You're only the greatest person ever invented and he's some boy who's probs never had a conversation with a side of the sun before - but like Let's Be Modest About It Tosh and Lou. 22 scenes. Other friends have come, got boyfriends and gone. So what? Tosh and Lou have each other. They'll never be like the other girls. They won't sit in a narrative someone else thought up. This is love. This is enough. This is enough. Scenes with girls by Miriam Battye premiered at the Royal Court Theatre, London, in January 2020.

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of "early modernity" itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to "Cultures and Power", opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.

"A piece that takes us on an extraordinary journey... The energy and the vividness of the writing never lets up "- Independent An unexpected meeting at an airport leads to an intense, passionate, head-over-heels relationship. Before long they begin to settle down, buy a house, juggle careers, have kids – theirs is an ordinary family. But then their world starts to unravel and things take a disturbing turn. A tragic, violent look at parenthood and trauma, Denis Kelly's stirring monologue play premiered at The Royal Court Theatre in 2018 starring Carey Mulligan. Published for the first time in Methuen Drama's Modern Classics series, this edition features a new introduction by David Pattie.

Excerpt from Royal Girls and Royal Courts Edward Everett, who commanded so much respect in England, not only for his great learning and talents, but for the elegance of his manners, was once asked by an American, how he had so mastered the detail of European etiquette. His answer was a significant one: "I have never considered any subject which other people respect as unworthy of intense observation. I pride myself on the manner even in which I tie up a brown paper parcel. I study the etiquette of every country." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Lecky's play premiered by Talawa Theatre and the Royal Court at the Royal Court Theatre, London, in 2019.

This book provides theory, comparison, and synthesis to establish a carefully considered framework for approaching the study of courts and their functions throughout the world of the ancient Maya. It is based on the annual meeting of the American Anthropological Association.

'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle – and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.