This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This study examines the ritual space of nineteenth-century royal tours of empire and the diverse array of historical actors who participated in them. It suggests that the varied responses to the royal tours of the nineteenth century demonstrate how a multi-centred British imperial culture was forged in the empire and was constantly made and remade, appropriated and contested. In this context, subjects of empire provincialised the British Isles, centring the colonies in their political and cultural constructions of empire, Britishness, citizenship and loyalty.

Examines the nineteenth-century royal tour from the perspectives of various historical actors - including royals, politicians and indigenous people - in order to demonstrate how a multi-valent British culture was created throughout the empire.

The Protected Vista draws a historical lineage from the eighteenth-century picturesque to present-day planning policy, highlighting how the values embedded within familiar views have developed over time through appropriation by diverse groups for cultural and political purposes. The book examines the intellectual construction of the protected vista, questioning the values entrenched within the view, by whom, and how they are observed and disseminated, to reveal how these views have been, and continue to be, part of a changing historical and political narrative. With a deeper knowledge and understanding of the shifting values in urban views, we will be better equipped to make decisions surrounding their protection in our urban centres. The book identifies the origins of current view protection policy in the aesthetic convention of the picturesque, drawing on a range of illustrated examples in the UK, the US, Australia, Canada and South Africa, to serve as a useful reference for students, researchers and academics in architecture, architectural conservation, landscape and urban planning.

Royals on Tour explores visits by European monarchs and princes to colonies, and by indigenous royals to Europe in the 1800s and early 1900s with case studies of travel by royals from Britain, France, Portugal, Germany, Italy, the Netherlands, Belgium, Japan, the Dutch East Indies and French Indochina. Such tours projected imperial dominion and asserted the status of non-European dynasties. The celebrity of royals, the increased facility of travel, and the interest of public and press made tours key encounters between Europeans and non-Europeans. The reception visitors received illustrate the dynamics of empire and international relations. Ceremonies, speeches and meetings formed part of the popular culture of empire and monarchy. Mixed in with pageantry and protocol were profound questions about the role of monarchs, imperial governance, relationships between metropolitan and overseas elites, and evolving expressions of nationalism.

Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898–1948) and Juliana (1948–80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands’ modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

Many have viewed Kaiser Wilhelm II as having personally ruled Germany, dominating its politics, and choreographing its ambitious leap to global power. But how accurate is this picture? As The Kaiser and the Colonies shows, Wilhelm II was a constitutional monarch like many other crowned heads of Europe. Rather than an expression of Wilhelm II's personal rule, Germany's global empire and its Weltpolitik had their origins in the political and economic changes undergone by the nation as German commerce and industry strained to globalise alongside other European nations. More central to Germany's imperial processes than an emperor who reigned but did not rule were the numerous monarchs around the world with whom the German Empire came into contact. In Africa, Asia, and the Pacific, kings, sultans and other paramount leaders both resisted and accommodated Germany's ambitions as they charted their own course through the era of European imperialism. The result was often violent suppression, but also complex diplomatic negotiation, attempts at manipulation, and even mutual cooperation. In vivid detail drawn from archival holdings, The Kaiser and the Colonies examines the surprisingly muted role played by Wilhelm II in the German Empire and contrasts it to the lively, varied, and innovative responses to German imperialism from monarchs around the world.

Explores how British subjects of different 'races' collectively shaped what it means to be British today, focusing on 1910-45 Hong Kong.

This collection offers new perspectives on the legacy of British colonisation by concentrating on Atlantic Canada (Nova Scotia, New Brunswick, Newfoundland and Prince Edward Island), a region that was pivotal to safeguarding Britain's imperial ambitions, between 1750 and 1930. New and established researchers from Canada, Scotland and the United States engage with the core themes of migration, dispossession, religion, identity, and commemoration in a way that diverges markedly from existing scholarship. The research shines much-needed light on groups traditionally excluded from Britain's broader imperial narrative, highlighting the indigenous experience and the presence and agency of slaves, free people of colour and religious minorities.

This handbook provides a comprehensive overview and holistic analysis of the intersection between tourism and popular culture. It examines current debates, questions and controversies of tourism in the wake of popular culture phenomena and explores the relationships between popular culture, globalization, tourism and mobility. In addition, it offers a cross-disciplinary, cutting edge review of the character of popular cultural production and consumption trends, analyzing their consequences for tourism, spatial strategies and destination competitiveness. The scope of the volume encompasses various expressions of popular culture such as cinema, TV shows, music, literature, sports and heritage. Featuring a mix of theoretical and empirical chapters, the handbook problematizes and conceptualizes the ties and clusters of popular cultural actors, thereby positioning tourism within the wider context of creative economies, cultural planning and multimodal technologies. Written by an international team of academics with expertise in a range of disciplines, this timely book will be of interest to researchers from a variety of subjects including tourism, events, geography, cultural studies, fandom research, political economy, business, media studies and technology.