Told from a Siberian point of view, this book seeks to dispel something of the miasma of ignorance and misconception surrounding this vast expanse the planet's land-surface, its fascinating history, its natural environment and - most importantly - the peoples who live, or have lived and died, there.

Alan Wood's ambitious work is the first to address the whole span - both chronologically and thematically - of the development of Siberia, and its role in both the Russian and the global context. With a scope that reaches from Muscovy's conquest of Siberia in the 16th and 17th centuries to modern times, it explores the effects of colonial exploitation, the Revolutions of 1917 and developments during the Soviet period. Russia's Frozen Frontier is also the first book to detail the history of Siberia from the view of Siberians themselves - both Russian and native - rather than seen through the lens of Moscow or St Petersburg.

Through the lens of a classic Russian travelogue, this historical study examines early globalization and Russia’s participation in the Imperial race. In the 1850s, American Commodore Matthew Perry embarked on a legendary expedition to open trade relations with Japan. Less well known is the Russian expedition that followed on his heels. Serving aboard the Russian Frigate Pallada was the novelist Ivan Goncharov, who turned his impressions into a bestselling book. In A World of Empires, Edyta Bojanowska uses Goncharov’s travelogue as a window onto mid-19th century global imperialism. Goncharov recounts experiences in Africa’s Cape Colony, Dutch Java, Spanish Manila, Japan, and the British ports of Singapore, Hong Kong, and Shanghai, offering keen insight on imperial expansion, cooperation, and competition. Often overlooked in the history of European imperialism, Russia emerges here as an increasingly assertive empire, eager to position itself on the world stage and fully conversant with the ideologies of civilizing mission and race. Goncharov’s gripping narrative offers a unique eyewitness account of empire in action. Bojanowska’s illuminating analysis reveals both a zeal to emulate European powers and a determination to define Russia against them. A Financial Times Best History Book of the Year

Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinational Soviet identity. Screening Soviet Nationalities examines the non-fictional representations of Soviet borderlands from the Far North to the Northern Caucasus and Central Asia between 1925-1940. Beginning with Dziga Vertov and his vision of the Soviet space as a unified, multinational mosaic, Oksana Sarkisova rediscovers films by Vladimir Erofeev, Vladimir Shneiderov, Alexander Litvinov, Mikhail Slutskii, Amo Bek-Nazarov, Mikhail Kalatozov, Roman Karmen and other filmmakers who helped construct an image of Soviet ethnic diversity and left behind a lasting visual legacy.The book contributes to our understanding of changing ethnographic conventions of representation, looks at studies of diversity despite the homogenising ambitions of the Soviet project, and reexamines methods of blending reality and fiction as part of both ideological and educational agendas. Using a wealth of unexplored archival evidence from the Russian State Documentary Film and Photo Archive (RGAKFD) as well as the Gosfilmofond state film archive, Sarkisova examines constructions of exoticism, backwardness and Soviet-driven modernity through these remarkable and underexplored historical travelogues.

This book argues that the unique environments of the North have been borne of the relationship between humans and nature. Approaching the topic through the lens of environmental history, the contributors examine a broad range of geographies, including those of Iceland and other islands in the Northern Atlantic, Sweden, Finland, Russia, the Pacific Northwest, and Canada, over a time span ranging from CE 800 to 2000. Northscapes is bound together by the intellectual project of investigating the North both as an imagined and mythologized space and as an environment shaped by human technology. The North offers a valuable analytical framework that surpasses nation-states and transgresses political and historical borders. This volume develops rich explorations of the entanglements of environmental and technological history in the northern regions of the globe

During the period of the Tokugawa shogunate’s seclusion policy from about 1630 onwards there was very little European interaction with the Japanese except through the restricted Dutch presence at Nagasaki. During this period, however, Russians exploring Siberia and the Russian Far East came into contact with Japan, and further exploration and information collecting was encouraged by the Russian government, culminating in the first official Russian Embassy to Japan in 1792. This book examines the Russian discourse on Japan in the period, tracing the gradual accumulation of knowledge, and the development of Russian views, sometimes distorted, about Japan. The book includes key historical documents, some translated into English for the first time. The book is a prequel to the author’s previous book, Russian Views of Japan, 1792–1913: An Anthology of Early Travel Writing.

This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux

Recounts the adventures of an American entrepreneur in Siberia, where he and Russian partner built a multi-million dollar company, and offers insightsnto the life in Novosibirsk.

Siberia has no history of independent political existence, no claim to a separate ethnic identity, and no clear borders. Yet, it could be said that the elusive country 'behind the Urals' is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia's alter ego,as the heavenly or infernal antithesis to the perceived complexity or shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty; the 'House of the Dead' and the realm of utter freedom; a frozen wasteland and a colourful frontier; a dumping ground for Russia's rejects and the last refuge of its lost innocence. The contributors to Between Heaven and Hell examine the origin, nature, and implications of these images from historical, literary, geographical, anthropological, and linguistic perspectives. They create a striking, fascinating picture of this enormous and mysterious land.

Beyond the Amur describes the distinctive frontier society that developed in the Amur, a river region that shifted between Qing China and Imperial Russia as the two empires competed for natural resources. Although official imperial histories depict the Amur as a distant battleground between rival empires, this colourful history of a region and its people tells a different story. Drawing on both Russian and Chinese sources, Victor Zatsepine shows that both empires struggled to maintain the border. But much to the chagrin of imperial administrators, various peoples – Chinese, Russian, Indigenous, Japanese, Korean, Manchu, and Mongol – moved freely across it in pursuit of work and trade, exchanging ideas and knowledge as they adapted to the harsh physical environment. By viewing the Amur as a unified natural economy caught between two empires, Zatsepine highlights the often-overlooked influence of regional developments on imperial policies and the importance of climate and geography to local, state, and imperial histories.