If you enjoyed the 1994 fictitious movie Forrest Gump, youll love Roy Story, the remarkable, rags-to-riches true account of the colorful, comical and quick-witted Roy Bucek, who succeeded beyond his wildest dreams on the football field, the battlefield and in numerous business fields with a combination of a tremendously strong backbone and an incomparable funny bone. Bucek came from such poverty that he and his family barely noticed the so-called Great Depression. His athleticism earned him a college scholarship, where he became the first official track and field All-American in Texas A&M history and helped the 1939 Aggies win the football national championship. Bucek lost his eye in the historic Battle of the Bulge in World War II, but he became a man of remarkable entrepreneurial vision. He built so many successful businesses in Schulenburg, Texas that he resided in a sprawling home he built just south of Interstate-10 and at the end ofBucek Street. His fascinating stories are guaranteed to mesmerize you and motivate you to pursue your own dreams, no matter how far-fetched they may seem. Roy Story is a captivating read that will take you back in time and challenge you to build a brighter future.

Seattle Post-Intelligencer sports writer Dan Raley followed basketball standout Brandon Roy form Seattle's Garfield High School to the University of Washington and then to the NBA. Roy was a role model who played hard, respected teh game, and was squeaky clean--no drugs, no alcohol, no tattoos, no trouble with the law, and he was a family man. Every mother loved him. He was a great player, too. Knee injuries, however, appeared to end Roy's short but amazing career with the Portland Trail Blazers in 2011. Yet, with the latest medical treatments and great resolve, Roy looked to make a stirring comeback with the Minnesota Timberwolves.

The “courageous and clarion” Booker Prize–winner “continues her analysis and documentation of the disastrous consequences of unchecked global capitalism” (Booklist). From the poisoned rivers, barren wells, and clear-cut forests, to the hundreds of thousands of farmers who have committed suicide to escape punishing debt, to the hundreds of millions of people who live on less than two dollars a day, there are ghosts nearly everywhere you look in India. India is a nation of 1.2 billion, but the country’s one hundred richest people own assets equivalent to one-fourth of India’s gross domestic product. Capitalism: A Ghost Story examines the dark side of democracy in contemporary India and shows how the demands of globalized capitalism have subjugated billions of people to the highest and most intense forms of racism and exploitation. “A highly readable and characteristically trenchant mapping of early-twenty-first-century India’s impassioned love affair with money, technology, weaponry and the ‘privatization of everything,’ and—because these must not be impeded no matter what—generous doses of state violence.” —The Nation “A vehement broadside against capitalism in general and American cultural imperialism in particular . . . an impassioned manifesto.” —Kirkus Reviews “Roy’s central concern is the effect on her own country, and she shows how Indian politics have taken on the same model, leading to the ghosts of her book’s title: 250,000 farmers have committed suicide, 800 million impoverished and dispossessed Indians, environmental destruction, colonial-like rule in Kashmir, and brutal treatment of activists and journalists. In this dark tale, Roy gives rays of hope that illuminate cracks in the nightmare she evokes.” —Publishers Weekly

"From 1998 to 2005 Neil Drabble photographed an American teenager, Roy, as he grew from adolescence to early manhood. On one level this extensive body of work can be viewed as a fascinating document of an always-compelling transition. Closer scrutiny reveals further nuances; a collaboration, a partnership, a personal portrait and at the same time a universal picture of adolescence. Drabble chose not to depict significant events that might appear in a family album nor definitive moments associated with documentary photography. Instead, these photographs concentrate on the listless, off-scene periods, the 'in between moments' of everyday life. This focus on the marginal passages of disregarded time situates the viewer at the heart of adolescence, defined as the period between childhood and adulthood, suspended between longing (for the deferred promise of adulthood) and regret (for the loss of childhood as refuge). By photographing the same person repeatedly and intimately over their formative years, a sense of mirroring began to emerge, reawakening something of the artist's own adolescent self, blurring the line between portrait and self-portrait"--Provided by publisher.

Describes the L.A. street cook's life, including working in his family's restaurant as a child, figuring out what he wanted to do with his life, and his success with his food truck and restaurant.

My American Success Story: Always the First, Never the Last is the autobiography of Roy Roberts, who became the highest ranking African American executive in the history of General Motors Corporation and the global auto industry. Roberts transformed GM plants, merged its Pontiac and GMC divisions, and coined the term "right-sizing" during a critical period of upheaval and transformation for the U.S. auto industry. My American Success Story chronicles Roberts' spectacular corporate career, community involvement (including his 2011-2013 role as emergency manager of Detroit Public Schools) and fulfilling personal life, highlighted by his 40-year marriage to Maureen, his wife. A consistent theme of Roberts' story is his determination to share success by opening doors for others. As he puts it: "It's not a sin to be the first; it's a sin to be the last."

'A triumph' INDEPENDENT 'A thought-provoking and indispensable book' DAILY MAIL 'An instant classic ... I have been reading it with unalloyed admiration and delight' EVENING STANDARD Roy Strong has written an exemplary introduction to the history of Britain, as first designated by the Romans. It is a brilliant and balanced account of successive ages bound together by a compelling narrative which answers the questions: 'Where do we come from?' and 'Where are we going?' Beginning with the earliest recorded Celtic times, and ending with the present day of Brexit Britain, it is a remarkable achievement. With his passion, enthusiasm and wide-ranging knowledge, he is the ideal narrator. His book should be read by anyone, anywhere, who cares about Britain's national past, national identity and national prospects.

"This novel may appear to cater to specialised tastes. But it is highly recommended to nonfetishists, who will find it inventively hilarious." — The Guardian "The sunlight glints on the translucent triumph of science. The faint rasp as I unspool it sends delirious brightly colored butterflies flocking through my stomach. I am like a tailor of the elves bedecking him in a shimmering suit of some magical material. Soon, Roy Orbison stands before all of Düsseldorf wrapped up in clingfilm. Silent white light floods my whole being and I become one with the universe." Just as the avant-garde artists Christo and Jeanne-Claude employed cloth to drape prominent buildings, Ulrich Haarbürste has adopted plastic wrap — or clingfilm — as his medium. His focus, however, is no inanimate landmark; it's the popular music icon Roy Orbison. In this singular novel, Haarbürste relates a series of encounters with the legendary musician that culminate with the former wrapping the latter from head to toe in clingfilm, to the author's immense satisfaction. This edition includes several related short stories, and as the author modestly observes, "Not to speak boastfully, but it is perhaps the only book you will ever need to own on the subject of wrapping Roy Orbison in clingfilm."

Welcome to Roy's house! Come on in and take a look around. There is a big sofa with room for lots of friends, three red fish swimming in a bowl, a yellow chair for reading, and, of course, Roy's studio, filled with paintbrushes. Susan Goldman Rubin pairs her simple narrative style with the energetic works of Roy Lichtenstein to create an early concept book that is also a fun and accessible introduction to one of the twentieth century's most iconic artists.

Nobody's baseball story is like Roy Halladay's.He was born and raised to be a superstar. He was a first-round draft pick in 1995. He nearly threw a no-hitter in his second big-league start in 1998. But two years later, Halladay suffered arguably the worst season by any pitcher in baseball history. He was months away from being out of the game.Hall of Fame pitchers do not struggle like that. But Halladay vowed to change. He altered his pitching mechanics and rewired his brain to become one of the greatest pitchers of all time. How did Doc do it? Doc: The Life of Roy Halladay tells the remarkable story; based on more than 100 interviews with Halladay's family, friends, managers, coaches, teammates, and competitors, including extensive interviews with his wife, Brandy; comprehensive archival research; and previously unpublished commentary from Halladay himself. Doc not only tells the story of Halladay's illustrious baseball career in Toronto and Philadelphia, but his hard-driven adolescence, his lifelong personal struggles, and his motivation to pay forward the knowledge and philosophies that helped him achieve baseball greatness before his tragic death in 2017.This essential biography is a testimonial for baseball players and pitchers from high school to the big leagues still searching for their path to excellence, like Halladay. It's also a celebration and a profound exploration of a generational pitcher and a beloved teammate, friend, and family man.