Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt. Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation. Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.

What use is it to be given authority over men and lands if others do not know about it? Furthermore, what use is that authority if those who know about it do not respect it or recognise its jurisdiction? And what strategies and 'language' -written and spoken, visual and auditory, material, cultural and political - did those in authority throughout the medieval and early modern era use to project and make known their power? These questions have been crucial since regulations for governance entered society and are found at the core of this volume. In order to address these issues from an historical perspective, this collection of essays considers representations of authority made by a cross-section of society within the British Isles. Arranged in thematic sections, the 14 essays in the collection bridge the divide between medieval and early modern to build up understanding of the developments and continuities that can be followed across the centuries in question. Whether crown or noble, government or church, burgh or merchant; all desired power and influence, but their means of representing authority were very different. These essays encompass a myriad of methods demonstrating power and disseminating the image of authority, including: material culture, art, literature, architecture and landscapes, saintly cults, speeches and propaganda, martial posturing and strategic alliances, music, liturgy and ceremonial display. Thus, this interdisciplinary collection illuminates the variable forms in which authority was presented by key individuals and institutions in Scotland and the British Isles. By placing these within the context of the European powers with whom they interacted, this volume also underlines the unique relationships developed between the people and those who exercised authority over them.

The individual character of Kingdom of Kush has often been overshadowed by the overwhelming cultural presence of its neighbour Egypt. This handbook in our series "Handbuch der Orientalistik/Handbook of Oriental Studies" for the first time presents a comprehensive survey of the rich textual, archaeological and art historical evidence for this Middle Nile Region Kingdom of Kush. Basing itself both on the evidence and scholarly literature, this work discusses the emergence of the native state of Kush (after the Pharaonic domination in the 11th century B.C.), the rule of the Kings of Kush in Egypt (c. 760-656) and the intellectual foundations and political history of the Kingdom in the Napatan (7th - 3rd centuries) and Meroitic (3rd century B.C. - 4th century A.D.) periods.

This lavishly illustrated book offers a comprehensive analysis of clothing in Late Period Egypt (750 to 332 BC) by examining works of art and archaeological remains. It includes a detailed classification of clothing for the purpose of dating art.

"Representation of political power seems to have been necessary at all times in all complex urban societies. To secure order - to construct a certain social, ideological, religious, economic, and cultural stability - seems to be one of the main intentions of representation. When order breaks down or is threatened, political power comes under threat, and the cohesion of the community is also in jeopardy." "In times of impending change, crisis, or disorder, special effort is required to reassure the community of the rulers' ability to maintain stability. What those in power did to convince the affected communities of their qualities as rulers, that is, their representational strategies - especially in times of change - is the subject of this book, explored through examination of case studies drawn from the ancient Near East. The volume is divided into three thematic parts: "Reestablishment of Order after Major Disruption," "Changing Order from Within," and "Perceptions of New Order.""--BOOK JACKET.

The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publically adopted the stance of the viewer, speaker, writer, or patron.

First published in 1998, this volume is based upon the files of the Royal Commission on the Electoral System plus extensive interviews with the Commissioners, cabinet ministers, MPs and officials, as well as leaders of the principal pressure groups. It seeks to place this highly important change in context, reviewing both the long-term trends and shorter term considerations which led to the adoption of MMP, as well as the immediate consequences It is an axiom of political science that whatever promises political parties may make about electoral reform, as governments they do not kick away the ladder that brought them to power. This book seeks to discover how and why that axiom was disregarded in New Zealand, and, above all, how a reputedly conservative party was ultimately responsible for the change. It provides an object lesson in both how, and how not to change an electoral system and should be of particular interest in countries with simple plurality electoral systems.

What kind of political representation existed in the Ancien Régime? Which social sectors were given a voice, and how were they represented in the institutions? These are some of the issues addressed by the authors of this book from different institutional angles (monarchies and republics; parliaments and municipalities), from various European territories and finally from a connected and comparative perspective. The aim is twofold: analyse the different mechanisms of political representation before Liberalism, their strengths and limitations; value the processes of oligarchisation and the possible mismatch between a libertarian model and a reality which was far from its idealised image.