This book is a literary journey through Salman Rushdie’s cross-pollinated gardens, showing that the metaphor of reading as a quest is essential to Rushdie’s writing. It invites scholars and students interested in postcolonialism, postmodernism, transculturalism and the global novel to explore the many facets of Rushdie’s novels and collections of essays. The journey starts from Rushdie’s sorcery with language, and it continues with his appraisal of Joyce’s legacy. The reader will also find an analysis of the dark season of the fatwa, as well as the lush sensuality of the body and aestheticized Eros in The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and The Enchantress of Florence. The book further explores the liquid bridges, the postmodernist twist and postcolonial satire in Rushdie’s fiction. After providing a sense of Rushdie’s novel of “disorientation” and New York, the book finishes by exploring Rushdie’s Quichotte, published in 2019, an epitome of the global novel that revisits and “translates” Cervantes’s Don Quijote de la Mancha for readers addicted to TV and the Internet.

Commonwealth Literature Today Stands For Literature(S) In English Written In The Commonwealth Countries Outside The Anglo-American Tradition. What Is Common Between The Diverse Members Of The Commonwealth In Spite Of Their Different Calendars Of Independence And Ethnological, Cultural, Political As Also Topographical Set-Ups Is That All These Countries Shared The Common Colonial Experience. So, From India To Nigeria, Canada To Kenya, Australia To Pakistan We Can Discern The Varying Patterns Of A Common Human Experience And Emergence Of Cultural Nationalism Leading To An Emphasis On Their Distinctiveness In Literary Heritage And Assertion Of Cultural Identity. Commonwealth Literature Thus Presents A Rich Variety Of Aesthetic And Cultural Experience.The Essays Collected In This Volume Spanning Different Countries And Periods Try To Offer A Taste Of This Interesting Variety. The Range Covered Here Stretches From West African Drama To South African Fiction, Australian And Caribbean Literature To That Of Indian Diaspora And South Asian Poetry Of The Saarc Countries. Discussions On Indian Literature Cover The Varied Areas From Devotional Mysticism To Realistic Social Satire, Myth-Oriented Novel To Feminism, Dialogism And Reassessment Of Postcolonial Theories.The Authors Focused In This Discussion Promises A Colourful Spectrum; They Include Wole Soyinka, Ahmed Essop, Salman Rushdie, David Malouf, Wilson Harris, Patrick White, Rohinton Mistry, G.V. Desani, Aurobindo, Manohar Magonkar, R.K. Narayan, Gurcharan Das, Arundhati Roy, Jhumpa Lahiri, Kamala Das, K.V. Venkataramani, Margaret Craven, Along With A Host Of Saarc Poets.The Volume Will Be Useful For The Students And Scholars Of Commonwealth Literature, And Will Also Prove Interesting To The Common Reader.

Salman Rushdie's novels comprise a linguistic tour de force. They are compositionally equilibristic, politically relevant, a bombardment of the senses, humorous fabulations, and intellectually stimulating. In Salman Rushdie: A Deleuzian Reading, author Soren Frank analyzes five of Rushdie's novels: Grimus, Midnight's Children, Shame, The Satanic Verses, and The Ground Beneath Her Feet. Claiming an intellectual kinship between Rushdie and the French philosopher Gilles Deleuze in regard to worldview, aesthetics, and human identity, the author's analytical starting point is Deleuze's concepts of rhizome, simulacrum, and lines of flight, which are used as guiding principles in his comprehensive examination of Rushdie's compositional and enunciatory strategies and his portrayals of a variety of memorable migrant characters. The volume will be of special relevance to students, scholars, and general readers concerned with the work of Salman Rushdie and Gilles Deleuze.

From the Foundations in Global Studies series, this text offers students a fresh, comprehensive, multidisciplinary entry point to Latin America. After a brief introduction to the study of the region, the early chapters of the book survey the essentials of Latin American history; important historical narratives; and the region’s languages, religions, and global connections. Students are guided through the material with relevant maps, resource boxes, and text boxes that support and guide further independent exploration of the topics at hand. The second half of the book features interdisciplinary case studies, each of which focuses on a specific country or subregion and a particular issue. Each chapter gives a flavor for the cultural distinctiveness of the particular country yet also draws attention to global linkages. Readers will come away from this book with an understanding of the larger historical, political, and cultural frameworks that shaped Latin America as we know it today, and of current issues that have relevance in Latin America and beyond.

Global Migrancy and Diasporic Memory in the Work of Salman Rushdie examines Salman Rushdie’s major works for the ways that they consistently affirm the power of memory to construct a concrete, rooted identity for characters and nation-states despite the prerogative of migrants to translate themselves into new creations through a dismissal of the weight of the past. Stephen J. Bell conducts an in-depth, comprehensive postcolonial and postmodern of Rushdie’s ideas as expressed through his work. If “exile is a dream of glorious return,” as one of his characters reflects in The Satanic Verses, few diasporic writers living today rival Rushdie for the singular inspiration he draws from memories of home and the past. So vital is the idea of home and belonging to Rushdie that, notwithstanding the frequent charges of his critics that he represents no more than a disconnected cosmopolitan, Bell would categorize Rushdie's position as one of “centripetal migrancy" (with centrum--“center”--and petere--“to seek”--forming the idea of a constant quest for the center). Rushdie thus qualifies as the quintessential “centripetal migrant,” whose slippery critical location is balanced Janus-faced between the future and the past.

At the beginning of the twenty-first century it is necessary to combine into a productive programme the striving for individual emancipation and the social practice of humanism, in order to help the world survive both the ancient pitfalls of particularist terrorism and the levelling tendencies of cultural indifference engendered by the renewed imperialist arrogance of hegemonial global capital. In this book, thirty-five scholars address and negotiate, in a spirit of learning and understanding, an exemplary variety of intercultural splits and fissures that have opened up in the English-speaking world. Their methodology can be seen to constitute a seminal field of intellectual signposts. They point out ways and means of responsibly assessing colonial predicaments and postcolonial developments in six regions shaped in the past by the British Empire and still associated today through their allegiance to the idea of a Commonwealth of Nations. They show how a new ethic of literary self-assertion, interpretative mediation and critical responsiveness can remove the deeply ingrained prejudices, silences and taboos established by discrimination against race, class and gender.

Employing Salman Rushdie as a guide to a historicized contemporary, this study offers an interdisciplinary exploration of the plurality of cities along his transnational trajectory. It engages with the geographically identifiable Bombay, Karachi, Islamabad, London or New York; the phantasmal, politically coded, Jahilia or Mildendo, the inspirational yet flawed urban precedents of Fatehpur Sikri or Renaissance Florence and the ways these cities generate, interact with and transform each other. The book situates Rushdie's cities in relation to developments in Bombay, Karachi, Islamabad and London writing and focuses on novels which shuttle between cities. Parashkevova attends to cities' cultural and historical contexts, to many of Rushdie's numerous literary, cinematic and artistic influences and to diverse events, processes and paradigms - earthquakes, translations, seductions - that politically re-position cities and citizens on the contemporary urban map.

The present collection of essays endeavours to furnish informed responses to central questions posed by the editors: Is the fact that the marvellous coexists with the factual and never resolves itself into the supernatural an indication that the whole literary project of 'magical realism' is an instrumental and representational form which can be regarded as particularly suitable for reconciling dichotomies and oppositions otherwise experienced as intolerable? Was 'magical realism' an explosive process in cultural dynamics, taking place at intersections of heterogeneous cultures most favourable to the efflorescence of this type of literature? The authors of the various essays - on Patrick White and David Malouf, Ben Okri, Syl Cheney-Coker, Robert Kroetsch, Gwendolyn MacEwan, Jack Hodgins, Salman Rushdie, Janet Frame, Wilson Harris and others - provide a dynamic focus on the reality at stake beneath the surface representations of 'magical realism' in post-colonial literatures.

Salman Rushdie S Midnight S Children, Ever Since Its Publication In 1980, Has Been Considered An Ingenious Piece Of Literary Art And A Trendsetter In The Field Of Indian Fiction In English. The Stupendous Success Of This Novel Broke All Previous Records And Rushdie Was Hailed As One Who Engendered A Whole New Generation Of Fiction Writers That Embraced Magical Realism As A Mode For The Depiction Of History. The Variant Mode Of The Portrayal Of Historical Reality That Rushdie Adopts In Midnight S Children Is Characteristically His Own And His Fantasizing Of Facts In This Novel Inspired A Host Of Other Writers To Offer, In Their Respective Works, Their Own Blends Of Fact And Fiction.Midnight S Children Is A Multi-Faceted Novel Which Lends Itself To Analysis From Various Angles And Perspectives. Be It From The Point Of View Of Structure Or Content, The Work Yields A Richness That Has Been Variously Explored By The Scholars Who Have Contributed To This Anthology Of Essays On It.

Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.