Rudolph Valentino was the silver-screen legend who for ever changed America's idea of the leading man; a frightened young fellow who became the cinematic sex-god of his day. In this definitive retelling of Valentino's short and tragic life - the first fully documented biography of the star - Emily W. Leider looks at the Great Lover's life and legacy, and explores the events and issues that made him emblematic of his time. Valentino was reviled in the press for being too 'feminine' a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies. In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity - the silver screen's first dark-skinned romantic hero.

One of the most alluring, enigmatic, and simply irresistible movie icons of all time, Rudolph Valentino continues to inspire generation after generation of moviegoers. In Rudolph Valentino, The Silent Idol: His Life and Films in Photographs, author Donna Hill retells the story of Valentino?s life using a treasure trove of rare photographs. Drawn from the author?s extensive collection and those of generous fellow collectors and archives, most of the images in this volume have not been seen since the 1920s; many have never been released publicly until now. Rudolph Valentino was more than the ?sheik? of one of his most famous films. He was more than the legendary star who died at a tragically young age. For long-time fans as well as curious newcomers, these remarkable images?candid snapshots at home, traveling, on film sets?reveal the glamour and charm of the man who continues to beguile and inspire movie lovers to this day.

In 1926 Silent Film Icon, Rudolph Valentino, died unexpectedly at the age of 31. That same year, he had finalized a bitter divorce from his wife of four years, Natacha Rambova. Valentino had been madly in love with the gorgeous and very talented designer, yet they had been unable to make their marriage work. Since their first marriage in 1922, the public had been critical of Rambova, blaming her for any mistakes in Valentino's career or life. As Valentino laid on his deathbed in New York, Rambova was in Paris. The two exchanged telegrams to the very end, with both sides believing they would soon reunite and a reconciliation had taken place. Upon hearing the news of his death, Rambova was so distraught she locked herself in her room for three days. With many estate issues to fulfill, Valentino's manager George Ullman took the reigns. To help keep Valentino's name in the spotlight, Ullman wrote a book detailing his time with the gifted actor. Ullman and Rambova had never gotten along, fighting for control of Valentino's career. Feeling she had been unfairly portrayed not only by Ullman, but also by the press, Rambova decided to write her own book. First published in the UK in 1927, "Rudy: An Intimate Portrait by His Wife," presented Rambova's side of the story, providing many amusing stories and anecdotes about her time with Valentino. Both Valentino and Rambova had been firm believers in the practice of Spiritualism. Rambova decided to utilize her beliefs for this book, adding a section titled "Revelations," consisting of things supposedly told to her by Valentino's soul, through seances. Rambova felt the need to publish these 'messages', believing these were things his soul wished to communicate with the world. However things soon got out of hand, with boisterous fans and attention seekers bombarding the legacy of Rudolph Valentino with their own claims. Rambova would remain firm in her beliefs, eventually becoming a renowned Egyptologist. After the publication of this book, she never spoke of her time with Valentino again. "Rudolph Valentino: An Intimate Portrait by his wife" is proudly reprinted by The Rudolph Valentino Society for the first time in over 80 years, under a new title, "Rudolph Valentino: A Wife's Memories of an Icon." In addition to the original text there is a new section containing biographies, filmographies, bibliographies, notes, and new forwards. This section also contains groundbreaking biographies on screenwriter and film executive June Mathis; as well as silent film vamp Nita Naldi. 70% of proceeds from this book benefit The Rudolph Valentino Society and Film Festival.

Rudolph Valentino remains perhaps the most beautiful man ever to have appeared on celluloid. In a career spanning barely seven years and fourteen major films, his name became... and is still... synonymous with unbridled Latin passion.Whenever his image flickered onto the screen, fans of both sexes swooned, whilst cynics and detractors snorted disapproval. When he died, suddenly, aged just thirty-one, thousands rioted at his funeral and several of his more ardent admirers committed suicide.In this unique biography of The World's Greatest Lover, David Bret uses much unpublished material to reveal the real Valentino, a man who was sexually attracted only to other men, and whose relationships with women brought only heartbreak and disaster.However, as Bret discovers, Valentino was far less ashamed of his sexuality than he was afraid of being trapped by the image of his public persona. In 1920s America, homosexual men were stereotyped as feeble, effeminate degenerates. None of these terms applied to Valentino... a big, powerfully-built man who excelled at most sports, boxing in particular. Yet, it was Valentino's persistent need to prove his 'manhood' which contributed to his early death.Rudolph Valentino is one of cinema's most enduring and best-loved legends. This is his remarkable story.

Originally published in 1929, this book details the famous silent actor and sex symbol Rudolph Valentino and his lover Natacha Rambova’s travels back to Europe in 1923. Valentino kept a diary at this time, into which he faithfully recorded his thoughts whilst living the American dream, proving his naysayers back home in Italy wrong: “My Dream is coming true! From day to day, night to night, here and there, I am going to write down my impressions. I am going to put down on paper the things I think, the things I do, the people I meet, all of the sensations, pleasurable and profitable that are mine. I shall never go home, I said to myself, until I can go home somebody...”

"Twilight Man is biography, romance, and nonfiction mystery, carrying with it the bite of fiction." -- Los Angeles Review of Books “In Twilight Man, Liz Brown uncovers a noir fairytale, a new glimpse into the opulent Gilded Age empire of the Clark family.” —Bill Dedman, co-author of The New York Times bestseller Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune The unbelievable true story of Harrison Post--the enigmatic lover of one of the richest men in 1920s Hollywood--and the battle for a family fortune. In the booming 1920s, William Andrews Clark Jr. was one of the richest, most respected men in Los Angeles. The son of the mining tycoon known as "The Copper King of Montana," Clark launched the Los Angeles Philharmonic and helped create the Hollywood Bowl. He was also a man with secrets, including a lover named Harrison Post. A former salesclerk, Post enjoyed a lavish existence among Hollywood elites, but the men's money--and their homosexuality--made them targets, for the district attorney, their employees and, in Post's case, his own family. When Clark died suddenly, Harrison Post inherited a substantial fortune--and a wealth of trouble. From Prohibition-era Hollywood to Nazi prison camps to Mexico City nightclubs, Twilight Man tells the story of an illicit love and the battle over a family estate that would destroy one man's life. Harrison Post was forgotten for decades, but after a chance encounter with his portrait, Liz Brown, Clark's great-grandniece, set out to learn his story. Twilight Man is more than just a biography. It is an exploration of how families shape their own legacies, and the lengths they will go in order to do so.

Samuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.