"I was only twenty-two and already I was infamous..." So begins Amy Sohn's hilarious and wise debut novel, Run Catch Kiss. When the saucy Ariel Steiner returns home to New York City to be an actress, she is buoyed by daydreams of becoming Hollywood's hottest ingenue. Nothing can stand in her way -- nothing, that is, but her freshman-fifteen pounds, a senile talent agent, and the fact that she's living back home with her parents in Brooklyn. While waiting for the ever-elusive big break, Ariel discovers a hidden talent for channeling her erotic fantasies and becomes a sex columnist at New York's hottest downtown weekly. Soon, art and life are imitating one another, and the junkies, commitmentphobes, and other subjects of Ariel's columns are wreaking havoc on her life. But when she finally falls in love, the real Ariel must stand up. Is she a nice Jewish girl who wants to settle down or a brazen sex kitten who'd rather meet a deadline than the man of her dreams? Sharp, savvy, and irresistible, Run Catch Kiss is a tongue-in-cheek commentary on that dangerous turn-of-the-century phenomenon: the single girl who wants it all.

In this road map to restoring feminine sexual power, Betsy Prioleau introduces and analyzes the stories and stratagems of history's greatest seductresses. These are the women who ravished the world—from such classic figures as Cleopatra and Mae West to such lesser-known women as the infamous Violet Gordon Woodhouse, who lived in a ménage with four men. Smarts, imagination, courage, and killer charm helped these love maestras claim the men of their choice and keep them fascinated for life. Through an exposé of their secrets, Seductress provides an authoritative, empowering guide to erotic sovereignty.

To spectators looking from the outside world, Gregory Watson, a handsome, multilingual and suave thirty-something-year young African-American expatriate was living the golden life. As a sports icon in Spain, he enjoyed financial security, ardent popularity and unbridled female adulation. However after an eleven-year sojourn, Gregory at the behest of his truest love --- daughter Caryn Ann Michelle --- decided the time was right to return to his American roots. All things considered, despite the comforting prospects of returning ‘home, sweet home’, there was still something amiss in the life of one of Brooklyn’s finest as he waited for the solution of his misery to ‘burst in with the dawn’. Meanwhile, some eleven hundred miles away at ‘first fowl crow’, Desiree Thompson, a vibrant, beautiful and successful businesswoman mourns for an unknown absence of being. As President/CEO of Thompson Management Limited and Nassau Bahamas most eligible bachelorette, her business acumen and passion for excellence was second to none. Still, although Desiree was able to conquer most of life’s everyday challenges, only one overwhelmed her: love. Even as many capable suitors vied for a place on her throne, no enchanted king captured or enlivened the heart of this Caribbean queen. As her quest for the Holy Grail continued, she often gazed ‘across the midnight sky’ in a never-ending search for something nice. Both Desiree and Gregory cannot avoid an inevitable fact: they were meant to be in love and together. However after many wonder years and definitive lives apart, the question arises: does love stand a chance the second time around? It's only a matter of time with a ‘wait for the magic’ as this compelling couple embarks on a complex yet amazing soul journey which defies both convention and imagination. It bears forth these hallowed words: I CAN RECALL AFTER ALL.

Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).

From the New York Times bestselling author and one of the city's most provocative columnists comes a hip, contemporary novel about love, lust, and living in the same neighborhood as your parents. When twenty-six-year-old Rachel Block started rabbinical school, she didn't think she'd be dropping out after a semester and a half. But when a sick man dies under her counseling, she realizes she's not cut out for the rabbinate. To make ends meet, she takes a job as a bartender in Cobble Hill, her Brooklyn neighborhood -- much to her parents' chagrin. Until now Rachel has always been the perfect daughter, getting straight A's and dating nice Jewish boys. Now she's fending off come-ons from sleazy guys and trying to remember the ingredients in a Metropolitan. It's the quintessential quarter-life crisis, compounded by the fact that she's still living just blocks from her childhood home. To make matters worse, she's having trouble sleeping -- she can barely get through the night without being awakened by the amorous noises of her sexy friend and upstairs neighbor, Liz Kaminsky. Then Rachel falls in love with Hank Powell, an iconoclastic screenwriter twice her age (and a Gentile!) and finds herself acting more and more like Liz. Suddenly she's reassessing her values, her surroundings, and everything she's ever believed about the "right" kind of relationship. She begins dressing up in outrageous outfits for midday trysts, while hiding the dirty details from a newly modest Liz. Meanwhile, her interactions with her father, with whom she's always been close, have become increasingly strange. Is he distraught that she's dropped out of school? Is he having his own (midlife) crisis? Or is he upset over her mother's newfound independence, now that she's entered menopause and discovered the joys of a book group? Something's up...and Rachel's increasingly convinced it might be her father's libido. With Rachel's own relationship getting wilder and weirder and her parents acting like teenagers, it seems that everyone in Cobble Hill is going crazy. A fresh spin on Philip Roth's Portnoy's Complaint, My Old Man is a sexy comedy about a dysfunctional Brooklyn family coming apart at the seams.

Sexidemic is the first real cultural history of sexuality in the United States since the end of World War II. For a people who supposedly love sex, the author argues, Americans have had no shortage of problems with it. Since the end of World War II, in fact, we’ve had a contentious relationship with sexuality, the subject a source of considerable tension and controversy on both an individual and societal level. Rather than being a simple pleasure of life, something to be enjoyed, sex has served as a challenging and disruptive force in many Americans’ everyday lives for the last two-thirds of a century. Our love affair with sex has thus been a rocky one, filled with bumps in the road that have caused major instability across our cultural landscape. Our individualistic, competitive, consumerist, and anxious national character is both reflected in and reinforced by this “sexidemic,” something few have recognized or perhaps want to admit. By charting the cultural trajectory of sex in America since the end of World War II, Sexidemic reveals how the nation’s continual woes with sexuality helped make us an anxious, insecure people. The sex lives of many, perhaps most Americans have been in a perpetual state of crisis, a constant source of concern. We’ve fretted over every dimension of it, with problems in both quality and quantity. With this unhealthy view of sexuality, it was not surprising that we felt we needed a variety of potions and gadgets to make it happen or be pleasurable. In tracing the cultural trajectory of sex in our society, Samuel illustrates our bipolar approach to sexuality: low libido and sex addiction emerged as common disorders, and sex scandal after sex scandal has made headlines, especially over the last couple of years. Only money has surpassed sex as a source of stress for Americans; indeed, sex has come to be seen and treated as a commodity. In this timely work, the author traces the role sex plays in our society, how it shapes us and the world around us, and how we got where we are today in our views, treatment, and practice of sex and sexuality in our everyday lives.

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.

The Routledge Dictionary of Modern American Slang and Unconventional English offers the ultimate record of modern American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer lively examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. This informative, entertaining and sometimes shocking dictionary is an unbeatable resource for all language aficionados out there.

A hard-hitting, groundbreaking exploration of the new mating conditions that are changing the face of love, commitment, and marriage as we know it. A double revolution is at work in modern American love: A revolution in higher education has created the most professionally accomplished and independent generation of young women in history, and a revolution in mating has created a prolonged and perplexing search for Mr. Right. Based on extensive research and interviews, Why There Are No Good Men Left explores the romantic plight of this high-status woman with findings that are sure to rouse debate. Cultural historian, Barbara Dafoe Whitehead documents the new social climate in which the demands of work, the epidemic of cohabitation, the disappearance of courtship, and the exacting standards of educated women are leading them to stay single longer–and to find the search for a mate even harder when the time is right. From the frontlines of college, where dating is dead, to the trenches of corporate solitude, Whitehead reports on a wholesale shift that has stacked the marriage deck against the best and brightest women. The thirty-something, perplexed single woman is today’s new cultural icon. Why There Are No Good Men Left is the first book to take a serious approach to analyzing where she came from and to ask how she can realize her dreams of lasting love.