Guido De Baere, Rob Faesen, Bernard McGinn, Hilde Noë, Kees Schepers, Loet Swart, Rik Van Nieuwenhove, and Lieve Uyttenhove.

This book discusses the writings of the mystic Jan van Ruusbroec (1293-1381) within their medieval contexts of literary, religious and intellectual life, thus offering the first comprehensive biography of the most influential medieval Dutch author.

"When one looks at an icon, one bas the sense that God is looking back. Our whole person is involved. What the prayers and music of the Feast convey through the ears, the icon conveys visually." This book showcases a collection of extraordinarily beautiful icons that introduces readers and art appreciators to the spiritual riches of the Byzantine liturgical tradition. The author, Father Michael Evdokimov, presents an icon for each of the twelve great feasts of the Orthodox Christian liturgical year. Preceding each icon is a brief commentary of what the reader can hope to find in the icon, including nuances that a casual observer might miss. Facing each icon are prayers appropriate for meditating on the icon. Quotations from spiritual writers of all ages of Christianity are interspersed in the book. In a simple, straightforward manner, Evdokimov shows how the prayers and the icons used to worship God can nourish the spiritual life. Although he sets before his readers beliefs and practices common to Orthodox people everywhere in the world, anyone who appreciates beautiful art will find much to savor here.