RURAL ODYSSEY V - TROUBLE IN A KANSAS RIVER TOWN is a return to fiction. It tells the latest in Curran's stories of Abilene, Kansas. Trouble comes to Abilene in an unexpected armed attack on the town and its residents in 1971 by KKK and "rugged individualists" out for revenge for the conviction and imprisonment in Abilene of their relatives and cronies in past years. Following the "troubles," the author writes of protagonists Mike and Mariah's teaching at the Dwight D. Eisenhower College in Abilene, the birth of their daughter Ariel Sarah O'Brien Palafox, and the Palafox family's travel to Spain. With the passage of time and events in Abilene, Mike and Marah make a life changing move back east and work and teaching at Harvard. Book Two - a Novella - Ballad of the "Smoky Hill River Rambler" tells the story of Abilene's Mickey Clancy's dream of performing (singing and playing guiitar, including classical guitar) in the restaurants and bars in Durango and other towns of Southwest Colorado. As his music evolves and the repertoire grows, he encounters romance and surprises, not always pleasant, as an itinerant musician.

Early in her tenure as president of Mount Holyoke College, Joanne V. Creighton faced crises as students staged protests and occupied academic buildings; the alumnae association threatened a revolt; and a distinguished professor became the subject of a major scandal. Yet Creighton weathered each storm, serving for nearly fifteen years in office and shepherding the college through a notable revitalization. In her autobiography, The Educational Odyssey of a Woman College President, Creighton situates her tenure at Mount Holyoke within a life and career that have traversed breathtaking changes in higher education and social life. Having held multiple roles in academia spanning undergraduate, professor, and president, Creighton served at small colleges and large public universities and experienced the dramatic changes facing women across the academy. From her girlhood in Wisconsin to the presidency of a storied women's college, she bears witness to the forces that have reshaped higher education for women and continues to advocate for the liberal arts and sciences.

RURAL ODYSSEY III Dreams Fulfilled and Back to Abilene, A Fictional and Historical Narrative" is the third in the series of fictionalized stories based on Mark Curran's autobiography "The Farm." Mike O'Brien and Mariah Palafox fulfill their dreams of graduate education, travel and research in Mexico, and return to Abilene where life offers new adventures.

"The Writing and Publishing Journey" is a summary and catalogue of all of Professor Curran's writings. It includes the academic books before retirement, the academic and cultural books during retirement, the experiments with fiction based on the former, and a brief addendum of academic articles in research journals. Each volume is introduced by the cover image in full color. The abiding objective is to recall in a conversational way the when, why and how of each book, that is, when it was written, the circumstances of how and why it was written, and perhaps most interesting the odyssey of getting it into print. Any professor in Academia will relate to this endeavor, and amateur writers and interested readers should enjoy the journey as well.

Modern Painters is a five-volume work by the eminent Victorian art critic, John Ruskin. The work placed emphasis on symbolism in art, expressed through nature and it was influential on the early development of the Pre-Raphaelite Brotherhood. Ruskin wrote Modern Paintings for 17 years updating it and adding later volumes in subsequent years. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. He used the book to argue that art should devote itself to the accurate documentation of nature. In Ruskin's view, Turner had developed from early detailed documentation of nature to a later more profound insight into natural forces and atmospheric effects.

The Indian subdistrict of Shahabad, located in the dwindling forests of the southeastern tip of Rajasthan, is an area of extreme poverty. Beset by droughts and food shortages in recent years, it is the home of the Sahariyas, former bonded laborers, officially classified as Rajasthan’s only “primitive tribe.” From afar, we might consider this the bleakest of the bleak, but in Poverty and the Quest for Life, Bhrigupati Singh asks us to reconsider just what quality of life means. He shows how the Sahariyas conceive of aspiration, advancement, and vitality in both material and spiritual terms, and how such bridging can engender new possibilities of life. Singh organizes his study around two themes: power and ethics, through which he explores a complex terrain of material and spiritual forces. Authority remains contested, whether in divine or human forms; the state is both despised and desired; high and low castes negotiate new ways of living together, in conflict but also cooperation; new gods move across rival social groups; animals and plants leave their tracks on human subjectivity and religiosity; and the potential for vitality persists even as natural resources steadily disappear. Studying this milieu, Singh offers new ways of thinking beyond the religion-secularism and nature-culture dichotomies, juxtaposing questions about quality of life with political theologies of sovereignty, neighborliness, and ethics, in the process painting a rich portrait of perseverance and fragility in contemporary rural India.