This book provides a multi-faceted picture of the many complex processes taking place in the field of contemporary Russian media and popular culture. Russian social and cultural life today is strongly individualised and consumers are offered innumerable alternatives; but at the same time options are limited by the new technologies of control which are a key feature of Russian capitalism. Based on extensive original research by scholars in both Russia itself and in Finland, the book discusses new developments in the media industry and assesses a wide range of social and cultural changes, many of which are related to, and to an extent generated by, the media. The book argues that the Russian mass media industry, whilst facing the challenges of globalization, serves several purposes including making a profit, reinforcing patriotic discourse and popularizing liberalized lifestyles. Topics include changing social identities, new lifestyles, ideas of "glamour" and "professional values". Overall, the book demonstrates that the media in Russia is far from homogenous, and that, as in the West, despite new technologies of control, media audiences are being offered a new kind of pluralism which is profoundly influencing Russia's cultural, social and political landscape.

This book provides a multi-faceted picture of the many complex processes taking place in the field of contemporary Russian media and popular culture. Based on extensive original research by scholars in both Russia itself and in Finland, it discusses new developments in the media industry and assesses a wide range of social and cultural changes, many of which are related to, and to an extent generated by, the media.

Although many observers argue that US-Russia relations are a simple reflection of elites' political and economic preferences in both countries, these preferences tend to arise from pre-existing belief systems that are deeply rooted in the public and accentuated by mass media. In Dark Double, Andrei P. Tsygankov focuses on the driving power of values and media, in addition to political and economic interests, in structuring US-Russia relations. By analyzing mainstream US newspapers and other media sources, Tsygankov identifies five media narratives involving Russia since the Cold War's end and studies them through a framework of three inter-related factors: historic and cultural differences between the two countries, inter-state competition, and polarizing domestic politics. He shows how Americans' negative views toward Russia draw from a deep wellspring of suspicion and are further enhanced by a biased media that regularly exploits such negativity, Russia's centralization of power and anti-American attitudes. Given the intensity of our current impasse with Russia, Dark Double represents an important intervention that forces us to think about the sources of conflict in a new way.

Many observers believe that it has sometimes been the mass media which has been the sole catalyst of change since 1985. Others believe that it split into two camps: the group in favor of glasnost and perestroika and the group believing that the country would be ruined by these twin evils. Yet this same mass media over the decades of communism was an essential and obedient part of a monolithic propaganda machine! How could a vast and complex sector of society change even in part from being a docile servant of the government to an initiator of explosive changes in society? This authoritative book traces the details of this enormous change during the transition years until today.

This book introduces readers to the Russian media, its current landscape, and its history by outlining the chief challenges faced by Russian journalists on their quest for media freedom. Focusing on how the Government has traditionally controlled the media through censorship, financial involvement, and relations between media moguls and the State, the book analyses to what extent the Russian media has become 'free' since the fall of Communism. The author questions whether freedom is possible at all in a society where the media has traditionally been so closely linked to the State. There are chapters on different forms of media including print, television, radio and the Internet. Each chapter identifies the main hurdles faced by the particular medium and considers the potential it has for becoming truly independent. Key features include: Vivid examples and case studies of the power play between television and the State during the tumultuous 1990s Clear outline of various different forms of media Comprehensive historical overview supported with examples from relevant publications Drawing on her own experience as a professional journalist, the author, provides a first hand account of what journalists in Russia are encountering today. This position allows the author to frankly discuss the tangible issues that impact those involved in the media and their audiences. By providing both a description of the current situation and an overview of Russian media history, The Media in Russia offers a unique introduction to the field and is key reading for students across various disciplines including Russian studies, media studies and politics.

This book examines the contemporary communicational practices of journalists and media outlets and the consumption and reception patterns of audiences in Russia’s provinces with an emphasis on the intergenerational transmission of culture and memory. Investigating the interaction and issues of contemporary identity, culture, audiences and journalism in a rapidly changing and evolving Russia, this volume goes beyond the large metropolitan centres into the provincial regions of Russia to develop a more comprehensive overview. Despite a popular image that is often projected of Russia as a homogeneous, often threatening entity, its regions are very far from being uniform, with diverse, varied geographies, ethnicities, religions, cultures, resources and economic infrastructure. The perspectives offered by a range of scholars and practitioners explore the generational, political and regional diversities that exist across this vast country and analyse local and regional media. Covering topics not often discussed, this volume offers an important contribution for everyone interested in Russian politics, culture, journalism and history and the study of local and regional communication studies.

In recent years, the Russian government has dramatically expanded its restrictions on the internet, while simultaneously consolidating its grip on traditional media. The internet, however, because of its transnational configuration, continues to evade comprehensive state control and offers ever new opportunities for disseminating and consuming dissenting opinions. Drawing on a wide range of disciplines, including media law, human rights, political science, media and cultural studies, and the study of religion, this book examines the current state of the freedom of speech, freedom of expression, and media freedom in Russia, focusing on digital media and cross-media initiatives that bridge traditional and new media spheres. It assesses how the conditions for free speech are influenced by the dynamic development of Russian media, including the expansion of digital technologies, explores the interaction and transfer of practices, formats, stylistics and aesthetics between independent and state-owned media, and discusses how far traditional media co-opt strategies developed by and associated with independent media to mask their lack of free expression. Overall, the book provides a deep and rich understanding of the changing structures and practices of national and transnational Russian media and how they condition the boundaries of freedom of expression in Russia today.

Digital Russia provides a comprehensive analysis of the ways in which new media technologies have shaped language and communication in contemporary Russia. It traces the development of the Russian-language internet, explores the evolution of web-based communication practices, showing how they have both shaped and been shaped by social, political, linguistic and literary realities, and examines online features and trends that are characteristic of, and in some cases specific to, the Russian-language internet.

This book explores developments in the Russian mass media since the collapse of the USSR in 1991. Complementing and building upon its companion volume, Television and Culture in Putin's Russia: Remote Control, it traces the tensions resulting from the effective return to state-control under Putin of a mass media privatised and accorded its first, limited, taste of independence in the Yeltsin period. It surveys the key developments in Russian media since 1991, including the printed press, television and new media, and investigates the contradictions of the post-Soviet media market that have affected the development of the media sector in recent years. It analyses the impact of the Putin presidency, including the ways in which the media have constructed Putin’s image in order to consolidate his power and their role in securing his election victories in 2000 and 2004. It goes on to consider the status and function of journalism in post-Soviet Russia, discussing the conflict between market needs and those of censorship, the gulf that has arisen separating journalists from their audiences. The relationship between television and politics is examined, and also the role of television as entertainment, as well as its role in nation building and the projection of a national identity. Finally, it appraises the increasingly important role of new media and the internet. Overall, this book is a detailed investigation of the development of mass media in Russia since the end of Communism and the collapse of the Soviet Union.

An international collection of papers focused on media, culture and society in postcommunist Russia. Contributors deploy a wealth of primary data in examining the kinds of issues that are central to our understanding of the kind of system that has been established in the world's largest country after a period of far-reaching change.