Reynolds presents a collection of tales set amid the ruins of Earth.

"This preliminary report of the explorations at the Ruins of Copan is intended to give only a general description of the ruins and a summary of the work of the several Museum expeditions to Honduras from 1891 to 1895. It will be followed by special papers relating to discoveries made during the explorations." -- Editorial note.

Ruins and remnants of the past are endowed with life, rather than mere relics handed down from previous generations. Living Ruins explores some of the ways Indigenous people relate to the material remains of human activity and provides an informed and critical stance that nuances and contests institutionalized patrimonialization discourse on vestiges of the past in present landscapes. Ten case studies from the Maya region, Amazonia, and the Andes detail and contextualize narratives, rituals, and a range of practices and attitudes toward different kinds of vestiges. The chapters engage with recently debated issues such as regimes of historicity and knowledge, cultural landscapes, conceptions of personhood and ancestrality, artifacts, and materiality. They focus on Indigenous perspectives rather than mainstream narratives such as those mediated by UNESCO, Hollywood, travel agents, and sometimes even academics. The contributions provide critical analyses alongside a multifaceted account of how people relate to the place/time nexus, expanding our understanding of different ontological conceptualizations of the past and their significance in the present. Living Ruins adds to the lively body of work on the invention of tradition, Indigenous claims on their lands and history, “retrospective ethnogenesis,” and neo-Indianism in a world where tourism, NGOs, and Western essentialism are changing Indigenous attitudes and representations. This book is significant to anyone interested in cultural heritage studies, Amerindian spirituality, and Indigenous engagement with archaeological sites in Latin America. Contributors: Cedric Becquey, Laurence Charlier Zeineddine, Marie Chosson, Pablo Cruz, Philippe Erikson, Antoinette Molinié, Fernando Santos-Granero, Emilie Stoll, Valentina Vapnarsky, Pirjo Kristiina Virtanen

Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph. Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.