This exciting anthology of one-act plays includes classics such as Anton Chekhov's "The Boor" and John Millington Synge's "Riders to the Sea" as well as lesser-known gems such as Alice Gerstenberg's "Fourteen" and Percival Wilde's "The Sequel." Other plays in the collection include August Strindberg's "The Stronger," Moliere's "The Pretentious Young Ladies," Neith Boyce's "Enemies," Horace Holley's "The Genius," Susan Glaspell's "Trifles," and Ferenc Molnar's "A Matter of Husbands." Best of all, every play in this anthology is in the public domain and may, therefore, be performed without paying royalties, making this a great resource for theatres or schools with limited budgets.

Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel

This collection of royalty-free plays contains classics by well-known playwrights: Glaspell's Trifles, Synge's Riders to the Sea, Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Yeats, Barrie, and others.

You won't find a better quality or larger collection of ten-minute plays anywhere! And the best part? They're all royalty-free! Ideal for 15- to 30-year old actors. Each of the 22 ten-minute plays is a complete, original work, and includes a cast of characters, set description, and list of properties.

A Collection of One-Acts for Older Actors, After the Ball, Glacier Bay, Louie's Daughter, Sneeze, and A World of Pleasure. AFTER THE BALL Stewart and Joanna, an old married couple, return home from a surprisingly festive funeral, an experience that leaves Stewart at first exhilarated and then forced to face some not-so-festive truths about himself. GLACIER BAY At a family affair, Connie has to contend with her husband Artie's advancing senility. Her struggle to keep a tight hold on his wandering mind is comically exasperating, but in a sudden revelation she discovers that their life paths are more similar than she suspected. LOUIE'S DAUGHTER At Louie's, a typical corner bar, regulars A. G. and Woody enjoy the male camaraderie of friendly insults, unsolicited opinions and pointless conversation. But their comfortable everyday routine is disrupted by the unexpected presence of a pretty female bartender. SNEEZE Abby and Martha, two elderly women, sit on a park bench, discussing philosophy, literature, and the vagaries of life, as they wait for a larcenous squirrel to pass by. WORLD OF PLEASURE After thirty-three years, Stanley and Emily are finally closing down their mom-and-pop corner store, which happens to be a porno shop. When a customer drops in to make a purchase, they regale him with stories of the old days and recall the good times as they pack up their singular merchandise.

Thirty-five one-act plays, most with fifteen or twenty minutes playing time, including fantasies, comedies, and several appropriate for different holidays.

This book includes a royalty free play script for teen actors called the Weird, Wild and Wonderful Days of School. This play has a flexible cast. Not all scenes need to be performed. And actors can play multiple parts because no characters repeat from scene to scene. The smallest cast you could have by doing all the scripts would be three males and four females. But there are many as 49 speaking roles possible.

On November 13, 2002, the author decided to write a play every day for a year. She began that same day. The result, completed exactly one year later, is this collection of 365 plays.