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Sergei Ivanovich Rudenko was a prominent Russian/Soviet anthropologist and archaeologist who discovered and excavated the most celebrated of Scythian burials, Pazyryk in Siberia. During the excavation of Pazyryk tombs, he discovered the world's most spectacular tattooed mummy said to belong to the Pazyryk Culture which flourished between the 7th and 3rd centuries BC. Herodotus and other ancient writers referred to the Altay as "the golden mountain". It was there that the impregnable citadel of the Scythians (or Sacae) lay hidden for centuries. Rudenko, however, was cautious enough not to assign his findings to the Scythians. He attributed the kurgan finds to the formidable Iron Age horsemen and warriors, whom he dubbed the "Pazyryks." Although they left no written records, Pazyryk artifacts are distinguished by a sophisticated level of artistry and craftsmanship. The Pazyryk tombs discovered by Rudenko were in an almost perfect state of preservation. They contained skeletons and intact bodies of horses and embalmed humans, together with a wealth of artifacts including saddles, riding gear, a chariot, rugs, clothing, jewelry, musical instruments, amulets, tools, and an "apparatus for inhaling hemp smoke." Also found in the tombs were fabrics from Persia and China, which the Pazyryks must have obtained on journeys covering thousands of miles.

In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike.

This study provides a comprehensive biography of Russian general Aleksei A. Brusilov (1853–1926), commonly considered Russia’s greatest general in World War I.Following in the footsteps of his military family, he entered the cavalry and quickly rose through ranksto the status of general by 1906. Brusilov’s great fame largely rests on his successful offensive in the summer of 1916, when he inflicted a stinging defeat on Austro-German forces. As commander of the Southwest Front, he initiated his “broad front tactics” and attacked on a 250-mile front, inflicting a million and a half casualties. His successes crippled Austria permanently, making it totally dependent on Germany for the remainder of the war, thus insuring no German victory in the east. When the Revolution began in March 1917, Brusilov readily gave his allegiance to the republican Provisional Government and cooperated with the socialist Petrograd Soviet and their commissars and soldiers’ committees. The government eventually made him commander-in-chief of all Russian forces. He died a hero to the Russian people and remains so to this day. In Russia's Iron General, Jamie H. Cockfield extensively examines all facets of Brusilov’s life that led to his renowned reputation that continues decades after his death. This study analyzes Brusilov’s political positions over several wars and changing political powers, his military history, theories, and tactics, and his personal and familial life.