William S. Burroughs was one of the twentieth century’s most iconoclastic literary and artistic figures, an inimitable writer whose groundbreaking work in novels such as Junky and Naked Lunch forever altered the shape of American culture. Now, in this long anticipated collection, editor Bill Morgan takes readers through Burroughs’ correspondence from the early sixties through the mid-seventies, in more than three hundred letters that document Burroughs’ steady drift away from the Beat circle and that witness an era in which he became the center of a new coterie of creative people who would establish his reputation as an influential artistic and cultural leader beyond the literary world, toward multimedia. Written to recipients such as Allen Ginsberg, Gregory Corso, Jack Kerouac, Timothy Leary, and Burroughs’ son, Billy Burroughs Jr., these letters shed new light on the writer’s controversial artistic process and literary experimentation, as well as his complex personal life. Here are letters to new friends in North Africa and Eur-ope—partners in Burroughs’ expatriate life—including Paul Bowles, Ian Sommerville, Michael Portman, Alex Trocchi, and the surrealist artist Brion Gysin, who became a close confidant and whose “cut-up method” would deeply influence Burroughs’ writing. An intimate glimpse into the private life of an often misunderstood artist, Rub Out the Words is also an unforgettable portrait of one of the twentieth century’s most uncompromising literary personalities.

Laid out as diary entries of the last nine months of Burroughs's life, "Last Words" spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns--literature, U.S. drug policy, the state of humanity, his love for his cats--permeate this poignant portrait of the man, his life, and the creative process.

A young boy meets many friendly sea animals as he travels underwater in his bright orange submarine.

William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose. From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.

In Paris in the late Fifties the Beat Generation writer William Burroughs and his sidekick Brion Gysin developed the cut-up method. It involved taking a piece of finished text and cutting it into pieces - then rearranging those pieces to create a new text or work of art. Burroughs wrote that: "When you cut into the present the future leaks out." The cut-up had a profound effect on music, writing, painting, and film. Devotees of the cut-up include David Bowie, Radiohead, and Kathy Acker. In addition to bringing together new work by new people, CUT UP! also salutes some better known 20th Century voices who kept the spirit of Burroughs and Gysin alive. Contributors include Kenji Siratori, Claude Pelieu, Nina Antonia, Billy Chainsaw, Cabell McLean, Mary Beach, Marc Olmsted, Allen Ginsberg, Spencer Kansa, Michael Butterworth, Robert Rosen, Nathan Penlington, Sinclair Beiles, Gary J. Shipley, D M Mitchell, and Edward S. Robinson.

From the bestselling author of Jurassic Park, Timeline, and Sphere comes a deeply personal memoir full of fascinating adventures as he travels everywhere from the Mayan pyramids to Kilimanjaro. Fueled by a powerful curiosity—and by a need to see, feel, and hear, firsthand and close-up—Michael Crichton's journeys have carried him into worlds diverse and compelling—swimming with mud sharks in Tahiti, tracking wild animals through the jungle of Rwanda. This is a record of those travels—an exhilarating quest across the familiar and exotic frontiers of the outer world, a determined odyssey into the unfathomable, spiritual depths of the inner world. It is an adventure of risk and rejuvenation, terror and wonder, as exciting as Michael Crichton's many masterful and widely heralded works of fiction.

With kid-friendly themes and delightful illustrations, this "magic writing" book makes reading and writing more approachable and interesting. With the help of an easy-to-use stylus and slide-out rub-clean board, kids will learn to recognize letters while reading and writing words for beginners with the help of fluffy animals, friendly faces, and tasty treats.

Blubbery belugas, capering caribou, lingering ladybugs, rummaging ravens, and waiting walruses, all make an appearance in this beautifully illustrated children's book about the Arctic. The map, a glossary of key words, and a page of interesting facts about the four unique territories in Northern North America, also make it educational. Older children will find it a fun and interesting read, and younger children will delight in the pictures, and the rhythmic and often amusing alliteration. This book will have universal appeal to teachers and students whether they live in the Arctic or more southerly climes.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist. "A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.