This book aims to take users from scratch to having a solid base in German within six months, and to feel comfortable with the language in as little as three months. In only half an hour a day users will move ahead naturally until they are at ease with all the basic structures needed for communication and become familiar with the basic words and grammar of German. The method comprises two phases: the passive phase, in which users simply repeat what they hear and read, and the active phase, in which users begin to create sentences and imagine themselves in a variety of everyday situations.

"Méthode d'apprentissage du français pour anglophones.

Litvin's stark, candid memoir focuses on his more than two years of service in the Red Army during its war with Germany. Originally written in 1962 and recently revised through extended interviews between author and translator, the result is a gripping account--in a straightforward, matter-of-fact tone--of the trials and tribulations of being a common Soviet soldier on the Eastern Front during World War II.

“This scathingly funny comedy of manners” by the rediscovered female Russian novelist “will deeply satisfy fans of 19th-century Russian literature” (Publishers Weekly, starred review). City Folk and Country Folk is a seemingly gentle yet devastating satire of the aristocratic and pseudo-intellectual elites of 1860s Russia. Translated into English for the first time, the novel weaves a tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs. Upending Russian literary clichés of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a common-sense, hardworking noblewoman and her self-assured daughter living on their small rural estate. Throwing off the imposed sense of duty toward their "betters", these two women ultimately triumph over the urbanites' financial, amorous, and matrimonial machinations. Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontës, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of-England novels. Written by a woman under a male pseudonym, this exploration of gender dynamics in post-emancipation Russian offers a new and vital point of comparison with the better-known classics of nineteenth-century world literature.

An eyewitness account of the world-changing uprising—from the author of Memoirs of a Revolutionary. “A truly remarkable individual . . . an heroic work” (Richard Allday of Counterfire). Brimming with the honesty and passionate conviction for which he has become famous, Victor Serge’s account of the first year of the Russian Revolution—through all of its achievements and challenges—captures both the heroism of the mass upsurge that gave birth to Soviet democracy and the crippling circumstances that began to chip away at its historic gains. Year One of the Russian Revolution is Serge’s attempt to defend the early days of the revolution against those, like Stalin, who would claim its legacy as justification for the repression of dissent within Russia. Praise for Victor Serge “Serge is one of the most compelling of twentieth-century ethical and literary heroes.” —Susan Sontag, MacArthur Fellow and winner of the National Book Award “His political recollections are very important, because they reflect so well the mood of this lost generation . . . His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review “I know of no other writer with whom Serge can be very usefully compared. The essence of the man and his books is to be found in his attitude to the truth.” —John Berger, Booker Prize–winning author “The novels, poems, memoirs and other writings of Victor Serge are among the finest works of literature inspired by the October Revolution that brought the working class to power in Russia in 1917.” —Scott McLemee, writer of the weekly “Intellectual Affairs” column for Inside Higher Ed

Sweeping from the fabulous country estates and hunting lodges to the opulent ballrooms and salons of the Russian nobility, here is a novel of savage passions and dangerous pleasures by the incomparable Susan Johnson, mistress of the sensual historical and author of the bestselling Outlaw. He was a renegade prince skilled in the arts of sensual persuasion. . . . She knew him by reputation; a man unmindful of convention, it was said he offered sensual delight beyond a woman’s wildest dreams. Yet even forewarned of his wild and reckless past, Alisa Forseus found herself responding to the dark smoldering gaze and the quick warmth of Prince Nikolai Kuzan’s stolen caresses. She knew too well that love between them was impossible—forbidden—but she could not resist the rapturous pleasure of one moment in his arms. . . . She was the exquisite bounty in a scandalous wager of love. . . . She was to be his prize, his ultimate conquest, but when Nikki found himself alone with the lovely and chaste Alisa, he was shocked to discover that it was more than her body he desire to possess. He had three days to win the heart of this proud and passionate beauty, three days—and nights—to steal her from the man she called husband in name only. For what began as a simple challenge had become a dangerous passion for a woman he’d surrender anything and everything to love—even his renegade heart.