Showcases a unique exhibition, held in the Mississippi Arts Pavilion: March 1-August 31, 1996, of the imperial palaces in the environs of St. Petersburg, includingsome interiors of palaces lovingly recreated, with culturally significant artifacts that were transported half way aroung the world to grace this exhibition.

In this text the reader is introduced to the world of pre-revolutionary Russia, where the decorative arts flourished. Since Peter the Great's time, Russian artists and craftsmen had looked westwards for their inspiration but the European styles were transmuted and transformed by the Russian sensibility, producing a style of its own. This book describes that process over two centuries, covering fashion, jewellery, icons, furniture, objects d'art, decorative paintings, porcelain, tableware and the style of life which went with them.

Showcases a unique exhibition, held in the Mississippi Arts Pavilion: March 1-August 31, 1996, of the imperial palaces in the environs of St. Petersburg, includingsome interiors of palaces lovingly recreated, with culturally significant artifacts that were transported half way aroung the world to grace this exhibition.

Focusing on the Tsarist and Soviet empires of Russia, Lieven reveals the nature and meaning of all empires throughout history. He examines factors that mold the shape of the empires, including geography and culture, and compares the Russian empires with other imperial states, from ancient China and Rome to the present-day United States. Illustrations.

A stunning volume showcasing the magnificent court dress of the Russian Empire, culled from the authoritative collection at the State Hermitage Museum in St. Petersburg, photographed with the Winter Palace as a backdrop. Prerevolutionary Russia was renowned for the glamorous and luxurious lifestyles of the nobility, with their opulent palaces and glittering social life. Now, this lavish volume reveals the incredible clothing they wore, from everyday dress and ceremonial attire (traditional holidays outfits and military uniforms) to dress for special occasions, including elaborate evening wear for theater and musical events and fancy masquerade balls. Celebrated for luxurious materials and impeccable craftsmanship, the dress of the Russian nobility was haute couture at its finest. With beautiful photography and details highlighting the hand-spun silks and lace and jeweled embroideries, Russian Splendor highlights the glamour of this gilded age and offers a fascinating window into a vanished world. Essays by Hermitage Museum curators, alongside historic Russian paintings and photographs, place the clothing in a historical context, revealing the rich cultural layers and artistic influences of czarist Russia.

Twentieth-century Russia, in all its political incarnations, lacked the basic features of the Western liberal model: the rule of law, civil society, and an uncensored public sphere. In Slavophile Empire, the leading historian Laura Engelstein pays particular attention to the Slavophiles and their heirs, whose aversion to the secular individualism of the West and embrace of an idealized version of the native past established a pattern of thinking that had an enduring impact on Russian political life. Imperial Russia did not lack for partisans of Western-style liberalism, but they were outnumbered, to the right and to the left, by those who favored illiberal options. In the book's rigorously argued chapters, Engelstein asks how Russia's identity as a cultural nation at the core of an imperial state came to be defined in terms of this antiliberal consensus. She examines debates on religion and secularism, on the role of culture and the law under a traditional regime presiding over a modernizing society, on the status of the empire's ethnic peripheries, and on the spirit needed to mobilize a multinational empire in times of war. These debates, she argues, did not predetermine the kind of system that emerged after 1917, but they foreshadowed elements of a political culture that are still in evidence today.

How the status of Russian writers as members of the nobility, and their careers in service to the imperial state, shaped the course of Russian literature from Sumarokov and Derzhavin through Pushkin, Gogol, and Dostoevsky.

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