This book is one philosopher's response to the poetry of R. S. Thomas. It examines the poet's struggle with the possibilities of sense in religion: R. S. Thomas has described his poetry as an obsession with the possibility of having 'conversations or linguistic confrontations with ultimate reality'. Some attempts at giving meaning to religious belief cannot withstand the assaults of criticism. In R. S. Thomas's verse, however, there emerges a hard-won celebration of the worship of a hidden God; a rare achievement in contemporary poetry. In plotting the course of the development of the poetry, the book brings out its many similarities with the thrusts and counter-thrusts of argument in the philosophy of religion in the second half of the twentieth century. The book should be of interest not only to admirers of R. S. Thomas, but to philosophers, theologians, students of literature, and to anyone concerned with questions concerning the sense or senselessness of religious belief.

This book is one philosopher's response to the poetry of R. S. Thomas. It examines the poet's struggle with the possibilities of sense in religion: R. S. Thomas has described his poetry as an obsession with the possibility of having 'conversations or linguistic confrontations with ultimate reality'. Some attempts at giving meaning to religious belief cannot withstand the assaults of criticism. In R. S. Thomas's verse, however, there emerges a hard-won celebration of the worship of a hidden God; a rare achievement in contemporary poetry. In plotting the course of the development of the poetry, the book brings out its many similarities with the thrusts and counter-thrusts of argument in the philosophy of religion in the second half of the twentieth century. The book should be of interest not only to admirers of R. S. Thomas, but to philosophers, theologians, students of literature, and to anyone concerned with questions concerning the sense or senselessness of religious belief.

In R.S. Thomas - A Stylistic Biography, Daniel Westover traces Thomas's poetic development over six decades, demonstrating how the complex interior of the poet manifests itself in the continually shifting style of his poems.

Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.

The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul. Published to mark the centenary of the ‘ogre of Wales’, this volume deals with the idées fixes that serially possessed the fiercely intense imagination of R. S. Thomas: Iago Prytherch, Wales, his family and, of course, a vexingly elusive deity. Here, these familiar obsessions are set in several unusual contexts that bring Thomas’s poetry into startling new relief. The war poetry is considered alongside the poet’s early relationship to the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of the poetry’s concerns; the intriguing ‘secret code’ of some of Thomas’s Welsh-language references is cracked; and his painting-poems (including several hitherto unpublished) are brought centre-stage from the peripheries to which they have been routinely relegated.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Christopher Morgan writes with keen critical insight on the controversial poet R. S. Thomas, considered to be one of the leading writers of the twentieth century. This is the first book to treat Thomas's entire oeuvre and will prove to be an indispensible guide and companion to the complete poems. The book is divided into three parts, each of which interprets the development of a major theme over Thomas's twenty-seven volumes, probing particular themes and particular poems with a meticulous insight. The book also treats Thomas's work as a complex and interrelated whole, as a body of work that comprises a single artistic achievement, and assesses that achievement within the context of an array of major literary figures from Montaigne to Seamus Heaney and Wallace Stevens. R. S. Thomas: Identity, environment, deity proves invaluable as a beginner's introduction to the Welsh poet, as a student's guide to critical thinking about the poet's work, and as a provocative new step in scholarly studies.

The nature of silence is hard to grasp. This book serves to systematize this concept and explore it in the works of three major poets of religious experience: namely, Gerard Manley Hopkins, T. S. Eliot and R. S. Thomas. Since these poets worked within a Christian framework, the “silences” they refer to are mainly those emerging in the context of the relationship between God and man in a post-Christian climate. The book’s textual analyses place special attention on the dynamics between thematic and structural manifestations of silence, and are situated at the crossroads of the poetics, philosophy and theology. In this first study bringing together the poetry of Hopkins, Eliot and Thomas, the three poets, each in his unique way, emerge as poetic ministers, practitioners, and producers of silence, who try to find a new language to talk about the Ineffable God and one’s experience of the divine.

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl

At his death in 2000, R. S. Thomas was widely considered to be one of the major poets of the English-speaking world, having been nominated for the Nobel prize for Literature. With Dylan Thomas, R. S. Thomas is probably Wales's best-known poet internationally.Tony Brown provides an introduction to R. S. Thomas's life and work, as well as new perspectives and insights for those already familiar with the poetry. His approach is broadly chronological, interweaving life and work in order to evaluate Thomas's poetic achievement. In addition to presenting a full discussion of Thomas's poetry, and its movements over time between personal, spiritual and political concerns, Tony Brown also examines Thomas's contribution to the culture of Wales, not just in his writing but also his political interventions and activism on behalf of Welsh language and culture.